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Really stoked to be writing for these guys! Thanks for checking it out. - Clay

Tim Gibson’s murder mystery Moth City is a genre-spanning digital comic that draws from the Western, Kung Fu, zombies and historical fiction. The slippery ink line work and muted palette is combined with an instinctual approach to digital-native comics creation, made of hundreds of swipes per issue, animating and exposing sections of the page. The New Zealander, whose tale is based in a place similar to 1930s Hong Kong, joins us today to preview his latest issue.

Clay N. Ferno: Hi, Tim. Moth City returns to ComiXology today. When we last spoke in June, you said you wrote this first as a narrative piece. Issue #6 is bringing all of the story lines to a head. Is the pacing on point to end at issue #8?

Tim Gibson: Yes, the story is definitely ramping up. A lot of the characters are reaching breaking point, having already made some decisions that they can’t come back from. The last few pages of Issue #6 imply that the characters are going to be coming back together again. Last time they were in close proximity, a man got his throat cut. This time there’s a heck of a lot more teetering on the edge. Issues 7 and 8 are going to play that out, and not many characters are going to be happy with the result (evil grin).

Going through the issues, almost each added a new twist or an entirely new genre to the book. Can we expect genre exploration in the home stretch?

We’ve had mystery and crime/detective, a bit of thriller, some horror, this issue has some Western tones with the showdown on the roof, so yeah, it’s a nice little gumbo. The story dictates a lot of conflict and drama to wrap it all up so the remaining issues are moving towards all-in action. Which is great because previously we’ve only had moments interspersed here and there.

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