SUN 8/4 HOMEBOY SANDMAN, @Mike_Eagle, @MegaRan @ChurchBoston #mm #hiphop @rockonconcerts

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BLOGGERS: Weekend Picks Appreciated! Feel free to ask me any questions/requests. Thanks for your continued support.

THIS SUNDAY 8/4 (post-Boston Comic Con)

FOR IMMEDIATE RELEASE!
This Sunday at Church LEAGUE PODCAST in association with Rock On! Concerts presents THE DEAR HUNTER TOUR featuring Stone’s Throw artist HOMEBOY SANDMAN, OPEN MIKE EAGLE and RANDOM aka MEGA RAN with local talent Josh H.W., ELEMENTAL ZAZEN (with DRUMMER), newcomers CLINICAL and PRETENSILE.
NOTE: doors changed to 7:30PM

###

Homeboy Sandman’s new record All That I Hold Dear will be released August 6th. The 7-track joint was produced entirely by M Slago, who also produced this track “Easy Does It” featuring YC the Cynic & I Am Many. 
Sand will tour the US in August & September on The Dear Hunter Tour, with Open Mike Eagle and Random. Tour dates below. 
NEW: OPEN MIKE EAGLE 
A stand-out in Los Angeles hip-hop collective Project Blowed for almost a decade, Open Mike Eagle has spent the past nine years rapping and grinding hard. It’s paying off an he’s become the “it” indie-rapper of 2013.
“Open Mike Eagle is Suddenly the Hottest Thing in Indie Rap” - LA WEEKLY 

OPEN MIKE EAGLE On WTF? WITH MARC MARON: http://www.wtfpod.com/podcast/episodes/episode_406_-_mike_eagle
NEW: RANDOM (aka MEGA RAN) “Doubt Me” video - 
##

Sunday, August 4, 2013 

The Dear Hunter Tour with 

Homeboy Sandman (Stones Throw Records) - http:// www.stonesthrow.com/ homeboysandman/
Open Mike Eagle - http://mikeeagle.net/
Mega Ran (Capcom) - http://megaran.com/
H.W. - http:// longlivehw.bandcamp.com/
Elemental Zazen - https://www.facebook.com/ elementalzazen
Clinical - http://www.soundcloud.com/ clinicalmc
Pretensile
21+ 7:30pm doors
$10 Advance / $12 Day Of Show

[LeaguePodcast & RockOnConcerts Present!]

Tickets at http:// www.RockOnConcerts.com/
ON SALE NOW - http://ticketf.ly/18Wva1a 
http://is.gd/sandmanchurch
https://www.facebook.com/events/345904638870304/

Church (Church of Boston)
69 Kilmarnock St.
Boston, MA 02215
617.236.7600
http:// www.churchofboston.com/ index.html

‘THE DEAR HUNTER TOUR’

“Homeboy Sandman’s new record All That I Hold Dear will be released August 6th. The 7-track joint was produced entirely by M Slago, who also produced this track “Easy Does It” featuring YC the Cynic & I Am Many. “

https://soundcloud.com/ stonesthrow/ homeboy-sandman-easy-does-i t

********************

On the heels of the release of his critically acclaimed LP First of a Living Breed (Stones Throw) and in support of two new projects (Kool Herc Fertile Crescent EP and All that I Hold Dear LP, Stones Throw 2013), his national tour with Brother Ali (Rhymesayers Entertainment), and a headlining tour of Europe, Homeboy Sandman will headline a tour of the US this summer. Open Mike Eagle (Hellfyre Club, Fake Four Inc, Mush Records) and Random aka Mega Ran (officially licensed by Capcom) will support.

Sandman says of the tour, “The Dear Hunter Tour is in promotion of my latest Stones Throw release, ‘All That I Hold Dear.’ I’m blessed to join forces with two musicians also searching for substance, magic, brilliance, love, and truth. We’re going to find them too. When we do, we’re going to share them.”

Kool Herc Fertile Crescent EP (Stones Throw) vinyl/digital relase available now. 8-track release produced entirely by El RTNC (aka Rthentic). The record is an unapologetic homage to old school hip-hop in its bare-bones production, lyrical themes, cover art and even the title. With the blessing of DJ Kool Herc, one of the originators of hip-hop, Sandman pays respect to the pioneering DJ by proudly naming the release in his honor.

HOMEBOY SANDMAN

Homeboy Sandman is a musician. His genre is hip-hop. An emcee that prides himself on musical growth and evolution, he has adopted as his motto and creative mission statement, “Boy Sand like you’ve never seen him before. As usual.”

Before signing to Stones Throw he’d already been chosen as a coach on MTV’s MADE, featured in preeminent print hip-hop rags XXL and The Source, and perpetually championed on foremost online hubs. And since the signing, his accolades have extended beyond the realm of the hip hop specific. Rolling Stone has noted his “skill for wordplay that keeps you hooked.” NPR has highlighted his “artful, hysterical, disobedient hip-hop that you can dance to.” Pitchfork has straightforwardly dubbed him “one of the best pure lyricists around.”

OPEN MIKE EAGLE

“One of LA’s smartest young voices” says the LA Times…which the artist suspects, may just be a covert way of saying LA is dumb. “Open” Mike Eagle wouldn’t terribly mind, being born and raised in Chicago where the painful winters and his uppity grandparents kept him inside as a youth. He spent his formative years watching alternative music happen on MTV and hoping to one day be able to audition for the Native Tongues. As a young adult after graduating with a degree in Psychology, he did the next best thing and moved to Los Angeles,

joining the Project Blowed collective where he made music and toured with Busdriver, Aceyalone, Abstract Rude, Nocando and more. He’s also gained notoriety in the world of comedy by being invited by professional funny people (Paul F. Tompkins, Hannibal Buress, Matt Besser/UCB) to rap at their shows. He’d like to be rap’s Kurt Vonnegut

but recognizes that he’d first have to create something as iconic as the four-stroke illustration of an anus. He practices by releasing rap albums that delight, entertain, and confuse.

RANDOM aka MEGA RAN

If you put video games, the 80’s, hip-hop, soul music, jazz and standup comedy into a blender and hit “puree,” you’d have something close to The Random Experience.

The self-proclaimed “TeacherRapperHero” made waves by going way left of his backpack roots by combining 8-bit video game sounds and hard hitting hip-hop tracks, and has become a trailblazer in the budding genres of chiptune and nerd-rap. A Capcom cosign and admiration from the genre’s toughest critics has led to placements in TV, movies, university coursework, and of course, games.

Today, Random is no longer a teacher by title, but travels the world to entertain and educate through the gift of facemelting raps.

********************
H.W.

Boston rapper H.W. dumps his demons - By Martín Caballero | BOSTON GLOBE 

Last July, H.W. (short for “Hazardous Wastes”) released one of Boston hip-hop’s most literate, emotionally complex albums of the year in “Wall Papered Exit Wounds.” Delivered in the lyrically dense and raw personal style that has become his signature, the record quietly distinguished itself from the crowded local marketplace by vividly exposing its author’s titular emotional wounds for all to see, allowing listeners to eavesdrop on his internal struggle for peace of mind. It’s occasionally jarring and hardly uplifting stuff, but his gift for articulating pain is a rare one.
Yet there’s an important piece of context to note with “Exit Wounds”: The material was recorded six years ago, and the H.W. whose emotional turmoil fueled that record is not the same one who’ll be performing on June 5 at The Sinclair in Harvard Square.

“I hated that record,” H.W., born Josh DeCosta, says bluntly over a midday beer at a bar in Central Square. “The only reason I released it is because people told me it was good and I should put it out.”
Naturally, an intensely introspective album in which he struggles to find scraps of optimism within darkness would understandably be difficult to embrace in the same way that a detached listener might. But this isn’t his first release in that vein: “Exit Wounds” built on the foundation of 2009’s “A Year’s Worth of Worry,” where songs like “The End of the Line” established his reputation as a sensitive, emotional lyricist fueled by tumultuous romantic relationships that often ended in heartbreak. In 2013, that’s the reputation he’s working to change.

“It’s unbearable in a way,” says the Fall River native. “I was the guy who did songs about ex-girlfriends, and that’s all it was. And it got sickening being that person. It bothers me in the sense that there are so many more aspects of my personal life. If people talk to me they know that I’m not that person, I’m not that guy who goes home and cries every night and hates myself. I needed something to write about other than that.
‘In the studio I’m hyperly critical and constantly tweaking stuff, while on stage I don’t have enough time to think about it like that.

For someone whose creative output was so closely linked to his state of mind, shifting directions musically first necessitated a change in mentality.

“I based my worth on who I dated, and because of that every relationship was the end-all, be-all. So when those ended, it was devastating to the point that it destroyed by self-esteem. I eventually slowly realized that life doesn’t revolve around relationships. These girls, or these moments in time, as important as they may feel at the moment, are just that. It took a long time for me to understand what I cared about and how to write about what I cared about.”
“I’ve seen him grow and mature as a rapper and a performer drastically,” says longtime friend and DJ Emoh Bettah. “Most, if not all, of his earlier songs were about relationships gone sour or about friendships with ex-girlfriends, and I’d often joke with him about it but since then he’s been writing songs about other topics. His music may be too personal for some, but he does what he does well. All of his songs tell a story and he is just being himself, which is what I think people love about him.”

Yet for a rapper with a highly technical lyrical style and no shortage of things to say (“I think I’m way too personal in general, I’m just an over-sharer,” he admits), it’s surprising H.W.’s output isn’t more prodigious: case in point being the long gap between the recording and release of “Exit Wounds.” Rather than adhering to the modern rap marketing scheme of flooding the Internet with new material via social media in search of approval, he takes his work direct to live audiences.

“On stage, there’s something that clicks within me and I am the person who I am with my closest friends,” he says of his shows, which often find him performing unreleased or incomplete songs and interacting with the audience. “I love that feeling, maybe because it’s the sense of self-gratification that I’ve always sought from everything in life. In the studio I’m hyperly critical and constantly tweaking stuff, while on stage I don’t have enough time to think about it like that.”

That said, you’re more likely to hear H.W.’s musical evolution at an upcoming show before you can get it on iTunes. His next release will be the conceptual album “I Only Exist on the Internet,” targeted for late June release, which should show glimpses of the broader material he’s seeking to explore: topics like politics, environmental issues, and yes, maybe even a party jam. It’s not so much a rejection of the melancholic raps of the past, but an appreciation for their role in getting him to this new, more optimistic place in life and music.
“I’m not the best rapper ever,” he says. “I just would like to be able to display all aspects of myself. There are way more important things to talk about than my feelings on this one person I care about. The world is crumbling around me; there should be something else I’m able to share. A lot of this new album is about liking life, because I actually like life right now. ”
http:// longlivehw.bandcamp.com/

— 
http://ticketf.ly/18Wva1a 

TWITTER STUFF

http://www.twitter.com/ ChurchBoston 
http://www.twitter.com/ RockOnConcerts
http://www.twitter.com/ LeaguePodcast
http://www.twitter.com/ HomeboySandman
http://www.twitter.com/MegaRan
http://www.twitter.com/Mike_Eagle
http://www.twitter.com/joshhw


—
Clay Fernald / Clay N. Ferno
M: +1 (617) 30-COMIC (google voice)
Check out our comic book podcast, LeaguePodcast.com
Check out my comic book culture column at DigBoston.com - EARTH PRIME TIME: DigBoston
Pop culture & comics at Forces of Geek

SUNDAY, AUGUST 4 - HOMEBOY SANDMAN, OPEN MIKE EAGLE, MEGA RAN at CHURCH (of Boston)

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SUNDAY, AUGUST 4 - HOMEBOY SANDMAN, OPEN MIKE EAGLE, MEGA RAN at CHURCH (of Boston)

FOR IMMEDIATE RELEASE:

Stones Throw Records’ Homeboy Sandman embarks on the Dear Hunter Tour

image


On the heels of the release of his critically acclaimed LP First of a Living Breed (Stones Throw) and in support of two new projects (Kool Herc Fertile Crescent EP and All that I Hold Dear LP, Stones Throw 2013), his national tour with Brother Ali (Rhymesayers Entertainment), and a headlining tour of Europe, Homeboy Sandman will headline a tour of the US this summer. Open Mike Eagle (Hellfyre Club, Fake Four Inc, Mush Records) and Random aka Mega Ran (officially licensed by Capcom) will support.

Sandman says of the tour  “The Dear Hunter Tour is in promotion of my latest Stones Throw release, ‘All That I Hold Dear.’ I’m blessed to join forces with two musicians also searching for substance, magic, brilliance, love, and truth. We’re going to find them too. When we do, we’re going to share them.”

Kool Herc Fertile Crescent EP (Stones Throw) vinyl/digital relase available now. 8-track release produced entirely by El RTNC (aka Rthentic). The record is an unapologetic homage to old school hip-hop in its bare-bones production, lyrical themes, cover art and even the title. With the blessing of DJ Kool Herc, one of the originators of hip-hop, Sandman pays respect to the pioneering DJ by proudly naming the release in his honor.

Homeboy Sandman

Homeboy Sandman is a musician. His genre is hip-hop. An emcee that prides himself on musical growth and evolution, he has adopted as his motto and creative mission statement, “Boy Sand like you’ve never seen him before. As usual.”

Before signing to Stones Throw he’d already been chosen as a coach on MTV’s MADE, featured in preeminent print hip-hop rags XXL and The Source, and perpetually championed on foremost online hubs. And since the signing, his accolades have extended beyond the realm of the hip hop specific. Rolling Stone has noted his “skill for wordplay that keeps you hooked.” NPR has highlighted his “artful, hysterical, disobedient hip-hop that you can dance to.” Pitchfork has straightforwardly dubbed him “one of the best pure lyricists around.

Open Mike Eagle

“One of LA’s smartest young voices” says the LA Times…which the artist suspects, may just be a covert way of saying LA is dumb. “Open” Mike Eagle wouldn’t terribly mind, being born and raised in Chicago where the painful winters and his uppity grandparents kept him inside as a youth. He spent his formative years watching alternative music happen on MTV and hoping to one day be able to audition for the Native Tongues. As a young adult after graduating with a degree in Psychology, he did the next best thing and moved to Los Angeles,

joining the Project Blowed collective where he made music and toured with Busdriver, Aceyalone, Abstract Rude, Nocando and more. He’s also gained notoriety in the world of comedy by being invited by professional funny people (Paul F. Tompkins, Hannibal Buress, Matt Besser/UCB) to rap at their shows. He’d like to be rap’s Kurt Vonnegut

but recognizes that he’d first have to create something as iconic as the four-stroke illustration of an anus. He practices by releasing rap albums that delight, entertain, and confuse.

Random aka Mega Ran

If you put video games, the 80’s, hip-hop, soul music, jazz and standup comedy into a blender and hit “puree,” you’d have something close to The Random Experience.

The self-proclaimed “TeacherRapperHero” made waves by going way left of his backpack roots by combining 8-bit video game sounds and hard hitting hip-hop tracks, and has become a trailblazer in the budding genres of chiptune and nerd-rap. A Capcom cosign and admiration from the genre’s toughest critics has led to placements in TV, movies, university coursework, and of course, games.

Today, Random is no longer a teacher by title, but travels the world to entertain and educate through the gift of facemelting raps.

H.W.

Boston rapper H.W. dumps his demons - By Martín Caballero |  BOSTON GLOBE 

Last July, H.W. (short for “Hazardous Wastes”) released one of Boston hip-hop’s most literate, emotionally complex albums of the year in “Wall Papered Exit Wounds.” Delivered in the lyrically dense and raw personal style that has become his signature, the record quietly distinguished itself from the crowded local marketplace by vividly exposing its author’s titular emotional wounds for all to see, allowing listeners to eavesdrop on his internal struggle for peace of mind. It’s occasionally jarring and hardly uplifting stuff, but his gift for articulating pain is a rare one.

Yet there’s an important piece of context to note with “Exit Wounds”: The material was recorded six years ago, and the H.W. whose emotional turmoil fueled that record is not the same one who’ll be performing on June 5 at The Sinclair in Harvard Square.

“I hated that record,” H.W., born Josh DeCosta, says bluntly over a midday beer at a bar in Central Square. “The only reason I released it is because people told me it was good and I should put it out.”

Naturally, an intensely introspective album in which he struggles to find scraps of optimism within darkness would understandably be difficult to embrace in the same way that a detached listener might. But this isn’t his first release in that vein: “Exit Wounds” built on the foundation of 2009’s “A Year’s Worth of Worry,” where songs like “The End of the Line” established his reputation as a sensitive, emotional lyricist fueled by tumultuous romantic relationships that often ended in heartbreak. In 2013, that’s the reputation he’s working to change.

“It’s unbearable in a way,” says the Fall River native. “I was the guy who did songs about ex-girlfriends, and that’s all it was. And it got sickening being that person. It bothers me in the sense that there are so many more aspects of my personal life. If people talk to me they know that I’m not that person, I’m not that guy who goes home and cries every night and hates myself. I needed something to write about other than that.

‘In the studio I’m hyperly critical and constantly tweaking stuff, while on stage I don’t have enough time to think about it like that.

For someone whose creative output was so closely linked to his state of mind, shifting directions musically first necessitated a change in mentality.

“I based my worth on who I dated, and because of that every relationship was the end-all, be-all. So when those ended, it was devastating to the point that it destroyed by self-esteem. I eventually slowly realized that life doesn’t revolve around relationships. These girls, or these moments in time, as important as they may feel at the moment, are just that. It took a long time for me to understand what I cared about and how to write about what I cared about.”

“I’ve seen him grow and mature as a rapper and a performer drastically,” says longtime friend and DJ Emoh Bettah. “Most, if not all, of his earlier songs were about relationships gone sour or about friendships with ex-girlfriends, and I’d often joke with him about it but since then he’s been writing songs about other topics. His music may be too personal for some, but he does what he does well. All of his songs tell a story and he is just being himself, which is what I think people love about him.”

Yet for a rapper with a highly technical lyrical style and no shortage of things to say (“I think I’m way too personal in general, I’m just an over-sharer,” he admits), it’s surprising H.W.’s output isn’t more prodigious: case in point being the long gap between the recording and release of “Exit Wounds.” Rather than adhering to the modern rap marketing scheme of flooding the Internet with new material via social media in search of approval, he takes his work direct to live audiences.

“On stage, there’s something that clicks within me and I am the person who I am with my closest friends,” he says of his shows, which often find him performing unreleased or incomplete songs and interacting with the audience. “I love that feeling, maybe because it’s the sense of self-gratification that I’ve always sought from everything in life. In the studio I’m hyperly critical and constantly tweaking stuff, while on stage I don’t have enough time to think about it like that.”

That said, you’re more likely to hear H.W.’s musical evolution at an upcoming show before you can get it on iTunes. His next release will be the conceptual album “I Only Exist on the Internet,” targeted for late June release, which should show glimpses of the broader material he’s seeking to explore: topics like politics, environmental issues, and yes, maybe even a party jam. It’s not so much a rejection of the melancholic raps of the past, but an appreciation for their role in getting him to this new, more optimistic place in life and music.

“I’m not the best rapper ever,” he says. “I just would like to be able to display all aspects of myself. There are way more important things to talk about than my feelings on this one person I care about. The world is crumbling around me; there should be something else I’m able to share. A lot of this new album is about liking life, because I actually like life right now. ”

http://longlivehw.bandcamp.com

— 

http://ticketf.ly/18Wva1a 

FACEBOOK EVENT: https://www.facebook.com/events/345904638870304/

TWITTER STUFF

http://www.twitter.com/ChurchBoston 

http://www.twitter.com/RockOnConcerts

http://www.twitter.com/LeaguePodcast

http://www.twitter.com/HomeboySandman

http://www.twitter.com/MegaRan

http://www.twitter.com/Mike_Eagle

http://www.twitter.com/joshhw

http://www.megaran.com

http://www.twitter.com/megaran

http://www.teacherrapperhero.com

http://www.facebook.com/megaranmusic

http://randomhiphop.proboards.com

5/18 ANAMANAGUCHI, Time Wharp, Infinity Shred @anamanaguchi at TheSinclair‎ - @BoweryBoston @LeaguePodcast #MM #chiptune

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Saturday, May 18 // ALL AGES 7:30 PM

ANAMANAGUCHI
with Time Wharp, Infinity Shred
$13 Advance / $15 Day Of Show

Tickets at Ticketmaster // This event is all ages


The Sinclair is general admission standing room only. 
Tickets available at TICKETMASTER.COM, or by phone at 800-745-3000. No service charge on tickets purchased in person at The Sinclair Box office Tuesdays-Saturdays 12-7PM, or at the Royale box office Fridays from 12-6PM.

http://www.ticketmaster.com/event/01004A74AD55AE97?brand=sinclair
FB Event: https://www.facebook.com/events/243240112481096/

52 CHURCH STREET
CAMBRIDGE
MA, 02138
617-547-5200


********************

ANAMANAGUCHI


http://anamanaguchi.com/

The birth of Anamanaguchi must have taken place in the middle of mankind’s greatest sugar high. Oh, there could have been ‘shrooms there too, but we’re betting that it had more to do with loads and loads of pure cane sugar, swallowed in liquid, cubed, granulated or processed form, in copious amounts. It was Jolt soda, cake, ice cream, candy and everything else in between. It was on the sunniest of days and all colors were vibrant and searing. Everyone involved with the delivery and responsible for the creation of this new life-form was coming off of its greatest night of slumber ever and there was an open-ended world to shred and conquer. The rosy-cheeked little thing came out of the womb, was slapped on the ass by the jovial delivering doctor and started laughing hysterically, blowing disco ball kisses in between its unprecedented fits of joyous rapture. The band, an instrumental electronic band from New York, was drawn to Nintendo game consoles, arcade games and all of the plinking and high-score sounds that were coming out of them, ringing in its ears like magical coos. It immediately set out to write punishing and inspired music that would comprise a mixtape that would be the chosen composition of the sky to accompany every plane jumper, skydiver and parachuter. It’s a little known fact that the second anyone takes a leap out of the open hatch of an airplane, thousands of feet above ground, for any recreational purpose whatsoever, the music of Anamanaguchi is suddenly blasting into the ears of those plummeting folks. It’s louder and more exhilarating that any of us down here on the safe ground could ever imagine and it’s a secret that those jumpers keep to themselves, having signed a binding Anamanguchi non-disclosure agreement before pulling the chute cord. The bronzed music was chosen for such an important placement, in part, because as those jumpers land on the run, often on a beach or an open field, the only thing they want to do is jump up and down and rage out with some freaky dance moves for 5-to-10 minutes. The music, as contractually obligated, continues on - at obscene volumes - for that amount of time and these people do their dances.

New York City (2003 – present)

Anamanaguchi is a four-piece group from New York City that combines guitars with the thick, electronic tones of a Nintendo Entertainment System. With driving, dynamic and melodic tracks, they focus on creating sounds that seem bigger than their hardware. A member of the artist collective 8bitpeoples, Peter Berkman has been creating chiptune music since 2003. They have since toured across the country and briefly in the UK and Ireland. Their debut, ‘Power Supply’ EP, was released in 2006 as a free download through 8bitpeoples and has since received over 50,000 downloads.

They also recorded ‘Scott Pilgrim vs. the World: The Game (Original Videogame Soundtrack)’ for the videogame. Their latest full-length album, ‘Dawn Metropolis’ was released March 3, 2009 and features 7 brand new songs sure to rock your face.


********************
Time Wharp

http://timewharp.com/
https://www.facebook.com/timewharp
Astro Nautico / JASS

********************
Infinity Shred

http://infinityshred.com/home/
https://www.facebook.com/infinityshred

Discontent with the now, Infinity Shred create music which aims to be the digital harbinger by which the human race once again dreams of tomorrow.


Through years of friendship forged on a shared love of skateboarding and screen printing, Damon Hardjowirogo and George Stroud originally founded the band in 2007 as Starscream. With the 2011 release of the final Starscream LP, “Future, Towards the Edge of Forever,” came the addition of Nathan Ritholz on guitar as well as a collective yearning amongst the members for creative growth by exploring digital synthesis beyond the sole use of the 8-bit hardware as a means of composition.


The group creates multi-chapter electronic anthems inspired by the hopefulness of the space age tinged by the dark feelings that arise in the members when faced with the prospect that the human race may not find it’s way in to forever. Additionally the band creates accompanying visuals for their live shows (performed by or with the help of artist Jean Y. Kim) that clearly illustrate the members’ love of  skateboarding and the bands obsession with the aesthetic of the Italo Disco / Space Synth era.

 

EARTH PRIME TIME: NICOLE J. GEORGES, CASSIE J. SNEIDER & LIZ PRINCE READ AT HUB

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Hub Comics Signing March 2, 2013A group of comic book creators will be at Hub Comics on Saturday: some of the best queer and feminist indie zine and spoken word artists will be joined by Somerville’s own Liz Prince for a book signing, slideshow, and reading. The funny ladies of funny books promise an exciting time. Luckily for us, Cassie, Nicole, and Liz had a few moments to spare on the road to give us an idea of what to expect on Saturday at 7 p.m. Nicole also gives a ‘friend’ some valuable cuddling advice.


DIGBOSTON: Nicole, thanks for taking the time, how is your book tour so far?

NICOLE J. GEORGES: It’s great.  I’ve met three hypo-allergenic dogs, drawn dogs in lots of books, and had the pleasure of [having] Cassie J. Sneider as my guest “Dr. Laura” every night at the readings.

Your new book, Calling Dr. Laura, is a mystery of sorts about a daughter and her thought-to-be-dead father. You also delightfully explore the pangs of growing up and your search for a committed girlfriend. 

Do you find it difficult to expose intimate details of your life through your art, or does this come naturally for you?

I have been doing autobiographical comics for 15 years, so I’ve gotten accustomed to writing about personal details of my life.

I know that in order to connect with readers, one has to be vulnerable, so I try my best.

Besides being an award-winning Zinester (is that a word?) you’ve appeared with Sister Spit: The Next Generation, and give a live version of your advice column. What can we expect at HUB, will there be performances?

At HUB Comics, I’ll be doing a slide-show presentation of some portions of my book, talk a little bit about its creation, and then do live rapid-fire advice with Cassie J. Sneider.

[READ MORE at DIGBOSTON.COM]

 

NICOLE J. GEORGES, CASSIE J. SNEIDER, AND LIZ PRINCE
READ AT HUB COMICS
SAT  3.2.13
7PM/ ALL AGES/FREE
19 BOW ST.
SOMERVILLE
617.718.0987
FACEBOOK EVENT

 

We all know Liz is not only a professional comic book artist with Boom’s Marceline and the Scream Queens, but some don’t know of her love of cats and pop punk. I asked her about the poster you see below used to promote the Queers, Teenage Bottlerocket, Masked Intruder, and Acro-Brats show on Sunday at Church. She put her drawing pencil and kneaded eraser away to get me just a few words about that!

LIZ PRINCE: I’m a huge fan of all three bands that are on this mega tour, so using my Masked Intruder connections to muscle my way into making a poster was a dream come true!

 

Queers March 3rd - Church. By Liz Prince!

Queers March 3rd - Church. By Liz Prince!

THE QUEERS
SUN. MARCH 3
CHURCH OF BOSTON
69 KILMARNOCK ST.
BOSTON MA
$15 // 12+ // 8PM DOORS
WWW.ROCKONCONCERTS.COM
617.661.1515
@ROCKONCONCERTS

Save the Date - 10/16 Clay N. Ferno's Birthday Party @MidEastClub!

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Sunday, ROCK-TOBER 16
Middle East Upstairs at 8PM

LeaguePodcast.com and Rock On! Concerts present
The Bombpops (Red Scare Records, San Diego, CA)
Continental (featuring Rick Barton of The Outlets / Dropkick Murphys)
Hands Like Bricks (LA, CA)
and Special Guests for
Clay N. Ferno’s Birthday Party
18+ $9 Advance / $10 Day Of Show
TIX - Facebook Event

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I’m ready to take you on a punk rock ride with some of my favorite bands from out-of-town, The Bombpops (Red Scare Records, San Diego, CA) and Hands Like Bricks (LA, CA)! Joining the soft-coast gang is the venerable Dr. Rick Barton of the Outlets and Dropkick Murphys, with his new project Continental.

Come join me for the 36th Birthday Stitches, it will be a party. Falafel optional at the world famous Middle East Restaurant and Nightclub.

We’re teaming up with RockOn! Concerts and the NYCC-bound LeaguePodcast for one heckuva blowout!

Clay N. Ferno being a creep at The Dwarves - pic by Eric Law