FREE COMIC BOOK DAY, FIRST SATURDAY IN MAY, 5/7/2016 at DO617.com

FREE COMIC BOOK DAY, SAT 5/7 - 2016

It’s gonna be May! Well, it is May. Get over it. Get over yourself with the cold weather, the endless April showers turning into grey Uber commutes and start to leave the house with purpose for the first time since Star Wars: A Force Awakens.

We here at DO617 strive to get you going! Consider us the web equivalent of slamming a Red Bull during finals. This Saturday May 7, sleep in a bit but go out and get some free stuff!

That’s right, the first Saturday in May is Free Comic Book Day. What does that mean? Easy. It means free comics for you, your kids, your Mom (we’ll get to her later) and an excuse to dust off that Halloween Superman costume already smelling like moth balls.

Here’s what you need to know!

WHAT TO DO AND WHERE TO DO IT —

LCS:

LCS is short for Local Comic book Store. Don’t know where the closest participating comic book store is in your neighborhood? That’s ridiculous! Aren’t you there every Wednesday to pick up your limited Klingon edition of the latest Star Trek rag when the doors open? Oh, that’s just me.

Here is where you can find your closest comic book retailer, enter your address into the robot and find your LCS. (see how easily you are learning)?

freecomicbookday.com/storelocator

COSPLAY:

Lots of stores, like New England Comics for instance, will have superheroes dressed up to greet you when you come in! Don’t worry, that person doesn’t have Kryptonian strength, you can shake his or her hand. These COSPLAYERS mean you no harm. Please ASK them if it is OK to take a picture, hold their sword or touch their hair. Cosplay does NOT mean consent!

[READ MORE AT DO617.COM]

FOG! Presents: BATMAN V SUPERMAN ROUNDTABLE! - at FORCES OF GEEK

Welcome to our Batman V Superman: Dawn of Justice Roundtable. 

There hasn’t been a film this decisive since perhaps, Zack Snyder’s 2013 Man of Steel, which we discussed in depth HERE.  In this roundtable, we discuss the film, the mythology of the characters and the DC Cinematic Universe.

Participating this time are:

• Vito Delsante, comic book writer/editor

• Erin Maxwell, FOG! columnist/entertainment journalist

• Peter Briggs, screenwriter /upcoming writer/director, Panzer 88

• Elliott Serrano, Chicago’s Top Geek/comic book writer

• Josh Hadley, FOG! contributor/podcaster/critic/archivist 

• Lenny Schwartz, FOG! columnist / playwright/screenwriter

• Josh Latta, cartoonist/rabble rouser

• Atlee Greene, FOG! columnist/wrestling & MMA enthusiast/podcaster

• Clay N Ferno, FOG! columnist/publicist & promoter/podcaster

• Brian Saner Lamken, lapsed comic journalist/writer/artist

• Andre Bennett, former FOG! columnist, filmmaker, RPS enthusiast

• Elizabeth Weitz, FOG! contributor/consulting editor

• Steven Segal, FOG! columnist/former film critic

Hope you enjoy, beware of spoilers and be sure to add your two cents to the comments.

[READ MORE AT FORCES OF GEEK]

Murdock St. Fire Coverage

Thanks for your support in our crowdfunding.

I’m OK. 

Moving my office and living space (with Stacey) to a loft in Charlestown after the fire that made us homeless on August 21.

Read more here.

VANYALAND

DIGBOSTON

YOUCARING (donation site)

I’m at a loss for words about how much this means to me. Wishing Kyle (and Cajun) and Michelle (and Bronson) and my Neighbors at 105 Christian, Max, Colin and Rose can find a place to live soon.

I love you all.

XO

Clay

Learn how we can increase your sales, develop your brand, and generate interest in your site.

BOOK REVIEW: IPAD: THE MISSING MANUAL, 6TH EDITION

Just in time for gifting purposes, O’Reilly Media delivers this new edition of the popular iPad:The Missing Manual. The timing’s ideal for non-holiday reasons too, as it’s only been a matter of months since the last major iOS 7 upgrade and release of new iPad models. As usual, this guide is an entirely useful companion, in paperback or even better via Kindle or iBooks. For those looking for a short version, the answer is yes–it’s worth buying for a loved one. Or yourself.

Turn your mom into a tablet ninja.

For the first time ever, I’m gently tapping through this review on the sleek glass surface of a new 64gb iPad Air with a rocket-fast A7 chip. An exclusive iPhone user for years, The Missing Manual has been essential reading in my getting intimate with this new tablet or, as I like to call it, my “comic book delivery device.”

As it were, 2013 also saw the release of the long-awaited Retina iPad Mini, which one can assume is inspiring innumerable consumers to choose an Apple tablet for the first time. In those cases, problems they might encounter include: Having little experience with iOS; Trying to replace their computer with an iPad (don’t do it!); not being tech savvy at all. The latter is a phrase I loathe, but what else better describes the “Facebook won’t let me do this or that” worrywarts who are always asking for us, the resident nerds, to help them post in their knitting groups?

Enter The Missing Manual.

Since 2000, the O’Reilly imprint has conquered the difficult task of communicating computing basics and essentials, and they’ve done it better than the For Dummies series (much respect to the helpers there, but it’s nice to not be insulted right in the title).

[READ MORE at DIGBOSTON.COM]

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"You'll poke your eye out" - DC Comics Releases First Look at FOREVER EVIL #4

Courtesy of - Alexander Nagorski, DC Entertainment

 

This Christmas Eve, see the Dark Knight like you’ve never seen him before.

In FOREVER EVIL #4, Batman must deal with the guilt of Nightwing’s identity being revealed. And even if Dick Grayson returns from the Crime Syndicate alive, will his life be forever ruined now that his deepest secret is out?

Meanwhile, Batman and Catwoman come face-to-face with Lex Luthor and his growing army in the halls of Wayne Enterprises. But what are these two teams doing there? And how does Bruce Wayne have a yellow ring?! Are Batman and Luthor fighting for the same thing or against one another?

“If the Crime Syndicate attacks — how would the villains react if they actually won? If the villains won, and they won in this way, would everyone go along with it? I don’t think they would, because everyone wants something different,” writer Geoff Johns recently said. “At first glance, Lex wants to be as beloved and respected as Superman, though there is a far greater secret in his life that pushes him to strive for success in everything he does, which we’ll learn more about as the series progresses. Lex Luthor is the main character of the whole thing, and that becomes more and more clear as we move forward. In particular with issue #4. So, like Lex, we’re exploring these villains and contrasting them against one another and asking — what would it take to put them in the role of good guy?”

“There’s a lot of fun to be had between Lex and Bizarro. There’s fun to be had between Batman and Catwoman, and when those characters collide,” Johns continued. “Some of the Syndicate members, as twisted as they are, they’ve been fun to write. Power Ring — trying to conceive a character that was everything that Green Lantern usually wasn’t, and amplifying that. There’s a mythology with his ring that we’re going to dive into that explores a very different look at what a Green Lantern could be — if it’s somebody that’s based on a weak will, and a weak sense of self. We see that with Power Ring and how he’s behaving, and we’ll see more of that as we reveal more about him, and the source of the ring.”

Attached for inclusion in your coverage, please find a sneak peek at some of David Finch’s interior art for FOREVER EVIL #4, which shows Batman revealing the Bat Cave to Catwoman for the first time, as well as Ethan Van Sciver’s variant cover for the issue, which depicts Batman using the powers of his yellow ring against the Crime Syndicate’s Power Ring. Please credit these images as courtesy of DC Entertainment in your coverage. For more information, please visit DC Comics’ official press blog.

    

New Client - Trifecta Editions

Happy to be working for Trifecta Editions and my good friend David Buckley Borden.

Here is a crosspost from the Trifecta Tumblr.

Interview with David Buckley Borden, Artist and Landscape Designer

Watershed Down Map, Digital Media, Fall 2013

David Buckley Borden is a graduate of the landscape architecture masters program at Harvard University’s Graduate School of Design. Until recently, he worked as a designer within the Urban Studio at Sasaki Associates and now works at Ground Inc, a boutique landscape architecture firm known for its artful landscapes. David is a landscape designer and artist, and recently worked with us to create a print and postcard pack.

Nurse Log Section, Mixed Media Series: Ink, graphite, colored pencil and carbon transfer on paper, 8.5 x 11”, Winter 2013.

How does your landscape architecture practice influence your art?

Most of the ideas behind my art stem from my landscape architecture practice. This includes the underlying ideas and concepts but also the drawing techniques. If landscape architecture is my work, art is my play and I often play by experimenting with landscape drawing conventions: the scaled map, contour lines, cross section, offsets, line weights, annotation, etc. More importantly, the artwork is a creative exploration of landscape architecture related interests: landscape history, ecology, geology, land use and just about anything related to “the great outdoors.” 

Granite Love Letter, Landscape Installation Proposal, 8 x 10”, Winter 2012.

Tell me about your recent artwork.

Some say I’m obsessed with New England…and its true! I love exploring North American landscapes, especially New England and Eastern Canada. Sure, I enjoy a road trip and hiking through the woods, but most of my explorations are on paper—in drawings I make in my Cambridge studio. And, many of these creative explorations start with books. I rely on an ever growing list of authors who write on the topic of landscape from a variety of perspectives: Howard Mansfield, John Stilgoe, Richard Forman, Peter Del Tredici, J.B. Jackson, and of course Eric Sloane. It’s actually shameful that I don’t spend more time outdoors, but I am working on that…

New England Camouflage Preference Map, Mixed Media, 9 x 12”, Winter 2013.

And your maps?

While in graduate school I was drilled with “rigorous map making.” The rigor almost killed maps for me but common sense and creativity prevailed. I now enjoy exploring and expressing ideas through making maps. In particular, what I call “NTS” (not-to-scale) mapping. These maps are for exploring places…but not in the spatial sense—more along the lines of cultural landscaping, the meaning of place, and regional identity, specifically the identity of New England. When asked where I’m from, I sometimes respond that I’m from the state of New England. New England is my home range and my favorite map-making muse.

Massachusetts’ Premier Ecological Engineer, Silkscreen Print, 8X10”, Fall 2013.

Tell me about Fort Buckley.

Fort Buckley, also known as Fort Chauncy, is what I jokingly call my live/work space. My wife and I live in an apartment on Chauncy Street in Cambridge where I have a small studio space. I also use the apartment as a place to display and sell my artwork. So, Fort Buckley is one part studio space, one part DIY gallery, one part creative cocoon, but all parts home. ‘Fort Buckley’ has also developed into my creative battle cry. I dig all sorts of creative ditches for other folks, but the Fort is really the space where I pursue my own creative interests…it’s a fort of creative self-indulgence. 

Battel for Boston Harbor, Digital Collage, 18“ X 18,” Fall 2010

As someone with both business and design experience, you have a unique background …what’s your take on the business of art?

I’m a big believer in the economics of sustainability. Sustaining art, like anything, requires resources. There’s time and money out there, you just need to develop the networks and the infrastructure to find and capture it. I am a believer in the practice of being a “working artist.” It’s not easy, but I love the whole experience of art: creating it, discussing it, sharing it and even selling it. Art and craftsmanship have some unique economics as well. For example, I am a big fan of giving art as gifts. When you purchase art as a gift for someone, you are really giving two gifts with your purchase. First, you are gifting the piece of art to the recipient, but you are also giving the gift of financial support to the artist. 

Masshole Classic, Silkscreen print, 9 x 12”, Fall 2013.

Tell me about your new prints available from Trifecta Editions.

The print, titled “Masshole Classic” stems from a long running drawing series in which I play with the derogative expression of “Masshole” and a variety of Massachusetts’ soil horizons, both real and fictitious.  This print features a generalized Cape Cod soil profile that includes almost nothing but sand and rock.  The original sketch can be found in my notebook for a soils class with Peter Del Tredici, but over the past couple of years it’s developed into a series of drawings. Now, thanks to Trifecta Editions, it’s a limited-edition print.

MAN OF STEEL (review) at FORCES OF GEEK

MAN OF STEEL (review)

Review by Clay N Ferno

Produced by Christopher Nolan, Charles Roven, 

Emma Thomas, Deborah Snyder

Screenplay by David S. Goyer

Story by Christopher Nolan, David S. Goyer

Based on Superman by Jerry Siegel and Joe Shuster

Directed by Zack Snyder

Starring Henry Cavill, Amy Adams, Michael Shannon, 

Diane Lane, Kevin Costner, Laurence Fishburne, 

Antje Traue, Ayelet Zurer, Russell Crowe

Warner Bros. / PG-13

Superman, though not in the title, and only spoken once in the movie has returned in Man of Steel.

Starring Henry Cavill as Clark/Kal/Superman, Amy Adams as a smart and engaging Lois Lane and Michael Shannon as our villain, last seen in the comics or Superman II,General Zod of Krypton.

Kevin Costner is an earnest, sensitive and sensible Jonathan Kent, Kal’s adoptive father with Diane Lane as Martha Kent by his side. Laurence Fishburne stars as the Daily Planet’s Chief, Perry White.

The film opens on doomed planet Krypton, Russell Crowe as Jor-El helps deliver his son to Lara Lor-Van played by Ayelet Zurer. 

With a cast like this, we can’t go wrong, right?

I tend to love almost everything superhero related and this movie was no exception. After cramming in a Dark Knight trilogy over the weekend, I was well prepared for this Man of Steelscreening. To be honest, I thought the bridge would be there for me like the Timmverse versions of the characters. Batman first. Superman second. One dark. One light. Similar vibe. I was happy to be half correct in that assumption. This is a modern looking film, and perfect for our time. Snyder and Nolan are different stylistically, and I appreciate that.

Having Christopher Nolan as a producer did inform the look of Metropolis somewhat, and the collective success of Dark Knight did get the wheels turning for Superman. I’m happy this all worked out the way it did.

They tell a different sort of origin story with pacing, flashbacks and nonlinear jumps in Man of Steel. Breaking the predictable pattern was welcome, and allowed for more time spent on the story of Krypton as a planet and it’s fate. Zod and Jor-El open the movie fighting and it is this fight over the fate of Kryptonians and their last son that drives the plot. 

Krypton is an organic alien planet filled with strange rounded spaceships, elaborate birdcage steampunk costumes, and Giger-esque (or, more recently and to the point, Prometheus) settings and ships. The time we spend on Krypton is delightful, and much different from the crystalline palace of Brando’s Jor-El.

They’re doing it right with the Houses of Krypton and the General Zod-ness of Krypton just before the explosion. The “S” seal of the House of El is in tact and standing for “hope” in Kryptonian (‘borrowed’ from Mark Waid’s Superman: Birthright). Zod seems to have another pentagon-shaped sigil on his chest, not exactly a “Z”, more of a horseshoe tilted 45 degrees. Heck, I’m no translator! The Kryptonian letters are also different from that of Smallville and comics versions. Spend half a day over at Kryptonian.info if you are curious. 

It couldn’t be Zod without The Phantom Zone exile, The Phantom (Zone) Projector and some bitter allies. He’s got that in a bad-ass Faora (sorry, Ursa fans, a new/old girl is in town—and she can fight!).

On Earth, as Clark grows up he’s initially freaked out by his powers until he grows older and starts to roam the world, TV-Hulk style (or JMS: Grounded style, for the snarky). All the while he chooses to do good, save people and shun bullies. 

Ma and Pa Kent do their best to protect the young boy Clark from revealing his secret before the world is ready and there are great moments of father son bonding between Jonathan and young Clark (Dylan Sprayberry). Jonathan assures Clark that people are afraid of what they don’t understand. 

Missing Smallville pals? Don’t worry, you’ve got Pete Ross and Lana Lang keeping Clark company…and perhaps his secrets? You know Pete is always gonna keep his lips tight. Smallville varsity football kids even pick on Clark with the traditional maroon and yellow jackets. Go Crows!

Slight spoilers, though don’t expect many from this review. Lois has figured out Clark’s secret before she’s even met him through the doors of the Daily Planet. He saves her as they both are investigating an ancient Kryptonian scout ship on the North Pole (Fortress of Solitude?). It’s a different Lois, and as I think she also likes pink very much, Amy Adams brings an intelligence and powerful female to her performance. Lois is in the middle of the action and helps take down the baddies in the end. We don’t get the feeling that she’s putting herself in harms way to bait Superman’s enemies or to be saved. Lois is willing and able to fight with her wits against a Kryptonian army, and that’s respectable.

Origins of Kryptonian births, and how Krypton found Earth are revealed by Jor-El’s consciousness projection when near Kryptonian tech. Much more than the ghost head of Jor-El in the Reeve films, this Jor-El walks and talks and interacts with both Kal and Lois. He’s not alive…but his spirit or memory or virtual reality is very much a real being. This expansion of the relationship Jor-El gets to have with Kal makes it more direct than previous ‘man behind the curtain’ interactions (Smallville, Superman I, II). 

After donning the costume (sorry ladies, no red undies!) Jor-El coaches Kal on flying, or at least using his powers to the full potential. It’s tough not to recall both Spider-Man movie versions as Superman first takes flight like a klutz and crashes through a mountaintop. 

The flight? Just right. Hovers? Perfect. Floating parallel to the ground? OK, never seen that before, so you must be doing it right. Our imagination leaping from the comic page and the recollection of blue screen Christopher Reeve on a glass cube days are long gone. I would say a huge selling point to comic fans is that the powers are right. The Powers are Right. THE POWERS ARE RIGHT!  Heat vision, X-ray vision, impervious to bullets (and anything else) coupled with flight makes for great superhero moviemaking. Batman was all about the Tumbler and The Bat and Bat-Pod. Here, we can believe a man can fly…finally! Sonic BOOM!

Speaking of Spider-Man (both versions) Ma Kent and Aunt May have a lot in common. Probably hard to separate thinking about the history of other superhero movies while watching this one. Diane Lane is fantastic, and does not dote over Clark. She encourages him to reveal himself when the time is right.

Zod’s motivation is to take over the Earth and repopulate Krypton with stored DNA from a Krypton artifact. In the process he’d terraform and kill all humans. This is a standard story for a bad guy but the buildup from the opening sequence was way more satisfying compared to Nero’s motivations in the first Star Trek (2009). 

As a Superman fan, and one that doesn’t wish to spoil anything more than necessary for the purposes of this review, I have both praise and criticisms.

I applaud every effort to include major and minor fan service moments, characters, re-imaginings (Jenny Olsen instead of Jimmy, Kryptonian atmosphere affecting Kal instead of Kryptonite proper), LexCorp trucks and Wayne Enterprises artifacts. Digging deep into the history of Superman by keeping true to the main players is important and approachable. The new tone of the movie (a darker palette in set design and for mood) is a welcome update as well.

Let Donner be Donner. Let Smallville and Geoff Johns comics be those things. This is a new thing. Were this movie to take major liberties with Krypton, Kal and the Ma and Pa Kent dynamic I would be offended. Even Nolan’s Batman trilogy, a masterwork in my opinion, felt at times too based in reality. 

Man of Steel scratches the itch of a sci-fi fan in a modern film context while inserting the aesthetic of a news camera crew or reality show when appropriate. Big action here. Elaborate ships and Kryptonian armor texture the movie with fantasy. Inception and Avengers style of building destruction shows us just how real and elaborate CGI has become. Do I need to mention that the Hans Zimmer score is amazing? Though I wish I could have the movie at home now so that I can mash up the John Williams score with 10 minutes of Cavill flying scenes….for my own use!

On to the criticisms of the film, from a fan of Superman in all forms. I could have used a but more brightness on the camera settings. Though not every shot, I’m disappointed in the use of filters on some of the film processing. Hey, I’m no expert but my untrained eye was put off by the “Instagramification” of some scenes in the film.

Maybe this is the trend, a stylistic choice by Snyder, or something beyond my comprehension. To contradict an earlier statement somewhat, Nolan’s lens is more clean, crisp and cinematic. Some emotional scenes in this film were given a post production filter to break the scene visually from the action, but it took me out a bit. A small complaint on my part, really. Overall with visual effects and CGI, I still would give this movie 5 stars.

Superman doesn’t exactly stand for truth, justice, and the American way in 2013. In Man of Steel, Clark stands for what’s right, his family, and believing in himself to do good. I might be missing something in there but that’s the general idea. He’s only on his first ‘missions’ as a superhero, so he has growing up to do. My major (and for some, the make it or break it) opinion about his victory over Zod in the end had me asking these questions. What exactly does a 75 year-old hero mean in a modern context. Were curveballs thrown at the audience to see how much they can take? Is the world seen through “Instagram X-Pro II” colored glasses? I just don’t have the answer to that, except that for just 5 minutes of the film, I wanted a Christopher Reeve to be there in his red undies instead of the equally handsome Henry Cavill fighting off Zod’s newfound Earth-based uncontrolled heat vision.

This is Superman. You must see this movie in the theatre and enjoy an HD copy at home when the time comes. Just imagine the binge you can have with a Dark Knight Trilogy and Man of Steelmarathon. I may sidestep sleep and any social engagements to do just that again this weekend. If there is any doubt in your mind, Henry Cavill is Superman, he deserves the cape for the DC Cinematic Universe and fan drawings on Tumblr. I believe he can fly. Michael Shannon’s Zod is an assertive villain and worth watching every moment he is on the screen.

[READ MORE at FORCES OF GEEK]

LeaguePodcast FCBD 2013 - YouTube Playlist with Clay & Stacey

DigBoston and LeaguePodcast Comic Book Picks of the Week for November 16, 2011

 

COMICS

An old enemy of the Waynes in Gotham City resurfaces as crime spikes, busying the Dark Knight with bat-famliy domestic disturbances in Batman #3. … British creator Paul Grist delights audiences with his adept cartooning and clever callbacks to comic book history. Welcome Grist’s teenage Mudman #1 from Image Comics into your home, but insist on leaving those boots at the door! … Superior and Kick Ass fans, get the Kapow Guinness World Record Special penned by over 50 creators in just 12 hours to benefit sick kids. … LeaguePodcast.com have reached a comic book milestone today - download or stream episode #100 today! Special shout-out from our nerd MC Frontalot here!

Pass the Daily Dig along! Your friends can sign up here!

Clay in the Boston Herald - FASHION today!

Photo Credit - Nancy Lane, Boston Herald

Photo Credit - Nancy Lane, Boston Herald. Niani Campbell, Emma Panda, Clay Fernald.

Middle East gang models Newbury Comics fashion lines

By Carley Thornell — [email protected] [link]

Retailer Newbury Comics seeks record-setting style sales

By Carley Thornell  — [email protected] [link]

—

Thanks, Carley and Nancy! Big thanks to the gorgeous Niani Campbell and Emma Panda! I’m one lucky dude!

Steve Jobs

 Credit: Matt Yohe“Your time is limited, so don’t waste it living someone else’s life. Don’t be trapped by dogma — which is living with the results of other people’s thinking. Don’t let the noise of others’ opinions drown out your own inner voice. And most important, have the courage to follow your heart and intuition. They somehow already know what you truly want to become. Everything else is secondary.” — Steve Jobs

I went to MassArt to learn, live, and breathe everything. Our computer labs were packed with Amigas and Mac Clones. I was jealous of an upperclassman who could design flyers with QuarkXPress. I asked him how he learned, and he said “I just started using it”. He showed me the two basics, making a text box and importing a picture in a box. That got me going. I was a graphic designer now (if only in my own mind). You should have seen all of the triple border tricks and Helvetica that Duncan Wilder Johnson and I used for Spoken World Poetry promotional materials. I have nostalgia of the extended time I had to spend on those projects. All of that was at a time with little to no internet and Pine mail! All on a Mac. It was easy to understand and fun to do. Classmates of mine were layering Photoshop files and borking the MassArt network because files were approaching nearly 1GB!

Post-graduation, I got into publishing by archiving a publisher database onto CDs on a Mac. While burning discs, I was reading Journey to the End of Night. While scanning Bruce Lee’s personal photographs, I made art on the color copier. I loved going downtown, meeting new people, being a professional, eating sushi on Bruce’s birthday, and most of all…watching the extensions load on ‘my’ computer. I was good. They hired me from the temp agency. Within months, I was laying out cover mechanicals and revising text for the designers. I was left alone to get my work done. I made lifelong connections. I started my ever-changing and ever-evolving career. Life was good. I understood the Mac because I felt it understood me. Truth was, Steve Jobs understood me, or the type of person I am. We creatives don’t need to build our own PC. We creatives just want the thing to work, and it is worth the risk of crashing the computer when we really push it with too many Photoshop filters and layers. Keep the coffee coming, we have a press check this week and the manuscript just got turned in!

I suggest patience as a virtue to my students because my career did not go from point A to point B. Steve Jobs invented the Apple computer with Woz, invented Lisa and the Mac, left Apple, was at Pixar, returned to Apple, unleashed the iPod, and revolutionized all creative work with his vision. Getting that job in publishing was my Apple I. I’m not dropping the iPad on the world, but it took me a while to get to this happy & sober 36th birthday. I bounced to and from temp jobs, hourly wage jobs, courier jobs, shift manager jobs, to other publishing opportunities. Ironically I’ve never wanted to work particularly hard, something just drives me.

I’ve let myself be crushed by setbacks, losses of friends and family, drained bank accounts, heartbreak, therapy, treatments, moving apartments, and negative people. I never stopped. I did put down the drink and things started to get better. I bought this website. I’ve got this very real place to display my art and my writing. I’m surrounding myself with positive people. I can call on real friends. I came close tonite to making some phone calls because I was crying at the gym and the grocery store. Steve Jobs has influenced my life, and I’m sad that his family and the world have lost him. Where will I be 20 years from now at exactly 56 years of age? Hopefully influencing my family and friends and my place in a world in a positive way.

Two months ago, my therapist directed me to the Steve Jobs speech at Stanford. I was having trouble dealing with the loss of my friend Adam. She said the best thing to do was to live my life like Steve suggested here…as if every day was my last. To me, that’s the best way to give to Adam. That’s the best way to give to my family. And as I write my second memorial post of the year, this is how I can give to Steve Jobs. Give by doing. Do by giving. Live by living. Transform by transforming. Work by working hard at what I love and for who people I love working with.

I’m fully going to let myself be sad in bed now. Thursday, October 6, 2011 will be a great day. Birthday lunch with Mom and Dad. Work. Gallery show and pizza and movie night with a great friend.

From Paul Simon’s Paul Simon in Concert, a quote. “Say a few words? Well, let’s hope that we continue to live.” He then starts into the tune ‘America‘…

“Let us be lovers we’ll marry our fortunes together”
“I’ve got some real estate here in my bag”
So we bought a pack of cigarettes and Mrs. Wagner pies
And we walked off to look for America

“Kathy,” I said as we boarded a Greyhound in Pittsburgh
“Michigan seems like a dream to me now”
It took me four days to hitchhike from Saginaw
I’ve gone to look for America
 
Laughing on the bus
Playing games with the faces
She said the man in the gabardine suit was a spy
I said “Be careful his bowtie is really a camera”

— Clay S. Fernald, October 6, 2011

Frank Miller - "Holy Terror" [Book Review - Clay N. Ferno of LeaguePodcast]

As a followup to my previous post, I received Holy Terror in the mail this morning. Here is my review.

Frank Miller’s most recent, and somewhat anticipated Holy Terror surprised me with its form factor immediately. Landscape comics are decidedly uncommon, but a clever way to have books stick out on the shelf. Miller has been working on this conceptually since 9/11. Partly a tribute to the Cap punching Hitler days, this work pits a superhero against a real world terrorist threat. Unfortunately, the master cartoonist, storyteller, and artist has missed the target.

Storytelling was awkward, abstractions were obtuse, and politically the story was tough to swallow. Also, make no mistake, this is a Batman story. Co-starring Catwoman. And Jim Gordon. Originally slated for a pre-relaunch “Dark Knight Returns” continuity DC Comics release entitled “Holy Terror, Batman”, we miss out on all of the good stuff in this release from Legendary Comics. 

A WORD ABOUT LEGENDARY COMICS

Legendary Comics is a subsidiary of Legendary Pictures. The studio dropping such great comic book movies from directors Nolan, Snyder, & Singer drops Holy Terror as its inaugural title. Safe bet there, with Miller being a true master of the genre. We look forward to books from other Batman creators Paul Pope (Batman Year 100), Matt Wagner and Simon Bisley. Editor-in-Chief Bob Schreck was installed in late 2010.  The personable Schreck is perfect for the job with over 30 years in comics. As a writer and editor he’s worked at Dark Horse, Oni Press, DC, and most recently at IDW. Will Legendary be the new ‘boutique’ publisher for high-end graphic novels and creator owned work? That answer has yet to reveal itself, with only three titles announced. 

HOLY TERROR 

All the pretending and dancing around that this is not a Batman book is most certainly a copyright and intellectual property issue, and not the truth.  DC Comics would never back this up. Seventy years of establishing this important Bat-brand, only to be sullied by an attention grabbing pro-American graphic novel would not be good business. I estimate The Fixer to be sitting comfortably in the timeline of Bruce after his retirement, and roughly five years before putting the cowl back on in Dark Night Returns. 

THE ART

There’s minimal dialogue, and no lettering credit. It’s safe to assume Miller lettered the book himself. Cool lettering and sound effects, too. His voice and his penstrokes are definitive. I’d love to watch him ink a page of rain coming down on a character! Ever since Sin City I’ve been in awe of his black and white Sumi-e brush strokes, the balance of the page, his chunky flat spotted blacks, wide eyes, and dynamic action. Dave Stewart provides masterful, well-directed, minimalist coloring (with a palette of no more than three colors).

I’ll drool over Frank Miller’s art any time, but this was more late-period Sin City than it was of earlier works of personal favorite cross hatch inkgasm, Ronin. 

AS A COMIC BOOK / GRAPHIC NOVEL

The biggest failure here is that the work is painfully aware of itself. This is a comic book. There are comic book tropes such as callbacks to other Miller comics, and a rather awesome play on the nine panel grid structure. Is this book for comic book fans or the general public? I had trouble figuring that out, and still have no answer.

The Fixer is murderously acting out a revenge fantasy that most Americans dreamed of post our nation’s greatest tragedy (and many still do). Is there much of an audience for that, even ten years on? Or have we all grown from those feelings, focused on our families, regretted our wars, and decided to live our lives? I have buyer’s remorse after reading this. I feel like this was a cash grab from both fans of Frank Miller and from über-Patriots who would read abour this book in USA Today and relive a hatred never to be forgotten. 

The story was compelling, but not surprising. I had known the plot from the original title, and internet rumors. The location change to  Al-Queda’s Subterranea parallel was interesting, but by that point I was just wanting the whole thing to be over. I kept struggling to imagine that this was a young independent creator, speaking volumes on our social troubles. But this book was not the product of that. I was reading the work of an elder statesman of comicdoms’ elite who had nothing to say that wasn’t hateful, short-sighted, and frankly a bit empty. 

MAYBE I JUST DON’T GET IT

Is Miller’s intention of this book being “bound to offend just about everybody” justified? By that, am I to be offended and just walk away feeling offended and say he did his job? That would be irresponsible and dishonest. Since when are critics to listen to an artist’s intention? The public is to digest and make their own opinions on ‘the work’. My strong relationship with Ronin and Dark Knight Returns are based on my formative years as a comic book fan wanting to read more of Miller’s work, and emulate it. Now I’ve got sour grapes because he’s telling me how to react to it. No way dude. You put out Dark Knight and I heard about it in 1987 because it was an amazing story. Not because you said it was. I’m not detecting an homage to old comics or irony at all in Holy Terror. Why is that, Frank? Hey, I stuck with you through that Spirit movie…is this how you’re going to leave us?

I’ll remain a Frank Miller fan, and I’ll be cuious as to what he comes up with for a next move. I’d love to see an apology, an explaination, or for Miller to go back to making great films and comics. I stand by Sin City as being as close to perfect a translation of comic book page to film as you can get. Hate speech, hate actions, hate anything will keep me away for good. If we continue to get more of this, you can be sure I’ll stay far from it.

10/16 Clay N. Ferno's Bday w/ THE BOMBPOPS (San Diego), CONTINENTAL, CHIP and XTOWN XPRESS & more #punk

PRESS RELEASE

Sunday, October 16, 2011

Middle East Upstairs

LeaguePodcast.com and Rock On! Concerts present
The Bombpops (Red Scare Records, San Diego, CA)
Continental (featuring Rick Barton of The Outlets / DKM)
Hands Like Bricks (LA, CA)
SEXCoffee
Chip and The Crosstown Express
Clay N. Ferno’s Birthday Party
18+ $9 Advance / $10 Day Of Show
TIX - Facebook Event

8pm Doors
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THE BOMBPOPS



The Bombpops have proven to be one of Southern California’s hardest working bands, drawing influences from ’90s skate punk and Fat Wreck Chords bands like NOFX, Lagwagon, Descendents, and No Use For A Name.

Fronted by two girls ripping on guitars and vocals, and backed by dudes holding down a strong rhythm section, The Bombpops offer a fresh, honest, in your face, delivery of catchy melodic pop punk songs.

Formed in early 2008, with members fresh out of (and others still in) High School, The Bombpops quickly established a name for themselves in the So-Cal punk scene opening up for punk rock giants such as Bad Religion, GBH, TSOL, The Adolescents, Strung Out and The Queers.

With their first official EP “Like I Care” released on Red Scare Industries in November 2010, their second EP “Stole the TV” on the way and relentless touring under their belts, The Bombpops have no plans of slowing down.

“Perfect for blasting through some pool corners or for keeping the good attitude going” - EuropeSkate.com

“The Bombpops are a female fronted quartet and a force to be reckoned with… Like I Care delivers some of the quickest and most melodic punk tracks of the year! “- Scene Point Blank

Artist Website: http://www.facebook.com/TheBombpops

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CONTINENTAL

Hailing from the Hallowed grounds of the garage at 123 Centre Street (former home of the “Dropkick Murphy’s” and “Everybody Out”) comes Rick Barton’s latest and greatest incarnation “Continental.”

Continental will never be defined by a particular genre. They blend a unique style of rock, folk,country and blues to as closely follow Gram Parsons mission of “Cosmic American Music.” Some of the initial comparisons have been to Jonathan Richman and the Modern Lovers, The Rolling Stones, Bob Dylan, and The Velvet Underground. Continental will be a touring, starving, and hard working band coming to your town.

Artist Website: http://www.facebook.com/ContinentalBand

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HANDS LIKE BRICKS

Remember when punk rock bands played in basements? Tall boys, best friends, bad lighting, and bands without make-up or hair that impaired their depth perception? This is Hands Like Bricks.

A Los Angeles foursome with an idea that punk rock is about best friends having awesome times together, Hands Like Bricks write unpretentious, sing-along anthems that speak to your soul, and voice things we can all relate to. With an impressive punk rock pedigree that stretches from New Jersey to Los Angeles, Hands Like Bricks is bringing punk rock back to the kids that couldn’t find a family anywhere else, whether they are 13 or 37.

Artist Website: http://www.facebook.com/handslikebricks

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SEXCOFFEE

Craving a high energy musical fix full of soulful melodies, innate harmonies, and carefully crafted songwriting? SEXCoffee is an alternative rock quintet best served live, loud, or recorded. Sean McCarthy from Standard Times praises SEXCoffee as “a high-energy rock band with a solid reputation”, while The Noise Magazine says “They sound like a band that knows how to carve their own musical path and does so with aplomb.”

Through the in-your-face vocal presence of front-woman Ruth Charbonneau, the dueling guitar riffs of Joey Magnanti (guitar/vocals) & Josh Baptista (guitar), and the thunderous low end rhythm section of Sharlene DeNardo (bass/vocals) and Paul Campbell (drums/vocals), SEXCoffee’s eclectic musical brew is a genre-breaking force in both their recorded and live sound.

Sharing the stage with such high profile acts as Candlebox, Halestorm, Siobhan Magnus (from American Idol) Company of Thieves and Me Talk Pretty, this multi-award winning band maintains and values a competent work ethic along with attention to melodious detail. Once you’ve had a taste of SEXCoffee’s infectious blend, you’ll be feeling satisfied to the last drop!

Artist Website: http://www.sexcoffeeband.com/

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CHIP AND THE CROSSTOWN EXPRESS - (first of 5)

Come early - Chip’s set opens the night at 8:30! Chip is saddled with the burden of being one of Clay’s closest friends. This Middle East Upstairs debut of the CHIP AND THE CROSSTOWN EXPRESS is going to be epic.

“Just in case you weren’t aware: Jimmy Fallon is my best friend. We opened an old phone museum. Fell in love with a Korean. Soup friends for life. Oh yes, soup friends for life.”- Soup Pals

Boston / New York singer songwriter. Tributes to old phone museums (Old Phone), The Turkey’s Nest in Brooklyn (Soup Pals), Jacket Magazine (Jimmy I Lost My Jacket), Jimmy Fallon , Brooklyn’s G-Train (G Train), Soon Lee from M*A*S*H (Soon Lee), and many more. The Chip and The Crosstown Express EP was produced by Randy Miller and Iyad Kheirbek (Wild Zero, C.O.N.D.O.R.).

Here’s Chip and the Crosstown Express at the Miss G-Train Pageant, 2009.


DOWNLOAD his EP for FREE at bandcamp -

Artist Website: http://chipandthecrosstownexpress.bandcamp.com/

Facebook: http://www.facebook.com/pages/Chip-and-the-Crosstown-Express/132053693481903

DigBoston and LeaguePodcast Comic Book Picks of the Week! September 28, 2011

COMICS!

“Parker!” J. Jonah Jameson’s smitten by the same blasted affliction of his rival, The Amazing Spider-Man in this chapter of #SpiderIsland! Who’s the menace, now? The erstwhile editor of The Daily Bugle swings in to action as your friendly neighborhood Spider-Mayor in ish #670! ‘Nuff Said! …Do you experience feelings of dread in your basement or attic? When we yelled “Parker!”, did your mind’s eye picture Ray Parker, Jr.? I think you better tap your bluetooth and call on Ghostbusters #1 from IDW! All new, ongoing, and slimey! Alright, who brought the dog? …Eric Shanower and illustrious illustrator illuminati Skottie Young bring you back to the land of OZ after the 1906 San Francisco earthquake swallows Dorothy and her kitten Eureka in our all ages pick of the week, Dorothy And Wizard In Oz #1! Picks from LeaguePodcast.

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NEW ART - 10/16 THE BOMBPOPS @MidEastClub Up - My Birthday Show

w00t.

Finally putting this one in the ‘done’ pile.

Pencils & inks from my hand.  Typeset and colors on the computer. My first coloring with a Wacom. Almost getting the hang of it, but I ised the mouse and trackpad for a lot of it.

The Bompops Oct. 16, 2011 at The Middle East

Looking forward to all the great bands:

Sunday (post NYCC) - October 16, 2011!

LeaguePodcast.com and Rock On! Concerts present
The Bombpops (Red Scare Records, San Diego, CA)
Continental (featuring Rick Barton of The Outlets / DKM)
Hands Like Bricks (LA, CA)
SEXCoffee
Chip and The Crosstown Express
Clay N. Ferno’s Birthday Party 
18+ $9 Advance / $10 Day Of Show 
TIX - Facebook Event

Read more comics: Funny Books For Jerks - from PTSOTL

I wrote this guest blog post for Luke over at Put That Shit On The List!

Check it out!

Batfap

Did you know there are still people out there in the world who don’t read comic books? That’s weird. I asked my main comic nerd Clay N Ferno, who does a weekly comics podcast, to share some ideas of jumping off points for people who are sick of reading books without pictures.

Luke and I are taking turns buying and ‘trading’ trade paperbacks of The Walking DeadAMC hit, Season 2 premieres October 16). That swap came to a halt as Luke prepares for legal battles with The Daily Show because of his current obsession with A Song of Ice and Fire fantasy novels by George R.R. Martin (aka HBO’s Game of Thrones). He asked me to suggest some comics to this jaded blog audience and he promised I didn’t have to be funny about it or talk about masturbatory shame related to our girl Kreayshawn. “Bonus points for that, though,” he said. 

First, a bit about our podcast. Not everyone in town has a comic book podcast, and believe me, our egos can take the blows of any criticism you might drop on us for that. Three of us have known each other from high school.  ‘Awesome’ John Hunt was the older brother and Executive Producer of the VHS masterpiece ‘Dursin the Firestarter’ films circa 1990s Abington, MA. Like minds meld together. Jaush Lingel bonded with Dursin about comics over some beers at an ‘adult’ party, or so the legend was told to me, at the 2009 New York Comic Con. We’re not too old, too young, too nerdy, too humble, or too ridiculous for putting out a weekly podcast about comic books. John, for example, is a comic book colorist and letterer who’s worked on Star Trek books, One Piece and most recently at Marvel Comics.

For everyone that skipped to this bulleted list, here’s some comic book suggestions for you. Go visit a comic book store. They usually have candy this time of year. It’s a good time because DC Comics did a marketing stunt in September…and it worked. How they pulled it off was pretty awesome.

• Catwoman #1 - There’s more bra and panty fetish drawings in this book than all get out.
• Sandman, Vol. #1 - Preludes and Nocturnes - Amanda Palmer’s husband did this. He invented girls getting Ankh tattoos.
• Captain America by Jack Kirby, Vol. 1: Madbomb - Jack Kirby is the guy that made Stan Lee famous. To say anything bad about King Kirby damns you to an eternal damnation of Bronies dressing you up for pretty costume contest that you always lose. He invented Marvel Comics and got like 1% of the money and credit.
• Tiny Titans Vol. 01: Welcome to the Treehouse [Paperback] (or just any old issue of Tiny Titans) - This is cute, younger versions of the World’s Finest Comic Heroes. Robin heads the team, but Alfred makes them take baths! I always ‘buy this one for my niece’ when I go to the store. Always some meta comic book in-jokes about continuity and costumes in here. Darkseid is the substitute principal! Aww Yeah, Titans!
• Phonogram Vols. 1 & 2 - Kieron Gillen (now on X-Men!) and artist Jamie McKelvie (Cable, X-Men & More!) wrote this unbelievable tribute to new wave, magic, The Pill (Causeway Above the Penalty Box years), The Ting Tings, girl singers, love, betrayal, murder, and record collections. Set in 2006 London and referencing ‘bands I never cared about’ like The Auteurs, The Libertines, and Ocean Colour Scene, this well indexed tome is better than a Saturday night at The Common Ground (RIP). Just remember the rules - no boy singers, you must dance, and NO MAGIC on the dance floor.

OK, that’s it. Don’t be such a pussy when you go into the store, either. Just pick up some books, ask for one of these, and be a (wo)man about it. There’s no secret sauce, but the artists, writers, and John need you to spend a couple bucks at the store. I write the comic picks of the week for DigBoston’s Wednesday email. Check that out or see them on our page, LeaguePodcast.com where we make fun of girls, talk about working out, what’s wrong with Hollywood, and the REAL losers we went to high school with. Maybe you don’t like comics, but you DO like wasting time at work, so listen to our Odd-io Comics. These are audiobooks for comics. Here’s my favorites: SUPERMAN in POWERSTONE, and yours truly as SPIDER-MAN in BETRAYED.

—Clay N. Ferno, Assistant Manager, LeaguePodcast.com

10/13/2011, 10/14/2011, 10/15/2011 - LIVE! ON STAGE Jonathan Richman featuring TOMMY LARKINS on the drums! @MidEastClub

10/13-10/15 LIVE! ON STAGE Jonathan Richman featuring TOMMY LARKINS on the drums! @MidEastClub

 Originally a ‘Google Buzz’ reply

Right when I first started working here at the Middle East, Kieran and I split the door duties for Jonathan’s shows (another 3 night stint) @mideastclub Upstairs.

Jonathan is very private and hates computers and cell phones! God bless him for that, it must be how he maintains his cool!

Before the show, Jonathan hands me a hand written guest list and says “Here’s my list…and if someone thinks they are on the list, (but aren’t) please don’t make them feel uncomfortable…just let them in!”

Show starts, I rip 194 tickets and (all of his shows sell out in advance, he prefers the intimacy and the history of the room at the Middle East Upstairs). By the way, I was also told that The Saters would take care of Jonathan after the shows were over “Next Week”. No large checks or cash was being transacted this evening. This is the kind of honest family business that I work for. Very romantic and cool and old school show biz.

The Marquee reads, according to contract:
“LIVE! ON STAGE Jonathan Richman featuring TOMMY LARKINS on the drums!”
The show happens, as it has a thousand times before on stages across the world.
200 people are transported to a vineyard in the south of France for an hour and a half as Jonathan soothes everyone’s souls.

After the show, I count and recount the till. I count and recount the door money. I fill out my paperwork (as I will come to do a thousand more times!). I imagine my office a smokey room, like a noir detective novel. There was probably no smoke, but Jonathan had turned on only one light in the room for mood. Here it is happening, as I write this I still cannot believe this to be true! This is a distant dream. A foggy memory, yet I can taste the air. I feel not excitement, in fact, I feel a calm warm spiritual experience as Jonathan Richman was LIVE! in the office playing his guitar and singing. He is playing for himself I am sure, but I was his only audience. I can honestly say this was one of my fondest memories of my life, my job, of music, and of the experiencing something greater than myself.

Yesterday, as I was typing this out (attempt #2!) I got distracted. I had a DJ gig at another bar. Here I was at another desk, 6 years later, putting my required mp3 set list on my iPod. This time in the office, it’s before Jonathan’s set, and I found myself with my eyes closed, my hands across my stomach, fingertips touching (thumb to thumb, index to index, ect.), breathing, eyes closed. It’s just the two of us and it’s happening again. The feeling was familiar, welcome, Zen, spiritual, and relaxing.

Then, as I had a thousand times before, I closed my laptop, disconnected my iPod, and slithered out the door. I felt like I was intruding on his warm up time, I had basked in his moment for exactly how long I needed to. I did not say goodbye but my smile is lasting through to this moment.
— Clay S. Fernald, February 20, 2010 1:21 AM

Middle East Upstairs proudly presents: Thu 10/13 - Night 1 Live! On Stage Jonathan Richman featuring Tommy Larkins on the drums! 18+ $15 TIX - Facebook Event Fri 10/14 - Night 2 Live! On Stage Jonathan Richman featuring Tommy Larkins on the drums! 18+ $15 TIX - Facebook Event Sat 10/15 - Night 3 Live! On Stage Jonathan Richman featuring Tommy Larkins on the drums! 18+ $15 TIX - Facebook Event

Artist Website: http://vaporrecords.com Tickets at TicketWeb: http://www.ticketweb.com/snl/Search.action?query=jonathan+richman+middle+east or at the Middle East Box Office 2-8pm Daily - NO FEES!

DigBoston and LeaguePodcast Comic Book Picks of the Week! July 27, 2011

COMICS

LeaguePodcast favorite Terry Moore (Strangers in Paradise, Echo) delivers his highly anticipated dip into the horror genre with Rachel Rising #1. Rachel has returned from the grave to find her number one squeeze is shacking up with another babe. It’s your standard zombie romance revenge tale in this premier ish!. …Venom #5 puts war hero Flash Thompson in the suit of goo and reboots the 90s web-villian as a government weapon! Peter Parker and Flash set aside differences in this Marvel Team-Up for the greater good. … Fozzy thinks he’s got jokes, but he may have to enroll in one of those embarrassing improv classes to improve his routine. Disney and Marvel present the all-ages Meet The Muppets #1 all-variety issue with bonus Pigs in Space skit!
Picks from week from LeaguePodcast.com, natch!

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