FOG! Chats With MAD TIGER: THE PEELANDER-Z Documentary Filmmakers Jonathan Yi & Michael Haertlein at FORCES OF GEEK

I first saw the ‘comic book action punk band’ Peelander-Z (from the Planet Peelander) back in 2006. I’ve seen some colors come and go, different people dress up as bowling pins and cosplayers sliding into themselves at human bowling.

I’ve seen 200 people with varying degrees of musical skill join the band with instruments from a suitcase (and even the bands’ gear) playing a cacophony of noise that can only be described as a beautiful mess. Broken English punk chants ‘Mad Tiger’, ‘Medium Rare’ and my favorite ‘So Many Mike’ are on cue cards for the audience to sing along to, while squid and other Kaiju monsters make their way through the crowd. For the introverted nerd or geek, there was finally a punk band that could being you out of your shell. 

The band feeds on this kind of happiness as well.

Lead by Peelander Yellow and his partner Peelander Red, a Peelander-Z show is like being in a Japanese comic book with action lines and full page spreads. The show is, by Yellow’s definition, “10% music and 90% theatre”. (Though you will be hard pressed not to be singing these songs to yourself days after a Peelander invasion).

Filmmakers Jonathan Yi and Michael Haertlein explore the relationship between the colorful band members in Mad Tiger, debuting in New York on May 6th. What started as a music documentary became the story of a relationship between two friends who are as close as family can ever be, and how Peelander-Z can navigate change.

[READ MORE AT FORCES OF GEEK]

SALAD DAYS: A DECADE OF PUNK IN WASHINGTON DC (review) at FORCES OF GEEK

Wishing for the days
When I first wore this suit
Baby has grown older
It’s no longer cute
Too many voices
They’ve made me mute
Baby has grown ugly
It’s no longer cute

But I stay on, I stay on
Where do I get off?
On to greener pastures
The core has gotten soft

— Minor Threat, Salad Days (1985)

Reflecting on these lyrics thirty years later, the documentary Salad Days: A Decade Of Punk In Washington DC serves as a backstage pass to one of the most explosive and important hardcore punk scenes in this country. 

One could argue that Ian MacKaye’s bands and Dischord Records label defined the look, attitude and stage behavior of East Coast hardcore and straight edge kids from up in Boston down to Gainesville for years to come. 

This documentary puts the spotlight on McKaye and Jeff Nelson (Minor Threat, Dischord Records), Henry Rollins (Black Flag), Dave Grohl as well as horror comic writer Steve Niles (Gray Matter) among many others to patch together a decent image of D.C. punk in the 80s.

I was pretty stupid back then.

Well, let’s say uncultured. Let me go back. I was a teenager once.

Like many teenagers, I needed to rely on older siblings to clue me into my next move. It wasn’t my sister (Guns-N-Roses fan) that got me into punk rock. Rather, it was a complex web of a social circle and older siblings that circulated mix tapes of everything cool from Violent Femmes (who’s ‘Add it Up’ connected with me the way it could only connect with a virgin’s sex drive) to Minor Threat, we had it figured out. 

And then we started our bands. The rest as they say is a rather boring personal history that means nothing besides that it was real. Real to us. Music, expression, Minor Threat and the Dead Kennedys and the through line to McKaye’s later band Fugazi and $5 shows was very real. 

Hot summertime basements were filled with our bands. We scrawled giant X’s on our hands one week and then asked the same older brothers to buy us beer the next. We played next to washing machines and bicycles in the cellar and waited for the cops to come.

We bought army jackets, paint, sewed patches and made our own version of ‘The Sound of Punk to Come’. We weren’t very cool, but that’s what we were.

90% of what we were TRYING to do every day was to be like Minor Threat.

[READ MORE AT FORCES OF GEEK]

Slamdance 2015: BATKID BEGINS: THE WISH HEARD AROUND THE WORLD (review) AT FORCES OF GEEK

Review by Clay N Ferno
Produced by Liza Meak, Dana Nachman
Written By Dana Nachman, Kurt Kuenne
Directed by Dana Nachman
Featuring Miles Scott, Natalie Scott , Nick Scott,
Teresa Clovicko, Audrey Copper, Katie Cotton,
Ama Daetz, Mike DeJesus, Ej Johnston, Sue Graham Johnston, Mike Jutan


Having just returned from San Francisco, I can safely say that the city is intact, largely thanks to a brave little boy named Miles Scott aka Batkid.

By thwarting The Riddler and The Penguin and saving not only a lady on the trolley tracks but also SF Giants mascot Lou Seal, Miles was given the Key to the City from Mayor Ed Lee on November 15, 2013.

The Make-A-Wish Foundation made Miles’ dream come true and in turn, a city was transformed into a heroic playground for the leukemia survivor.

Batkid saved the day, took over our social media for the afternoon and everyone from fellow Batmen Affleck, Kilmer and Keaton to President Obama thanked him for his service.

Batkid Begins documents the small town of Tulelake, CA family’s battle with cancer and the redeeming qualities of community based action. What was meant to be perhaps 100 volunteers turned into an entire city playing a small background character in a real life Batman Movie starring our Batkid, a five-year-old Miles Scott.

I remember ‘Batkid’ Day.

We’re three hours ahead so here on the East Coast this was prime twitter time for me. It was unavoidable. Even Facebook’s algorithms couldn’t stop that which was the heart of this thing.

It was all over everywhere, and I shared and retweeted as much as I saw from #SFBATKID on Twitter, reading about this amazing story.

Batkid Begins tells the story of Miles and his parents and their struggle since Miles was diagnosed at 18 months. Can cancer just stop it already? I mean that villain goes after a young kid that just wants to play with his toys all day and run around in a cape. Actually, as clarified near the beginning of the movie, 18 months is old enough to qualify for the amazing work of Make-A-Wish, but the parents smartly waited until he was a bit older and he fought his own battles and became more of a person before asking Miles what his wish would be.

Naturally, putting anyone, let alone a kid, through countless draining hours of treatment can take its toll. Steroids, chemo, the whole stinkin’ lot of it is the pits. What comes out of that is a spirit of being a fighter. And that is around the time Miles’ Dad Nick introduced him to Adam West on TV as Batman. Our little Bruce Wayne fell head over heals for the Caped Crusader and demanded his own cape for dress-up.

[READ MORE AT FORCES OF GEEK]

SHE MAKES COMICS (movie review) - at FORCES OF GEEK

Review by Clay N Ferno

Produced by Karen Green, Patrick Meaney, 

Jordan Rennert, and Marisa Stotter

Executive Produced by, Julian Darius and Mike Phillips

Directed by Marisa Stotter

Starring Ramona Fradon, Trina Robbins, Karen Berger,

Joyce Farmer, Karen Berger, Kelly Sue DeConnick, 

Becky Cloonan, Wendy and Richard Pini, 
Jenette Kahn, Marie Severin, Paul Levitz

She Makes Comics is the latest film by the Sequart Organization funded by Kickstarter and available for sale and digital download for comics fans of any gender.

Marisa Stotter directs this documentary produced in association with Respect! Films that delves into the history, present and future of female fandom, lady creators and what it means to be a fan of comics today. A true celebration of the medium, She Makes Comics puts the spotlight on key contributors, editors and cosplayers to encourage young girls and women to embrace what they love.

It seems like you can’t swing a longbox these days without running into some internet discourse or open letter about gamergate, cosplayers at conventions or fan backlash about new costume designs for female heroes (looking good, Batgirl and Spider-Woman)!

As a straight white male (boring, I know!) checking my privilege seems to be something I do without such reminders but I’m grateful to have the opportunity to review great films like this.

We need more movies like She Makes Comics! 

Not only are we given a history lesson about comic books, a subject that I’ve quite literally worn the leather of my armchair reading up on, but we get to learn and listen to important lessons in this documentary. I watched this with my girlfriend, also a comic book fan and we were high-fiving throughout! Mostly when Kelly Sue DeConnick was speaking, because she’s just so cool.

Scanning the indicia (you know, the tiny print on the inside of comic books, usually page 1) and the credits was something I always did while reading comics as a kid (didn’t everyone? No?).

Some of my favorite books were by ladies and I thought nothing of it, I mean anyone can write and draw a book, right? There were Mary Shelley and Anne Rice for example. Until I grew into an adult, I had NO IDEA what kind of struggle an Ann Nocenti, Louise Simonson or Lynn Varley might be dealing with just because they were female. I saw them just as creators — and most of the time I thought they did a better job than their male counterparts.

[READ MORE AT FORCES OF GEEK]

EARTH PRIME TIME: DEAR MR. WATTERSON WITH DIRECTOR JOEL ALLEN SCHROEDER

Bill Watterson’s Calvin and Hobbes strip is 28 years old this week, and the impact and influence of Watterson’s cartoon about a boy and his stuffed tiger continue to touch the hearts and spark the imaginative bone in kids of all ages. No comic strip since then has not been touched or inspired by Calvin and Hobbes in some way. Fans of the strip span the globe, and one director Kickstarted a documentary about the impact of Calvin and Hobbes on these fans. Joel Allen Schroeder joins Earth Prime Time today to discuss Dear Mr. Watterson: An Exploration of Calvin and Hobbes.
The movie is touring the country and is available on demand starting November 15.

DIGBOSTON: Thanks for joining us, Joel. Care to tell us why you decided to make this movie?
Joel Allen Schroeder: Yeah, I was a big fan of Calvin and Hobbes. I was probably introduced to the strip at 7, 8, 9 years old and years later, in my late 20s I decided the strip still meant a lot to me and I had a crazy idea to make a documentary about it. It fascinated me that something could mean so much to me as an 8 year old and that it could really truly mean a lot to me as an adult. There are not a lot of things like that.

That’s amazing. And, as you go through in the movie, it did appeal to lots of different people all over the world. People our age, and older too. What is it about Calvin and Hobbes—the baseline that appeals to everybody?
I think Watterson’s artwork is something that really draws people in. It is so well drawn that in particular, the Sunday strips will draw people in. And then as you start to know Calvin and Hobbes as characters, there is so much humanity and depth there.

Calvin’s imagination makes this world. The strip is not just the walls of his home. It extends outside, to space, the jungles, to the distant past.

There is just so much there. At the bottom of it, there are wonderful characters that are easy to identify with.

[READ MORE AT DIGBOSTON.COM]

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