TRIPLE SHOT: SOLID STATE TANK GIRL #1, DOOMSDAY.1 #1 and DREAM MERCHANT #1 - FORCES OF GEEK

Three shots of comics are served down and neat for you today, burning up and investigating the insides of your body and soul!  We start off with the return of Tank Girl, John Bryne singes the Earth with a solar flare, and Nathan Edmondson delivers another story that branches out into a new fantasy genre, the mysteries of Dream Merchant.

SOLID STATE TANK GIRL #1 (of 4)
WRITER: Alan Martin
ART: Warwick J. Cadwell
Publication Date: May 15, 2013
Price: $3.99
Publisher: Titan Comics
UPC: 07447028032301
Buy it HERE


Remember Tank Girl? I sorta do. There was a 1995 movie, right? With the guy from Body Count and SVU.

Do you remember rock and roll radio, The Clash, Love and Rockets? The creators crammed all of that into a dyke role model with post apocalyptic kangaroo sidekick that live in a tank in Australia.

Jamie Hewlett went on to form Gorillaz, and original creator Alan Martin sort of wandered the countryside (seriously) looking to uncover ancient mysteries.

Martin has since resurrected the character in 2007, and Titan Books has released his latest story, Solid State Tank Girl with art by Warwick Johnson-Cadwell.

We see familiar faces—Booga, Jet Girl and Tank Girl.

We’re in a radio repair shop, something likely useful I the ‘80s or in post apocalyptic times. Booga zaps himself on an old radio and Tank Girl is put to task to revive him.

How do they do it? Honey I Shrunk the Kids style.

There’s a delightful few pages of ball humor before they do the Osmosis Jones bit and float into the gross kangaroo insides.

To cram just one more Netflix classic in there, perhaps the reason Booga has fallen ill could be found in the plot of Three Men and a Baby.

A fun, punk rock read with a female leading cast.

A backup story pits Tank Girl against Dick Strangeballs!

Tank Girl is Dead. Long Live Tank Girl!

DOOMSDAY.1 #1 (of 4)
WRITER/ARTIST: John Byrne
Publication Date: May 15, 2013
Price: $3.99
Publisher: IDW Publishing
UPC: 82771400459500111
Buy it HERE


Master of storytelling and the comic book form John Byrne reboots a classic concept of his from the ‘70s withDoomsday.1 this week.

The four issue limited series is a post apocalyptic tale of solar flares wiping out the most of the habitable places on Earth.

Stuck in orbit on an international space voyage, a crew of seven watches helplessly as the planet is decimated by fire.

On the ground, The President, The Pope, a prison and a submarine crew hunker down away on different parts of the planet to save themselves. This gives us an idea that some pockets of humanity will survive the destruction.

A sacrifice is made in space to return the astronauts home after many orbits and the flare subsiding. A crash landing in the southern United States leaves the crew to to survive on a familiar an foreign planet.

I am a fan of John Byrne’s polarizing artwork and storytelling, and follow his work at IDW closely—from Angel to Star Trek. This book is for fans of The Walking Dead, Planet of the Apes, and Mad Max. Will these astronauts survive past the four issue mini-series, or will they bake on the surface of a planet they used to call home? I’m along for the ride!

Dream Merchant #1 (of 6)
WRITER: Nathan Edmondson
ART: Konstantin Novosadov
Publication Date: May 15, 2013
Price: $3.99
Publisher: Image Comics
UPC: 70985301362400111
Buy it HERE

Nathan Edmondson is no stranger to poking around in someone’s head.

His spy-fi action comic Jake Ellis takes place somewhat in protagonist Jon Moore’s head, as the specter of Jake Ellis guides him through missions. The Dream Merchant mini series is off to a strong start here.

Winslow has been plagued by persistent and recurring dreams, that preoccupy his waking moments. He’s checked for observation into a mental hospital in Burbank.

While there he befriends the cafeteria worker, juvenile delinquent Anne, who has a fondness for Wilson and lends him many books on dreams.

Sleep demons chase the two out of the hospital and they are guided by a mysteriously shrouded mentor with a staff, one who seems to have control over the dream state. The two hop a train and escape onto the road, following the bizarre figure.

This is a different type of story that Edmondson’s other work, The Activity or Jake Ellis in that there is no spy action or military tech involved yet.

This is more of a teenage adventure story that half takes place in the realm of dreams. The flavor of the dream world is more Harry Potter than it is ‘The Dreaming’ of Sandman books, and a bit more fun. Chapter 1 has the heroes on their journey, with no hints at where the roads may take the three next.

Art by Siberian Konstantin Novosadov is more Disney cartoon than Darwyn Cooke ‘50s illustration, but the solid black line work and facial expressions are seemingly influenced by both. 

[READ MORE at FORCES OF GEEK]

TRIPLE SHOT: TWELVE REASONS TO DIE #1, X #1 and ARCHER AND ARMSTRONG #0 at FORCES OF GEEK

It’s a numbers games as we dip into the 36 Chambers of Death with Ghostface Killah in the new book Twelve Reasons To Die.  Travel back in time with Archer and Armstrong #0 and take a dark turn with Dark Horse and Duane Swierczynski punishing the criminal bosses in city of Arcadia for a new number #1 of cult anti-hero, X. 

TWELVE REASONS TO DIE #1
CONCEPT: Ghostface Killah, Adrian Younge
WRITER: Matthew Rosenberg, CE Garcia, Patrick Kindlon
ART: Breno Tamura, Gus Storms, Kyle Strahm, Joe Infurnari, Dave Murdoch
Publication Date: May 8, 2013
Price: $3.50 
Publisher: Black Mask Comics in association with Soul Temple Entertainment LLC
UPC: 045778022014
Buy it HERE


“Up from the 36 Chambers…it’s the Ghostface Killah”, these lyrics from Clan in Da Front weren’t what I expected to yell when I went into the LCS on Wednesday, but I did, scaring some kids there getting some leftover Free Comic Book Day swag.


As you can tell from the credits, this hip-hop comic comes to you from a creative team that goes all the way up to the executive producer RZA.

Accompanying this book is a record and tour of the same name by hotshot producer Adrian Younge and Ghostface. 

The comic starts off with words like ‘pussy’ and ‘motherfucker’ and that sets the tone for the book.

Like Ghost’s lyrical flow, the comic references gangster history going back to the 40s through the 60s, and it isn’t too long before we are introduced to his alter-ego and star of the book, gang enforcer, the “other” Antony Starks. From La Costa Nostra to modern day nightclub drug deals, it’s grim and gritty. The artwork, benefitting from different artists in the first issue is dark and breaks off chapters well. Just like a RZA beat, nothing here is extraneous. All tells the story.

From the solicit as we find out that Anthony Starks is an enforcer for the DeLuca crime family in the 1960s. The family murders him after he falls in love with the kingpin’s daughter. You won’t know this from the first issue, but it is helpful background.

Starks remains are pressed into a dozen vinyl records and when played, the record invokes the spirit of Ghostface Killah, exacting revenge on his murderers.

High concept, great art and all accompanied by a soundtrack album that is already highly regarded? I am so down. This really is the summer of Ironman.

I didn’t even get to tell you about Black Mask Comics, a new publishing company from creator Steve Niles. We’re expecting great things from this new venture as well.

X #1
WRITER: Duane Swierczynski
ART: Eric Nguyen
Publication Date: May 8, 2013
Price: $1.99
Publisher: Dark Horse Comics
UPC: 76156822527300111
Buy it HERE


Just last month, we re-introduced you to X from Dark Horse Comics.

Yes, another reboot. No, we don’t care.

Yes, we’re buying it. No, it’s not a cash grab.

Wait, am I answering questions in my head again? No? Good.

The masked vigilante has more in common with a Punisher of the MAX variety than any other character. He’s a strong, smart and capable vigilante that sits like a snake and plots his attack before doing so. His enemies are tipped off when he sends them a picture of themselves with a red giant X over their face. Most don’t take it seriously, or try to protect themselves from the vigilante when they know he is coming. Good luck, pal.

X has a particularly bloody streak, bloodlust and determination for meting out justice in his hometown of Arcadia.

Unlike Frank Castle, little is known about this cold killer’s origin. Hopefully Swierczynski will tap into that as the series rolls on.

The book opens on a warehouse full of corpses. Investigating detectives and officers on the scene prop up the heads of two of the dead laying in a nearby Caddy. The ominous red X from the photos is mirrored on their flesh, accompanied by multiple nails from a nail gun. Yeouch, X does not mess around!

As police check out the scene, a young blogger, screenname Muckracker aka Leigh Furgeson is poking around, tipped off by an old drunk about the massacre near his home. He flees Arcadia and leaves the detective work to Muckracker. 

Leigh opens her mailbox to find a message from X, crossed-out photos of some bad dudes including one of Leo Pietrain, the unfortunate villain locked in his panic room in issue #0. Ambulances take Leo away as Muckracker gets to the crime scene to see Leo’s piehole bleeding a red X through his ambulance stretcher sheet. 

In the third act of the issue, reader’s adrenaline levels spike as X springs into action once again. Though, this time it appears he’s been set up by the police. 

After a firefight and explosion, X and the snoopy Muckracker find themselves in an alley together. This might be the time for Leigh to either expose X or to lend him a hand. Tune in next issue for more pulse pounding action.

This book has the feel of a Batman: Year One, and obvious nods to the Frank Miller story in the art by Eric Nguyen are not off-putting but set a familiar tone. The action and blood is definitely more mature (not for kids) than your average Punisher story but all of the tropes here work really well to acclimate the fan to a newly rebooted, but never wildly popular anti-hero vigilante.

Swierczynski is on some great books right now with tough dudes as the lead roles. Check out his take on IDW’s Judge Dredd for more rugged justice!

ARCHER AND ARMSTRONG #0
WRITER: Fred Van Lente
ART: Clayton Henry
Publication Date: May 8, 2013
Price: $3.99
Publisher: Valiant Comics
UPC: 85899200306200011
Buy it HERE


Valiant Comics started the whole ‘prequel’ comics numbered “Issue #0” way back in the nineties.  Since then, companies have copied their style and in fact, DC’s New 52 had a whole series of “0” issues incorporated into their relaunch. It should come to no surprise to fans, speculators and collectors of the classic Valiant characters that Valiant has started to release prequels to their relaunched books as well.

Fred Van Lente (Spider-Man, G.I. Joe) brings his humor and well researched historical references to the latest, Archer and Armstrong #0.

Archer is a teenager, raised by extreme religious freaks on a compound. He escapes to find the truth about his parents. Armstrong is a nigh-invulnerable immortal warrior that is centuries old. This issue deals with Armstrong’s past through a retelling (reboot!) of the classic tale of Gilgamesh. How do we get there? Armstrong was part of the story and recounts it firsthand! Raised a poet among warriors with brothers Gilad (Eternal Warrior) and Ivar (Timewalker).

Some Vine-like tech is discovered in ancient Mesopotamia and the brothers go to investigate. They are greeted by men in robes who introduce them to the Boon device, the supernatural tablet that grants Armstrong his immortality. There’s dinosaur fighting, alien tech and ancient history rolled up into a delicious story that’s way better than junior high history and literature classes. 

This issue is part Jurassic Park, part Rome and equal parts the origin of pizza in G.I. Joe Yearbook#3 — My Dinner With Serpentor.

[READ MORE AT FORCES OF GEEK]

TRIPLE SHOT: TEN GRAND #1, SUPERIOR SPIDER-MAN #9 and IRON MAN 258.1- FORCES OF GEEK

TRIPLE SHOT: 
TEN GRAND #1, SUPERIOR SPIDER-MAN #1 and IRON MAN 258.1

Has JMS grounded himself to a new imprint, Doc Ock has really messed with the wrong Spider and to celebrate Iron Man 3 (we guess), Marvel takes us back to the Roaring ‘90s for a David Michelinie, Dave Ross and Bob Layton retread Armor Wars II with a flashback story arc starring Tony Stark in Iron Man #258.1.

TEN GRAND #1
WRITER: J. Michael Straczynski
ART: Ben Templesmith
Publication Date: May 2, 2013
Price: $2.99
Publisher: Image Comics
UPC: 70985301360000111
Buy it HERE

J. Michael Straczynski (JMS) is responsible for one of the best sci-fi shows on television, prior to the Battlestar Galactica reboot, Babylon 5.

He has also upset fans with controversial runs on Amazing Spider-Man and Superman. The latter got him summarily dismissed from DC Comics and he handed the Grounded storyline over to Chris Roberson. Not many people were happy with a Superman ‘walking the country’.

He stays on the character with his equally controversial series of original graphic novels for DC, a grittier two volume Superman: Earth One hardcovers with the Shane Davis on art. 

Not many books have graced the shelves since Superman: Earth One Volume Two written by JMS. This is likely because of his plan to revisit his Top Cow imprint Joe’s Comics with some creator owned series. 

The first of this rebooted imprint’s titles is Ten Grand written by JMS with art by horror spooksmith Ben Templesmith. The story is based on the noir trope of having a dame walk into a private dick’s office, with an insolvable case. Here in issue #1, at the start we realize that former mob enforcer Joe Fitzgerald has touches with an angel figure, summoned by necromancy and demonology. Joe spends most of his days awaiting freelance assignments from a neighboring watering hole.

Joe is also entered into a deal with the demons haunting his world. His woman was killed in front of him, and to reconnect with his Laura, he has become an enforcer for the dark spiritual world. 

This book is great, if a little heavy on the recurring themes. It is a successful matchup of noir, horror, gangster and necromantic genres. Though not a funny book, this draws similarities to Chew. This is also recommended for fans of Sandman, Lucifer and Death.

SUPERIOR SPIDER-MAN #9
WRITER: Dan Slott
ART: Ryan Stegman
Publication Date: May 2, 2013
Price: $3.99
Publisher: Marvel Comics
UPC: 75960607912400911
Buy it HERE
 
Does anyone besides me remember the Prince album,Controversy?

The title track is the one to listen to on Spotify halfway through this book! Warning: this review (though not typical of me) contains spoilers! If you love Peter Parker, but have not read this book yet, please skip below to my benign Iron Man review. Seriously!

Dan Slott loves getting us all worked up, doesn’t he? The reason he does is because he likes Spider-Man more than anyone!

There is even a very obscure reference to a Spider-Man lettering blooper from Amazing Spider-Man #1, where Peter is called Peter Palmer for one panel! 

He’s killed Peter and Doc Ock has taken over Peter’s body, and making a Superior Spider-Man (hopefully you’ve caught up to that story, that’s not my spoiler). Old eight arms is swinging around, being rude to everyone, but sort of being a better — superior — Spider-Man, and one that uses lethal force. Fortunately for the 616, Doc’s intentions albeit with different motivations are in line with the whole ‘With great power comes great responsibility’ thing.

In this issue, Doc has discovered that an avatar of Peter’s memories (we’ve seen Peter as a blue ghost) exists in his head! Oh. Noes. Like a splinter, Octavius seeks to extract this menace from his brain, and has the right tools to do so. Uh-oh.

A psychic battle ensues as Peter (and an awesomely drawn by Ryan Stegman Amazing Spider-Man) happens in the brain space of Peter Parker’s memories. On Peter’s side we have J. Jonah Jameson, Captain Stacy, Gwen, Uncle Ben, you name it. Over on Ock’s side are visions of Uncle Ben’s killer, The Kingpin, The Sinister Six, Kraven and Chameleon. 

The constructs are knocked away by Superior, as his Neurolitic Scanner connected to a tablet is about to run the “Delete Peter Parker from My Brain” app. Peter’s memories fade. They fade, eventually to black. Slott has crushed everyone’s hopes that Peter will take back control of his body and be The Amazing Spider-Man once again.

Search twitter to see everyone’s mind blown after this issue. Haters are coming out of the woodwork. Thankfully, we think the death threats to Dan Slott have gone away.

Make mine Marvel NOW!, if this is what we can expect. How do you keep a 51 year old property fresh? Give it to Slott. He’ll kill it, extract it, build it up and then take your toys away. 

Is Peter still out there, somewhere? He’ll be back before Amazing Spider-Man 2 hits the theaters.

IRON MAN 258.1
WRITER: David Michelinie / Bob Layton
ART: David Ross / Bob Layton
Publication Date: May 2, 2013
Price: $3.99
Publisher: Marvel Comics
UPC: 75960607421100111
Buy it HERE

This is a shellhead scratcher if we ever saw one. We know our comics. We love our Armor Wars. We love our Marvel. We love our movies.

Marvel goes back 23 years on the Iron Man 3 box office debut weekend for a Point One initiative two-shot set in the time of Armor Wars II. We’d have loved to see M.D. Bright or John Romita Jr. on a cover but Bob Layton will do.

This is just weird enough for us to be in love with it a little bit.

Who doesn’t love a superhero with a mullet, or computers with 8-bit fonts and dial-up modem sounds?

Also, suitcase armor. The once forgotten about, impossibly heavy, but resurrected for Iron Man 2, suitcase armor. 

Tony is recovering from back surgery and paralysis. It turns out, that Justin Hammer is behind implanting him with nanites to control his body under the guise of recovery.

A drone attack on Stark Enterprises riles Rhody to the company helicopter, and Stark’s body guard, Iron Man takes flight. The autopilot takes over and is on a collision course. Iron Man saves James Rhodes from the crash and destroys the drones.

Back at his doctor’s office, Iron Man investigates the biomass removed from his spine, only to discover he is being played by a computer energy form. Will these bits and bytes spark the nextArmor Wars? Travel back in time or wait until next month to find out!

A detail that made me nostalgic for old comics was thought bubbles. Can’t have too many, in my opinion. And now in modern comics we have none! OK, back to playing Zelda 2 for me!

[READ MORE at FORCESOFGEEK]

TRIPLE SHOT: SUPERMAN FAMILY ADVENTURES #12, JUPITER’S LEGACY #1, B.P.R.D: VAMPIRE #2 - FORCES OF GEEK

The thing about history, baby, is that it goes way back.   All the way back.

We stroll down memory lane with Miss Lane, get lost in a Legacy and follow B.P.R.D’s Simon Anders back to a small Czech town to investigate the origins of the vampire disease.

Will he escape unscathed before having to unleash his concealed garlic? 

SUPERMAN FAMILY ADVENTURES #12
WRITER: Art Balatazar & Franco
ART: Art Balatazar
Publication Date: April 24, 2013
Price: $2.99
Publisher: DC Comics
UPC: 76194130973601211
Buy it HERE

Aw yeah, everybody. It’s the end of an era, not only for Superman and his family, but for fans of a certain kind of book formerly put out under the Johnny DC banner.

In 2008, Art (Baltazar) & Franco gave us elementary school versions of our favorite Titans in Tiny Titans.

The Eisner Award winning book proved itself to be fun for all ages, including not only great stories for kids but nods to serious DC continuity and clever plays on the DC tropes. A Lunch Lady Darkseid ruled the cafeteria with Anti-Slop.

After the New 52 reboot, Cyborg gets new shoes and the guys were put on a new book, Superman Family Adventures, filled with all of the clever comic book industry and Superman movie quotes of the previous series, but concentrating on the family aspect of Superman. We’ve got Clark, The Kents, Jimmy, Chief, Lois, Connor, Kara and the Super Pets.

Nearly all of the Tiny Titans, the Justice League, Steel, Lex and even Miss Teschemacher sneak their way into the send off issue of this book. It is a bittersweet moment to end this five year run of the best kids comics DC has ever done.

Even Superman’s parents Lara-El and Jor-El make an appearance in the final issue, with an interesting twist on how the two survived the explosion on Krypt’n.

Unfortunately for us, we won’t get to see any more of Art & Franco on this book but look forward to them taking on The Green Team in the New 52, a story about trillionaire teenagers. And guess what? For more all ages comics, Art & Franco have launched a Kickstarter for new publisher Aw Yeah Comics and are fully funded. Expect some issues of Aw Yeah Comics #1 starring Action Cat and Adventure Bug at C2E2 this weekend, and distro to our hands very soon.

Aw yeah. Congrats, Art & Franco! And thanks for loading up the cover with lots of pink. I like pink very much, Lois! True story.

JUPITER’S LEGACY #1
WRITER: Mark Millar
ART: Frank Quitely
Publication Date: April 24, 2013
Price: $2.99
Publisher: Image Comics
UPC: 70985301350100111
Buy it HERE

This is the first issue of a highly anticipated book here from industry juggernauts Mark Millar and Frank Quitely, last seen working together years ago on The Authority.

In recent years, Quitely had a great run on Morrison’s pre-New 52 Batman and Robin whereas Millar has been working on more movie deals, overseeing his comics become movies and has teamed up with Dave Gibbons on Secret Service and Lenil Yu on Super Crooks, and Steve McNiven on Nemesis.


There’s probably more (ahem Hit Girl, Kick Ass 2, Superior) worth mentioning as well, but the aforementioned series all had me hooked.

Millar has, if not a formula, at least a very structured format to his limited series. All are meant to stand alone in about 6 issues. All can very easily be made into a movie. He’s great at that. Icon and Image produce the books, and he can retain all of the creator owned rights. Some series likeWar Heroes never see completion! Too bad, though, I think the book would do well in the current market.

I guess all the filibustering I’m managing to churn out about Millar’s career is that while this is a highly anticipated book, supposedly of much scope, and featuring a mysterious long lost island mixed with two generations of superheroes is to have us chomping at the bit for more. We’ve got the old crusty Superman and Justice Society types taking down the bad guys while the sons and daughters are either partying or vying for attention from the media.

I’m sorry, this book doesn’t have me after the first issue like Nemesis, Super Crooks and Secret Service did. On the last page reveal on issue #1, I was just sort of glad it was over. I want my comics to make my heart pound on a cliffhanger, not just be glad that some superheroes’ daughter might have possibly OD’d. Why would I care? I only spent 3 pages with her. I don’t know, maybe I’m salty. Maybe issue #2 will pick me up like a cup of coffee but this one was snoozeville. 

Quitely’s pages are amazing, of course. Great to see him draw classic superheroes and then beautiful teenage girls. Brandon Sampson looks a little like the artist himself. We’ll see how it goes. Maybe the Girl With The Dragon Tattoo wakes up from her drug crash next issue. Sure. Whatever. I guess. Take my money.

B.P.R.D: VAMPIRE #2 (of 5)
WRITER: Mike Mignola, Fábio Moon, Gabriel Bá
ART: Fabio Moon, Gabriel Ba, Dave Stewart
Publication Date: April 24, 2013
Price: $3.50
Publisher: Dark Horse Comics
UPC: 76156820686900211
Buy it HERE

I’m not exactly sure why I’m getting at this book in the second issue of the series and completely missed the first, but I know I’m in for the long hall.

Hellboy mastermind Mike Mignola writes this vampire tale that acts as a direct sequel to B.P.R.D.: 1948. Brazilian brothers Fábio Moon and Gabriel Bá that brought us the Vertigo mini-series Daytripper in 2011 are credited as co-writers and also the artists on the book.


We bask in the shadows of a classic vampire origin tale, following former merchant marine and current B.P.R.D. field agent Simon Anders to a Czech town.

When he gets there he discovers there are only women in the town that is also occupied by a large castle built in 1253. A wonderful series of alias for the vampire Wilhelm in various period garb throughout the ages was reminiscent of Bruce Wayne’s travel back to the present inBatman: The Return of Bruce Wayne.

Nothing to report from the castle, but a witch grabs Simon’s hand and urges him and companion Hana to follow the “serpent to the heart”. Likely this means follow the river to the woods, where they will discover more about the vampires. In the forest, it looks like they have been set up!

This issue has all the best that Hellboy, Daytripper, Buffy and Doctor Who have to offer, replete with a cute female companion to act as a guide and balancing force in the story. Moon and Bá have a thick line cartooning style that complements the look of the B.P.R.D. / Hellboy universe and draw conversations between people very naturally.

Great art and story here. Worth investigating further…into the woods!

[READ MORE at FORCESOFGEEK.COM]

TRIPLE SHOT: X #0, INVINCIBLE UNIVERSE #1, G.I.JOE: COBRA FILES #1

Triple Shot stays independent this week with some violent first issues to get the blood flowing through your veins and onto the street.

We start with the resurrected X from Dark Horse and move toward the expanded Invincible Universe and finally ending with Volume 4 of Mike Costa’s spyfi G.I.Joe: Cobra Series from IDW.

X #0 - “THE PIGS”
WRITER: Duane Swierczynski
ART: Eric Nguyen
Publication Date: April 10, 2013
Price: $2.99
Publisher: Dark Horse Comics
UPC: 76156822568600011
Buy it HERE

Duane Swierczynski can write us a violent comic book with dark dark and violent leading men. His work on both the Punisher and Valiant Comic’s reboot of Bloodshot are proof of this recently. We begin to wonder if he reflects on the real life corruption and violence of his hometown of Philadelphia.

X #0 from Dark Horse Comics debuts this week, originally printed in the popular anthology comic Dark Horse Presents, this one-shot introduces the city of Arcadia and the upper echelon of the criminal underworld running the city.

Missing an eye, and with a cool costume with a red ‘X’ on his hood (look out, new Cyclops, X was here first!) the character is foreboding and intimidating. Our boy is similar to Frank Castle in this way, with one exception. If you are a bad buy, and you receive a picture of yourself in the mail with a red-Sharpied ‘X’ across your face, get out of town. This is X’s warning….he’s coming for you.

X uses a variety of weapons from swords to fists, car bombs, machine guns, serrated knives and crowbars to get various jobs done and wipe out the major players in Arcadia in this issue.

X is as cunning as Batman and Punisher, and seems to have the upper hand on the criminals in the book from unseen detective work. Swierczynski even works in the obvious parallels as boss Pietrain is taunting him from his panic room.

This book reminds me of ‘90s Punisher War Journal and War Zone, in the best way possible. Lone vigilante, spilling guts and getting the bad guys. The X reboot is off to a great start, with an ongoing promised on the last page. Be careful, though, you may be off of spaghetti and sausage for a few days after reading this book. The Arcadia Meatpacking District sausage ingredients are very ‘fresh’.

INVINCIBLE UNIVERSE #1
WRITER: Phil Hester
ART: Todd Nauck
Publication Date: April 10, 2013
Price: $2.99
Publisher: Image Comics
UPC: 70985301354900111
Buy it HERE

Phil Hester continues to expand on the Invincible Universe with a new #1 issue this week. Formerly a spinoff ofInvincible, Guardians of the Globe (or Guarding the Globe) spotlighted the popular superhero team featured in the original series.

A hybrid of Avengers or Justice League, and led by Invincible’s sometime boss, Cecil Stedman, the Guardians are protecting the globe from the usual—Viltrumite mustaches, underwater monsters, prison breaks—that sort of thing.

Let’s also point out that Invincible is in no way a leader to the team.

Sometime’s he’s just getting in the way of Robot and company doing their real work anyway and it always seems like there’s some resentments brewing on the Guardians side, with Mark directly or indirectly putting the world at risk with his actions, constantly.

Cecil is barking orders at his new assistant who he wishes to call Agent Edelman, not her given name at all. Taking action across the world are The Guardians, cleaning up after the events ofInvincible #100. Cecil observes remotely and strategizes his chess moves. Disappointingly, the team is not ever assembled properly in this setup issue, but seen in vignettes of them in action across the world.

The title change from Guardians to Invincible Universe seems to be including more of the Skybound! imprint’s properties like The Astounding Wolf-Man, Capes, Inc. and Tech Jacket. 

Overall I’m curious to see where the story is headed, with a new villain introduced toward the end of the issue that reminds us of Fin Fang Foom! 

Phil Hester is great, and so is Todd Nauck on art, and I understand the expansion of the property to more than one book, but Invincible by Kirkman will always be the canonical Invincible story. Lee and Kirby created the Marvel Universe, but with many other collaborators introducing stories along the way to weave the fabric. With only a few writers and artists interpreting the Kirkman vision for the Invincible Universe, the side stories feel like they don’t mean much or fall flat sometimes. 

Two thumbs up for this book, for sure, but let’s blow this thing out with more mini-series and some new heroes. This is a great alternative to mainstream superhero team books like Teen Titans, Justice League or any of the Avengers books.

G.I.JOE: COBRA FILES #1 (COBRA Vol. 4)
WRITER: Mike Costa
ART: Antonio Fuso
Publication Date: April 10, 2013
Price: $3.99
Publisher: IDW Publishing
UPC: 82771400452600111
Buy it HERE

It’s a new season of G.I.Joe: Cobra kicking off this week under a new title. Mike Costa continues his espionage book on the G.I.Joe franchise that caused a great reaction to the repurposing of Hawaiian shirt wearing Chuckles in 2009.

Chuckles assassinated Cobra Commander with a gunshot wound to the head, and sacrificed himself to nuke Cobra Island in the pages of this book.

Basically, there is no messing around here.

Fans of the new G.I.Joe: Retaliation movie would be confused by picking up these books, whereas fans of 24 and Homeland will be delighted.

By the end of the last volume, there is a new Pit headquarters in Las Vegas for a cadre of Joes and a very important prisoner, Tomax Paoli. The surviving crimson twin has been providing insider Cobra intel for the Joes upon striking an agreement with them. In this first issue of the new season, Tomax is plotting his escape or purposefully leaking info that will benefit him, such as tracking down his personal Cobra enemies, therefore putting his deal in jeopardy.

On the Joe team, Chameleon, half-sister of the Baroness is having an identity crisis. A defector from Cobra and also someone with insider Cobra intel is being psychoanalyzed on the first pages of the book. When she heads out to the field on a mission to tackle Copperhead, things go FUBAR when the ex-Cobra officer’s son points a shotgun at her.

Flint resolves the situation with quick legwork. 

In an attempt to self-treat her PTSD, Chameleon rushes to the comforting arms of a fellow soldier, but this very well could affect her relationships with the rest of her team.

We’re off to another great run on this non traditional licensed property book. People love G.I.Joe: Cobra, and for good reason. There is espionage, tech, business at a multinational level and great action. It’s especially cool to see a updated versions of previously silly action figures Croc Master, Copperhead and Tomax/Xamot (RIP). 

A teaser from last season’s closer is dropped on us at the end. The mystery of the late Cobra Commander’s son, in a coma. We hope his name is Billy and he can recall Arashikage training. 

“Cobra-La-La-La-La-La!”

TRIPLE SHOT: MISS FURY #1, INDESTRUCTIBLE HULK #6 & HARBINGER WARS #1

Sometimes triple shot might mean to you 3 shots of espresso over ice, with caramel, whipped cream and salt. 

Before exclaiming “Ew!”, you gotta realize that too much of a good thing is still many good things all jammed into one big awesome thing. 

This week’s stack of comics is the $8 coffee drink of the springtime, worth every delicious penny.

MISS FURY #1

WRITER: Rob Williams 
ART: Jack Herbert
COVER: Alex Ross
Publication Date: April 3, 2013
Price: $3.99
Publisher: Dynamite Entertainment
UPC: 72513020398400111
Buy it HERE

The Shadow, Green Hornet, The Spider and more are fighting The Justice Party over in the pulp superhero book,Masks.

They are joined by a proto-Catwoman (Black Cat, Hellcat, take your pick) Miss Fury to add a bit of feline finesse to the team.

Here at the new #1, we’re given a fresh origin story of the character and some insight into her powers.

The story opens in 1943 atop the roof of a museum wherein lies the Rwandan Diamond Crown. Miss Fury takes on a cadre of goons and a time traveling Nazi. She’s saved by Harmon, an O.S.S. (CIA) man who she promptly punches before falling through a skylight and into a time portal, waking up in modern day Manhattan.

At this point we’re given her African safari origin story and hallucinogenic ritual that grants her powers before returning to America to find out her father is dead, leaving Marla Drake all of his fortune. Miss Drake returns changed from her experience abroad and sets her eyes on stealing the crown. The cat burglar gene runs strong in her trope!

The burglar aspect of the story is not the strong point, the real hook is the Butterfly Effect time travel reveal at the end. Why is Miss Fury traveling through Nazi time portals and what kind of world does she confront in the present? Read issue #2 to find out. This book for fans of Black Cat, Catwoman, Doctor Who and of course Dynamite’s Masks team book!
 

INDESTRUCTIBLE HULK #6

WRITER: Mark Waid
ART/COVER: Walter Simonson
COLORS: Andreas Mossa
Publication Date: April 3, 2013
Price: $3.99
Publisher: Marvel Comics
UPC: 75960607908700611
Buy it HERE

Alright, we’ve been blowing up Mark Waid a bit here but for good reason.

He’s cranking out the hot stuff lately. While Waid’s storytelling is intelligent and moves the industry forward in ways (Daredevil, Thrillbent) the real news about this issue is his collaboration with longtime Thor artist Walter Simonson on art in Indestructible Hulk #6.


The setup for this book is that Dr. Bruce Banner is working for S.H.I.E.L.D. as a research scientist and top brainy guy. You know who also works for S.H.I.E.L.D.?

The Hulk.

While we’re not certain on the overtime pay for a split personality, we do know how Hulk is employed. When something needs a good smash, send Hulk in, and he smashes away. It’s controlled chaos, Hulk used as a weapon for the government. Only now realizing this is pretty similar to the current Venom premise, whereby Flash Thompson is given monitored access to the Venom symbiote to give him powers as a super soldier.

What better use of Walter Simonson’s talents than to put him on a Hulk book and to include our good friend Thor Odinson. That’s right, boys and girls, Banner travels to Jotunheim (you may remember the land of the Frost Giants from the Thor movie) to gather up some legendary energy source of some kind or another. Who cares? The excitement explodes on the facing page when the Thor we grew up with in the 80s swoops down with Mjolnir to ask what they are doing there.

It seems the Son of Odin does not recognize his friend Banner, and Bruce is also wondering in his narration why Thor is not wearing his modern costume. Perhaps we have a doppelganger Thor here?

At this point the Frost Giants show up, and attack Thor and the team. Banner is encapsulated in ice, a familiar place for an Avenger, before getting super pissed and having his growth spurt. Luckily it’s easier for him to fight Frost Giants as Hulk, but he can’t do it without assistance. The Asgardian at this point is separated from his mighty hammer.

I started off getting Waid’s first issues, with Lenil Yu on art and it was great, but dropped off. If we get two masters on one book for a while this will be a no-brainer and an easy recommendation to anyone that’s not on the Wednesday comic book cycle.

HARBINGER WARS #1

WRITERS: Joshua Dysart
STORY: Joshua Dysart & Duane Sweirczynski
ART: Clayton Henry, Clayton Crain, Mico Suayan
COVER: Lewis LaRosa
Publication Date: April 3, 2013
Price: $3.99
UPC: 85899200308600111
Buy it HERE

The relaunch of Valiant Comics was an industry shot in the arm with it’s Summer of Valiant last year.

A strong suit of the ‘90s Valiant Universe was it’s similarity to the Marvel Universe, as there was a shared history of the fictional universe, with diverse characters and story lines ranging from aliens to psionicly powered children, ninjas and voodoo.


This made for easy crossovers and guest appearances in the books.

Miming the success of these crossovers, we have had Ninjak appear in X-O Manowar in the reboot and now we have the first official event comic or crossover in the modern takes on the characters in Harbinger Wars #1.

The Harbingers are close to an X-Men type team with super powered kids of all different ‘psionic’ abilities, lead by corporate mastermind Toyo Harada. The Harbinger Foundation has been colluding with the government’s Project Rising Spirit program to imprison some of the most powerful young psiots and use them for deadly immoral missions.

A new cast of young psiots are introduced with cool codenames like Chronos, The Telic, Traveler and Hive (we’re Legion of Superheros fans here, Chronos-Boy has a nice ring to it, too!). Of course we see Harbinger Peter Stanchek here with his rebels and he even has an encounter/vision of The Bleeding Monk (still the creepiest).

Bloodshot, a product of Project Rising Spirit liberates some of the imprisoned psiots from their facility, and Harada is in hot pursuit of losing his precious weapons.

It’s Bloodshot teaming with the rebels to protect these kids, as Toyo Harada and the rest of the Harbinger team players are seeking revenge. And this is the action only in issue #1 of four.

Amazing art, story and crossing over of characters we have been waiting for since last summer in these fine looking books. Starting Valiant launches an 8-bit campaign with pixelated covers of all of their books. Only weeks away is Harbinger Wars: Battle for Las Vegas, an 8-Bit Game tied into the series coming to Android and iOS. I can’t wait to shoot guns as Bloodshot!

[READ MORE at FORCES OF GEEK]

TRIPLE SHOT: GREEN HORNET #1, DARK KNIGHT #18 & DOCTOR WHO #7

Let’s line ‘em up boys. 

It’s been an unusually long work week so let’s knock back some Green Hornet from Mark Waid, Ethan Van Sciver’s take on The Dark Knight starring Mad Hatter and listen to Cracker’s Low as the soundtrack to the latest Doctor Who — in space!

MARK WAID’S GREEN HORNET #1
WRITER: Mark Waid
ART: Daniel Indro
COVER: Paulo Rivera
Publication Date: March 27, 2013
Price: $3.99
Publisher: Dynamite Entertainment
UPC: 72513020289500111


I wished to keep this as a two word review: “Mark Waid”, but we all know you deserve my usual insight and over use of exclamation points to extoll the virtues of another fine comic from the man that brought us Kingdom Comeand delivers every month with a fantastically positive and anachronistic Daredevil comic for Marvel. His digital publishing initiative under the Thrillbent banner continues to add value to the comic market by offering a platform for writers and artists to take advantage of the digital form.

Mark’s take on The Green Hornet is on pace with his Daredevil work. The changes to the mythos are subtle enough to pay tribute to the history all the while introducing elements of suspense and modern comic storytelling.

Newspaper man Britt Reid is the great nephew of The Lone Ranger and uses his financial resources to infiltrate the mob from the inside and do damage from the inside. Of course Kato is there as his chauffeur and confidante. 

This issue has it all in order of scale. The scene is 1941 Chicago. We go from Britt’s office to his lair to reveal his car Black Beauty. From there the duo hits the docks as the world’s first ‘super-criminal’. Britt uses his and Kato’s fists to clean up the city as well as The Fourth Estate to bring down criminals. Waid cites Citizen Kane as an inspiration for the story.

Get on board fast with this book. Mark Waid is the master of the first issue, leaving us with a serial cliffhanger while packing a rich storyline with resolution in the first issue.

I hope Dynamite is able to match Daredevil sales on issues and trade paperbacks with this book. It is a fun ride shotgun in Black Beauty. Newcomer artist Daniel Indro pleases us with his realistic storytelling and dynamic action.

BATMAN: THE DARK KNIGHT #18
WRITER: Greg Hurwitz
ART/COVER: Ethan Van Sciver
Publication Date: March 27, 2013
Price: $2.99
Publisher: DC Comics
UPC: 76194130643801811


This book was the ‘adjectiveless Spider-Man’ of the New 52 at it’s inception.

DC gave David Finch a fair shot of writing a Batman book that he would illustrate. I was aboard for the first few issues then dropped it for lack of interest in the story. I mean, I was already going broke picking up Bat-titles from Morrison, Snyder, Daniel and Simone.

I joked around on my podcast as not considering Batman: The Dark Knight canon. 

This was a book I was picking up for the art anyway. A few creative team changes later I was delighted to see Ethan Van Sciver on art duties for the book written by bestselling author Gregg Hurwitz. OK, OK, I can recognize this as canon now!

Van Sciver and Geoff John’s Flash: Rebirth brought Barry Allen back to the DCU back when I was getting back into comic books after an unusual nearly 10 year break. I’d always loved The FlashTV show, so Barry coming back was a big deal to me! Van Sciver’s art is the kind I admire because I could never draw like him or McFarlane or Rags Morales.

More lines and detail please, thank you!

Here in issue #18 we go to the dark place of the New 52 Secret Origin of Batman rogue The Mad Hatter. As a pre-teen boy, Jervis Tetch is teased about his height but is given the choice of taking enhancing growth hormones. “One pill makes you bigger”. Hurwitz threw me for a loop with the subtle Alice in Wonderland reference. Jervis asks the girl he is crushing on, also an Alice, to the dance and ultimately gets friend-zoned. Let’s just say that years later when Jervis puts on his top hat that he doesn’t forget about poor Alice when he pays her a visit.

Catwoman makes an appearance and there is some flirty tension as she pulls a Jason Todd and steals a Bat-hubcap. Bruce obviously has a panic attack or lack of reason so he shows Selina all of his secrets and reveals his identity to her. Not really sure where that element of the story is going but we will see. Is it just a bad trip? We hope so!

Great issue and great art but I want to see Ethan Van Sciver draw more Bat-action. If he filled in for Capullo on Snyder’s book I think we would see more action but hopefully Hurwitz has more in store for The Dark Knight coming soon. I am on board and recognizing this as canon so bring it on!

DOCTOR WHO #7 (Vol. 3)
WRITER: Joshua Hale Fialkov
ART: Horacio Domingues/Andres Ponce
COVER: Mark Buckingham
Publication Date: March 27, 2013
Price: $3.99
UPC: 82771400379600711


Lots of Who stuff to be excited about with the return of Series 7 and the 50th anniversary this year.

So how about the comics?

Yes. Even more timey-wimey enjoyment can be found with The Doctor in the pages of your favorite four-color fare. IDW’s Doctor Who: Prisoners of Time showcases a one issue adventure from each of the Doctors, with an overarching story of kidnapped companions.


The regular ongoing Doctor Who from IDW starring the eleventh Doctor played by Matt Smith has a rotating roster of talent including Andy Diggle and Mark Buckingham.

The latest is a space race story written by Joshua Hale Fialkov (I, Vampire) and drawn by Horacio Domingues. 

The Doctor heeds a call from a cosmonaut in 1961 after he loses his comrade in a spacewalk to one of the most deadly species in the universe, Vashta Nerada. Vashta Nerada were last scene in the Tenth Doctor episode Silence in the Library. The shadow virus swarm traps the Doctor out of the TARDIS and they are forced in the tin can of the Vostok capsule. Life support is running out as we leave the Doctor and cosmonaut there to face the swarm cloud.

Domingues and Ponce deliver great and clean line work in the style of Jamie McKelvie or Ming Doyle, and the colors by Adrian Salmon are the right balance of subdued and flat without being boring. Looking forward to this creative team next issue and more from them in the future.

Cosmonauts are cool.

[READ MORE at FORCES OF GEEK.com]

TRIPLE SHOT: CHEW #32, ACTION COMICS #18, THE WHISTLING SKULL #4

Image has another huge week with too many books to review so we pick on the cibopathic Chew for our first shot this week. 

Over at DC we knock back a potion of Grant Morrison’s final Action Comicsissue before dusting off the JSA Liberty Files: Whistling Skull #4.

CHEW #32

WRITER/LETTERER: John Layman
ART/COLOR: Rob Guillory
Publication Date: March 20, 2013
Price: $2.99
Publisher: Image Comics
UPC: 70985300808803211

Image had an incredible week, and when you are the go-to place to publish your own work and have the top talent in the industry dropping projects at your feet, you inevitably have some of the best books come shipping consistently.

It has been nearly four years since the debut of Chew, a crime story in the not so distant future where eating chicken is illegal. Not only that, the FDA has risen as a top federal crime agency and in this world people have sense based superpowers.

Some can communicate through food, detect the future of what they eat, and some like the star of the book, Tony Chu can read the history of the food he eats.

That is to say, when Tony eats a hamburger he experiences the lives and loss of 100 cows. This comes in handy, when more than once Tony has had to sink his teeth into a corpse to find out what happened to the body.

Chew is a hilarious book based on such a bizarre concept that is the reason for it’s success. You’d be lost picking this issue up if you are not caught up, a lot has happened in the past few issues. Newcomers should pick up the perennial bestsellers Chew Vol.1 in paperback or hardcoverOmnivore Edition.

Tony tackles terrorists at the taco tasting and immerses himself in his work while mourning the loss off his sister. Over lunch a strawberry milkshake lunch, tensions rise between Colby and D-Bear in an illegal chicken shack when Colby connects the dots on D-Bear’s post mission phone calls. Luckily this ends in a knock out fight in the kitchen with butcher knives and swearing.

Near the end of the issue, Tony makes plans to reconnect with his cibopathic daughter, Olive Chu.

Fun issue but this would be confusing to anyone not caught up, so save your lunch money for a few days and pick up the trade to dine on these fine comics!

ACTION COMICS #18

WRITER: Grant Morrison, Sholly Fisch
ARTIST: Rags Morales, Chris Sprouse and more
Publication Date: March 20, 2013
Price: $4.99
Publisher: DC Comics
UPC: 76194130637701811

Mr. Morrison has had quite a couple of weeks. First, the death of Robin Damian Wayne in Batman Incorporated #8, and now this…

Grant and Rags finish up their run on Action Comics, starring none other than the big guy, Superman.

The breaking news is that Andy Diggle (The Losers, Daredevil, Doctor Who), tapped to take over after this team’s departure with Tony Daniel (Batman, Detective Comics) on art has quit the title over professional differences with DC Comics.

Tony Daniel will now be both writing and drawing the book, after Diggle’s one and only issue #19 hitting the stands next month.

We’re going to be keeping an eye on this nugget of gossip for sure. Many creators have expressed similar differences with the higher ups at DC since the New 52 relaunch.

This issue was not cheap at a $4.99 cover price but was worth the price of admission to the fifth dimension. Morrison has done what he promised to do in his bestselling novel Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human. He’s let Schrödinger’s cat in and out of the multidimensional bag and referenced 75 years of Superman’s history from each Crisis to silly Golden Age Legion of Super-Heroes stories starring Superboy to a brand new and over arching reconfiguration of the Fifth Dimensional imp Mister Mxyzptlk. 

If you can let this 18 issue Superman story wash over you from a place of superhero innocence and remember that this is the development of Clark Kent before joining the Justice League, this issue leaves off at a great point. By feeling that Clark graduated from the blue jeans and sprinting around in a single bound to fighting fifth dimensional time bubbles and hoisting an impossibly giant Doomsday into space, Kal is ready to take on saving Metropolis and the world (and the terraformers on Mars) hundreds of times over. 

Supergods could be a prerequisite to Morrison’s Action run, I’m curious to see if fans were turned off from the writing here, because I was teetering on the line of enjoyment / confusion through most of it, with leaning toward over 90% of enjoyment by the end of each issue. The trick is that Morrison doesn’t want these to be easy comics to read, and the more you understand that the better your experience may be!

The backup story drawn by Chris Sprouse and sometime Action writer Sholly Fisch is a cute and well drawn story set in the future at a Superman museum. This is in the era of the Legion of Super-Heroes. Basically a young kid stands up to bullying while Superman videos play in the background and we hear “Man of Tomorrow”, “Faster than a speeding bullet”, “Look, up in the sky” as sound bytes from the movies. Sprouse is an amazing artist, and we hope to see him draw more DC Comics in the future. He may not though, as he also jumped ship from his DC assignment Adventures of Superman earlier this month with anti-gay bigot writer Orson Scott Card. Sprouse did the Kal El thing and stood up for justice. Way to go, Chris!

THE WHISTLING SKULL #4 (JSA LIBERTY FILES)

WRITER: B. Clay Moore
ARTIST: Tony Harris
Publication Date: March 20, 2013
Price: $2.99
Publisher: DC Comics
UPC: 76194126988700411

As we near the end of this week’s missive, save for the most popular superhero of all time, these books aren’t that easy to pick up and enjoy without a bit of prep.

Luckily the audience here has years of comic book experience to be able to handle this kind of thick, psychedelic and rare form of comic book suggestions that you’ve come to expect from us!  That is to say, when suggesting you read The Whistling Skull, branded as JSA Liberty Files, you’ll undoubtedly not be surprised that this book has absolutely nothing to do with Justice Society, Earth Two, Jay Garrick or Hawkman.

B. Clay Moore and Tony Harris have devised a way to tell old school bizarre tales of the weird starring original characters under the DC Comics banner. With no connection to the New 52, no superheroes that you know, and starring The Whistling Skull alongside partner Nigel this is a very strange book, indeed. 

This is also the book I am most looking forward to reading each month.

The Whistling Skull and Nigel are patrolling the English countryside and stumble upon the work of ex-communicated Nazi doctor Klaus Hellman. Hitler was not keen on Hellman’s machinations for making his own brand of super-soldier and was kicked out of the reich. Posing as broken down circus caravan, The Whistling Skull and Nigel stop to assist but are trapped by the Nazi Hellman and his band of gypsy freaks.

The origin of The Whistling Skull and his powers are slowly being revealed, but he is the most recent in a long line of Skulls. Nigel is a sweet and innocent—albeit not that bright—Watson to the Skull’s Sherlock. This fantastical WWII superhero adventure story sits on the shelf nearHellboy/B.P.R.D. or is reminiscent of League of Extraordinary Gentlemen. Also, what is amazing about this book is that while familiar, it is truly unique in scope and the art by Tony Harris is amazingly detailed and dark. Noir overtones, occult madness, Nazi Doctors and a skull with a steampipe on the right temple. Can you ask for anything more? Yes. “More issues of this please”, I say, with my fingers crossed, to not have DC editorial mess with this amazing book!

[READ MORE at FORCES OF GEEK]

TRIPLE SHOT: SLEDGEHAMMER 44 #1, BUDDY COPS #1 & WOLVERINE #1

We’ve got robots, suits of armor and a drunken space cop in our Triple Shot this week.  Over at Marvel NOW! the Brits give Wolverine a makeover.   That is, they blast his flesh off of the bone and make over his body once or twice in the first few pages of Woverine #1 by Paul Cornell and Alan Davis.

 SLEDGEHAMMER 44 #1 (of 2)

WRITER: Mike Mignola, John Arcudi
ARTIST: Jason Latour
COLORS: Dave Stewart
Publication Date: March 13, 2013
Price: $3.50
Publisher: Dark Horse
UPC: 76156818145600111

Hellboy and B.P.R.D stories are usually dropped in time rich after WWII and Hellboy’s origin.

This particular story is right in the middle of the war, in 1944 with grunts, cigarettes, nets over the helmets and classic call backs to the classic comics of Joe Kubert or Joe Simon. This two parter expands the Hellboy-verse to include a man in a suit of armor charging at a Nazi foothold in France after being dropped in the shell of a Blockbuster bomb onto the battlefield.

The U.S. soldiers on the ground are given strict orders to be backup for the behemoth Project Epimetheus aka Sledgehammer 44. Nazi soldiers are no match for the super-powered suit, but the Germans counter with an enormous S.S. robot that crashes it’s way out of the enemy armory it is protecting. The Lost in Space looking armored enemy gets the upperhand on the Allied weapon and our boys retreat, dragging the mysterious knocked out Sledgehammer back to base camp. Will the Nazi’s catch up to finish off old Sledgy?

Jason Latour gives us great pages of classic looking comic art on this war story. The design of our new hero is all Mignola, but the storytelling is textbook Kubert School and all details wonderfully rendered in a classic illustrative line.

The book was intended for the late John Severin to draw and collaborate on with Mignola and Arcudi. The Marvel artist passed away in 2012, and rather than shelve the script, the book was released and dedicated to the master penciller with reverence to his memory.

My only complaint is that this book is only two issues! We hope to see more of our WWII ‘Ironed Man’ in the future.




BUDDY COPS #1 (One-Shot)
WRITER: Nate Cosby
ARTIST: Evan ‘Doc’ Shaner
Publisher: Dark Horse
Publication Date: March 13, 2013
Price: $2.99
UPC: 76156822968400111

From the pages of Dark Horse Presents is the story you haven’t been asking for in Buddy Cops #1. Reprinting the material from the anthology series with some bonus material for good measure is the story of two cops—well, not exactly.

This is the story of a partnership between T.A.Z.E.R. and Uranus.  You see, Uranus is an intergalactic space cop, you know the type; a guardian or part of a corp. Uranus caught drinking on the job and was demoted to lowly duties, earthbound as it were as a regular beat walking stick swinging cop.

They let him keep his space sword and jetpack, though. It gets wacky when a janitor reboots a 1970s uptight traffic enforcement cop android called Tactical Android Zoned for Efficient Resolution, (T.A.Z.E.R.). Stick these two in a cruiser and see what happens!

I identify most with Uranus, who screams out Wu-Tang lyrics on the scene of the crime. Old T.A.Z.E.R. is just a fuddy duddy automaton with no game, but on the plus side has a detachable head that more than once comes in handy in combat. 

The ‘tension rises in the third act’ as the partnership is blown apart by Uranus getting married and then impregnated by a member of the plant-like Fregnar race. Uranus’ daughter tries to eat all of the people in the city and the team is back together again as T.A.Z.E.R. forgives and forgets.

This is such a funny book and it’s great to see ‘Doc’ Shaner work on a full story after following his sketch blog (http://www.evanshaner.com) for the past couple of years. Nate Cosby has a new all ages book book Cow Boy (http://cowboycomic.net/about) with letterer and artist Chris Eliopoulos that we’re dying to check out soon!

This book ain’t nuttin to F$% wit’.

WOLVERINE #1 
WRITER: Paul Cornell
ARTIST: Alan Davis
Publisher: Marvel
Publication Date: March 13, 2013
Price: $3.99
UPC: 75960607921600111

I’m in. Well, I’m most of the way in with Marvel NOW! Not all books appeal to me but what would be the fun in that anyway?  By not rebooting the 616, but updating the titles and characters to be more aligned with the movie universes is just fine with me.

I’ve not been a huge X-Men fan since the ‘90s, but hey—now I’m reading two team X-Men books. The excitement I have for the mutant plight as analogue for oppression and sticking it to the man has never been higher, and now with so much happening with Bendis’ teams, it’s good to also attach myself to my favorite Bub, Wolverine.

Sure, Logan’s all grown up now and an Avenger somehow (look, I’m behind the times, OK?) but this new Wolverine title is exactly what I need and is almost reminiscent of the Larry Hama run on the book. Let’s have Wolverine go off and have solo missions like the good old days! Marvel and DC ‘time’ obviously allows for these guys to be in four or five different books seemingly at the same time (sorry, the kid in me still thinks about that stuff) but that’s where the fun comes in.

It seems that Paul Cornell and Alan Davis have Logan becoming a detective for a few issues before returning him to a team or running into any other heroes. This book can exist on it’s own already and we’re only on issue #1. Older fans of Wolverine have a great start here to jump on board, as no current continuity is referenced (besides the aforementioned Avengers bits).

Who is this kid that wants to take his father’s ray gun and watch Iron Insides regenerate over and over again? Looks like Logan is tracking his scent in the next issue, and I can tell you I’m on board. This is the kind of art that made X-Men and Excalibur comics must reads from the spinner rack coupled with equally masterful storytelling by Paul Cornell.

This is top of the stack stuff, for sure.

[READ MORE at FORCES OF GEEK]

TRIPLE SHOT: THE ANSWER #2, DOCTOR WHO: PRISONERS OF TIME #2 & DEATHMATCH #3

THE ANSWER! #2 (OF 4)
Writer: Dennis Hopeless
Artist: Mike Norton
Colorist: Mark Englert
Publication Date: February 27, 2013
Publisher: Dark Horse
Price: $3.99
UPC: 7 61568 22480 1 00211

My favorite punk band, Swingin’ Utters released a new song this week, “The Librarians are Hiding Something”.

We know it’s true, right. I mean why do we have to be quiet all the time?  Are we going to wake Cthulhu in there? 

Devin McKenzie has a secret in her library. She loves to stay up late playing computer quiz puzzle games. What Devin didn’t know was that those games were an aptitude test for a suspicious secret organization called the Brain Trust. 

Our costumed hero, The Answer, is decked in all black with utility belt and merely an exclamation point on his mask. 

At the end of issue #1, The Answer has rescued Devin, for now because all of her gaming has flipped an alarm and send bad guys after her. The Answer makes with the punching and rescuing as issue #2 opens up in a bus station in Cincinnati, a few cities away from her native Chicago. 

The Brain Trust wins this round it seems because Devin is easily seduced into the cult of literati, and The Answer is drugged and locked down by Brain Trust for observation.

Lots to enjoy here with this book and if only four issues will make a fun trade for those that like their superheroes quippy like Deadpool and Spidey. Right now we know more of Devin, and she is smart so likely she can think her way out of any impending threat or trap. No origin or backstory provided for The Answer himself but the dialog and jokes about spandex are hilarious.

You honestly can’t go wrong with the creative team. On art is Mike Norton (Battlepug, It Girl andThe Atomics) and on the script is Marvel NOW! writer Dennis Hopeless (Avengers Academy, Cableand X-Force). This is super fun comics and we can appreciate Devin for the strong and smart female lead that she is.

DOCTOR WHO: PRISONERS OF TIME #2 (OF 12)
Writer: Scott and David Tipton
Artist: Lee Sullivan
Publisher:  IDW Publishing
Publication Date: February 27, 2013
Publisher: IDW
Price: $3.99
UPC:      82771400416800221

The 50th Anniversary of Doctor Who is here, and IDW celebrates with a limited series starring each Doctor inDoctor Who Prisoner of Time, Issue #2 out this week.

This book is a treat for Who fans, and offers a great introduction to the other Doctors.

Most of us perhaps grew up with Tom Baker episodes and reinvigorated our fandom with the 2005 series. This issue stars the second Doctor, Patrick Troughton, and two companions  Zoe and Jamie. 

The trio Vworps into an intergalactic shopping mall, where one store sells various and sundry Police Boxes. Theirs being the only TARDIS, the ship is disguised among the merchandise as they explore the bazaar.

Suspecting illegal slave trade, by a species called Voraxx, the Doctor cruelly sets up Jamie as bait and the companion is captured. Zoe and The Doctor peruse bikes  in the shoppe, (one bike being a replica of the iconic penny farthing trike from The Prisoner, a cult BBC spy show on television the same time as the second Doctor’s series).

The Voraxx beam away as Zoe and The Doctor follow them onto their Prisoner Slave ship. They spring Jamie and discover a pair of classic Who monsters - The Ice Warriors! (http://tardis.wikia.com/wiki/Ice_Warrior)

Lots of classic BBC action and a right tribute to the classic Doctors from brothers Scott and David Tipton (IDW Star Trek, Star Trek/Doctor Who: Assimilation).

DEATHMATCH #3
Writer:  Paul Jenkins
Artist:  Carlos Magno
Cover: Whilce Portacio
Price: $3.99
Publication Date: February 27, 2013
Publisher:  Boom! Studios

Looks like a new sub-genre of versus battle comics has arrived. Also shipped to stores this week was the more high profile Marvel NOW! Avengers Arena #5.

Both books are based on the Hunger Games/Battle Royalepremise of pitting contestants and in both comic book cases, superheroes,against each other to the death in order to survive.

Paul Jenkins and Carlos Magno have set up their own comic book universe wherein there are a variety of heroes and anti-heroes who may have been fighting for years.

While the Avengers book is using Marvel properties, Jenkins created 32 new characters with  dossiers and faux ‘first appearance’ info featured at the back of each issue.

Vol. 1 of the trade paperback has been solicited from Boom! for April 17 at a bargain $9.99.

Onto the battle for this issue! Hater has preternatural sense of his surrounding and also PTSD from military service. He would be a match to The Punisher mixed with some of Daredevil and Wolverine’s powers. Hater has been pitted by the unseen puppet masters against The Mutate. The Mutate is a beastly human with a catlike face. The Mutate is dedicated to worldwide peace, though proves here that he can follow his killer instincts when attacked.

A fun part of the book is the tournament bracket pages on the back right before four of the character dossiers. Each issue you can make your own bets as to where the tournament is headed.

Also in this issue are reveals of who or what is holding our new favorite heroes in the DEATHMATCH arena. Will the fedora-sporting Rat (think Watchmen’s Rorschach … ‘HURM’) break the code of ‘The Game’?

Keep on this one in issues, folks. The trade will be fun but the cliffhangers will kill ya.

[READ MORE at FORCES OF GEEK]

TRIPLE SHOT: THE SHADOW: YEAR ONE #1, THE BLACK BEETLE: NO WAY OUT #2 & BATWOMAN #17

This week’s Triple Shot loads you up with two pulp heroes, one old and one new, and the conclusion of the World’s Finest team up of Batwoman and Wonder Woman in issue Batwoman #17.

THE SHADOW YEAR ONE #1 (OF 8)
Writer: Matt Wagner
Artist: Wilfredo Torres
Publication Date: February 20, 2013
Price: $3.99
Publisher: Dynamite Entertainment
UPC:  72513020219201011

The origin of The Shadow as told by Matt Wagner (Grendel, Batman) starts this week in an eight issue limited series from Dynamite Entertainment.

The book opens in Cambodia with The Shadow investigating the crimes of The White Tiger, and meting out justice on his own, all the while hiding behind a red scarf.  Months later, alter ego Lamont Cranston disembarks from a cruise ship with seven large valets in tow, piquing the interest of a Clark Kent-looking newspaper man. Close by, a newsie hawks of Black Tuesday and the market crash.

Seems like The Shadow returns to the States just in time to secure his assets and protect the night! 

The action builds up quickly in New York City as gangster Guiseppe ‘Joe’ Massaretti is overwhelmed by a mysterious voice in his head commanding that he take advantage of the banks being in turmoil and to rein in the city’s rival gangs. This momentary hallucination weighs on his mind as his goons chauffeur him around town.

Guiseppe isn’t the only one wobbly by voices in his head! At a Prohibition Era homecoming party, Cranston unprovoked declares, “The weed of crime..takes root EVERYWHERE, I dare say.”

Easy, pal. Someone get him a bathtub Tom Collins!

Joe’s extravagant gal pal Margo Lane is also at the party to make the acquaintance of Lamont Cranston and to continue a quarrel she had earlier with the mobster. Conveniently, The Shadow knows when he sees trouble spark up and makes his presence known to the bad guys.

This is a really fun start to the origin of a character so important to comics and pop culture that I for one had no familiarity with, besides last December’s Masks title from Dynamite and also the 1994 Alec Baldwin feature film. 

We’re cranking through episodes of Boardwalk Empire, and it’s great to catch some familiar references to the Volstead Act and to imagine The Shadow existing somehow in the same romantic fantasy timeline. 

Wilfredo Torres’ art is clean and fits the era, fans of Chris Samnee’s work on Daredevil and Spider-Man will enjoy the artwork.

Overall a very fun pulp origin that I’d like to ‘know’, for fear of being asked at a convention if I’m familiar with Lamont Cranston/Kent Allard. With this series under my belt, I’ll at least be able to fake it!

THE BLACK BEETLE: NO WAY OUT #2 (OF 4)
Writer / Artist / Cover: Francesco Francavilla
Publication Date: February 20, 2013
Price: $3.99
Publisher: Dark Horse Comics
UPC: 7 61568 22686 7 00211

The Black Beetle is the passion project of Eisner Award winning cover artist for 2012 Francesco Francavilla. The second part of the four part series continues to follow Colt City’s costumed detective.

I was lucky enough to find a hard copy this time, in hopes of having Francesco sign it one day, as issue #1 sold out quickly from the store. A second printing of Issue #1 is due soon, with an amazing new cover.

Dark Horse sandboxes their digital comics ondigital.darkhorse.com and on an iOS app, which is not a bad thing and mostly a great business decision.

I did scratch my head prepping for this review, however because the comic is not where I had expected it to be, on Comixology with the rest of my collection.

Anyhoo. Back to another great story with killer action and noir detective work from FF. Obvious costume nods to Batman and original DC Blue Beetle set you up for what to expect here. Black Beetle as a character could fight alongside Pulp radio heroes The Shadow or The Spider in a book like Masks, but the best part is that this is a brand new book and concept birthed by a love of the genre. 

All art credit and covers are by Francovilla, the exception being the lettering done by Nate Piekos of Blambot. We’re treated to layouts rivaling J.H. Williams III, double page spreads and a limited, sensible but not restrictive, color palette. 

Black Beetle sports leather pouches and gloves, can patch himself up after a nasty fall, but not much is known of his alter ego. We have yet to see his face. We do, however get to see a beautiful steampunk helicopter jet-pack complete with air pressure valves on the chassis. Black Beetle’s car is that of an old ‘40s model, not dissimilar to Batman’s original Batmobile with cow-catcher replacing the front grill.

The nifty gadgets help Beetle escape from last issue’s cliffhanger of course as he travels to the depths of Colt City’s sewers chasing the mystery man dressed in a head to toe labyrinth costume.

The genre relies on cliffhangers, so we are left with our man collecting matchbook clues and fixing his cufflinks for a night on the town. We hope he finds what he’s looking for, but he may just find himself chatting up a dame with a victory roll.

Very highly recommended series to get in on the ground level with, and fans of the noir or serial drama will get an extra joy out of this book because of the creator’s heartfelt respect for the radio days.

BATWOMAN #17
Co-Writer / Artist / Cover: J.H. Williams III
Co-Writer: W. Haden Blackman
Colors: Dave Stewart
Letters: Todd Klein
Publication Date: February 20, 2013
Price: $2.99
Publisher: DC Comics
UPC: 76194126480601711

The red-haired Kate Kane concludes her adventure alongside the more powerful and honestly more interesting Wonder Woman in the latest issue of Batwoman.

While the rest of the Bat-Family is dealing with repercussions of the Death of the Family in last week’sBatman #17, Diana and Kate have had to face Medusa and solve the case of hundreds of missing Gotham children.

The issue introduces a new femme fatale, Hawkfire.

Hawkfire is the rejuvenated spirit of cousin Bette Kane, formerly under the mantle of Flamebird.

J.H. WIlliam’s Batwoman is a must buy book. Innovative page layouts and interesting relationships between all of the support cast make the book not only beautiful to look at but also engage the audience at a high intellectual level.

A monstrous threat, the Mother of all Monsters, looks to engulf Gotham in slime after being summoned by the ancient Medusa and the shamanistic Maro. Batwoman and Wonder Woman are assisted by Hawkfire to take out the major players. Hawkfire disarms Hook Man and sends his Scythe to the depths of the ocean. As a play on Wonder Woman’s original origin, Medusa is turned to stone to break and shattered by Batwoman’s fist.

Ceto, the Mother of all Monsters returns to a more recognizable form as Medusa’s spell is broken along with her body. Kate convinces Diana to end the cycle of ancient violence by not killing the human form of Ceto, but protecting her.

The chapter ends with Hawkfire, Batwoman and Wonder Woman saying goodbye before the Department of Extranormal Operations crashes the party and starts asking too many questions. 

If that wasn’t enough story for you, there are five pages of reveals at the end with so many repercussions, relations, and resurrections that will blow your mind. Just when you thought this book was over you will be dying get at the next issue. This was the best ending for a single issue of a comic in a long time.

Fortunately for you, DC does release Batwoman in trade and if you want some of the best Bat-stories around, start at J.H. Williams III and Greg Rucka’s Elegy and get caught up from there, right into the New 52. The best part about the book is that it remains unchanged from the original DCU version, and all of her origin stays canon.

[READ MORE AT FORCES OF GEEK]

MUDMAN PUT TO THE TEST IN ISSUE 6 FROM IMAGE COMICS

MUDMAN #6 - Image Comics

Writer & Artist: Paul Grist

Art: Ron Adrian

Colors: Bill Crabtree

Publisher: Image Comics

Price: $2.99

It’s been a while since the debut of Paul Grist’s (Jack Staff, Kane) hilarious take on the trope-filled teenage superhero tale Mudman from Image Comics. Grist cites a family illness for the delay in this issue, and it most certainly was worth the wait for issue 6. I’ve transitioned to reading the title digitally now. 

Owen Craig has mud powers, which is exactly what it sounds like. His body turns into mud, he can throw mudballs, he can create an Iceman-like mudslide to save a damsel from an oncoming bus. Fans of Spider-Man, Superboy and Invincible should get a kick out of this story set near Grist’s current home in the fictional Burnbridge On Sea, where tide and weather create a silty mess year round. Issue 6 came out yesterday, continuing to be a fun book very aware of it’s influences and slick British humor and delightfully clean illustrations. Grist’s panel layouts, thick slabs of muddy ink and expressive acting make Mudman a top of the stack book with intriguing new character development and a break from the recent Big 2 reinventions of New 52 or Marvel NOW! Starting with a dude that’s cooler than Peter Parker and less neurotic than Mark Grayson, Owen Craig is stepping on familiar slick territory after his accident gives him Mud powers, and bullets from bad guys fly right through him.

The story opens with issue 4’s mysterious goth Captain Gull acting as Owen’s mentor. Owen accepts Gull’s help and sacrifices studying for his big school test and precious sleep to push his limits and learn to control his power. Where do these mentors come from, anyway? I could have used someone randomly handing me a phone number and with a secret meeting location when I was a young super hero on the come up. Think of all of the mistakes I’ve made since then. Now, I merely am reporting on these guys.

Many Marvel, Spidey and Daredevil quips pepper the story along the way and add to the fun. Grist has a handle on referencing comic culture in a way that’s not insulting to fans. Issue 6 has an Uncle Ben facing the robber moment turned on it’s head with his best pal Newt, a graffiti artist, throwing up a piece in the local bus shelter. While painting, two criminals tussle over a briefcase. Naturally, Mudman arrives late to the scene after neglecting his training duties. Newt and the briefcase are long gone and a discouraged Owen, unaware of the conflict. He makes it home to barely make it to class and the test he’s barely prepared for.

Mudman and Owen, separately are tested in this issue and the greater defining aspects of Mudman as hero and teenager are yet to be revealed. As is always the case early in a hero’s career, he is reluctant. I’m confident Paul Grist has more in mind here to round out the rug-ruining hero over the next arc. More regular scheduled issues are promised for 2013, and I look forward to taking a break from the familiar capes and cowls to take a visit to a seaside town in the UK to get my slickers covered in mud this year.

[Get MUDMAN #6 from TFAW here.]

DEBUT COLUMN at FORCES OF GEEK - T.H.U.N.D.E.R AGENTS / THE WORLD BELOW

AM I CRAZY? HERE’S A NEW SITE I’M WRITING FOR - FORCES OF GEEK! Enjoy! — Clay

********************

SPENCER FOR HIRE: T.H.U.N.D.E.R. AGENTS / THE WORLD BELOW

Joss Whedon’s The Avengers will surely be a blockbuster hit this summer and most teenagers are familiar with the Justice League from the cartoons, but today

we focus on the best superhero team you’ve never heard of, T.H.U.N.D.E.R. Agents.

Named after 60s spy thriller The Man From U.N.C.L.E., The Higher United Nations Defense Enforcement Reserves operates outside the boundaries of national interest, working to achieve world peace. The late artist Wally Wood and writer Len Brown created the first series, and now rising star Nick Spencer (Morning Glories, Iron Man 2.0) leads the team to the future.

Dynamo, NoMan, Menthor, Raven and Lightning fight the organization S.P.I.D.E.R. (Secret People’s International Directorate for Extralegal Revenue) and also a Subterranean society.

[READ MORE at FORCES OF GEEK]

EARTH PRIME TIME: INFINITE SADNESS, LIEFELD & KIRKMAN SERIES CANCELED

Infiinite #2 - Liefeld / McFarlane (variant)

Just months before San Diego Comic-Con last year, The Walking Dead writer and Skybound publisher Robert Kirkman announced a new project with Image Comics co-founder Rob Liefeld. The Infinite is the story of 40-year-old Bowen, who has traveled back in time to team up with his 19-year-old self to battle an evil organization called The Infinite. The Infinite Volume 1 collects the first four issues, and is available in stores. Rob Liefeld cited creative differences with Kirkman on Twitter this weekend as the cause for the end of the book.

[READ MORE at DIGBOSTON.COM]

Frank Miller - "Holy Terror" [Book Review - Clay N. Ferno of LeaguePodcast]

As a followup to my previous post, I received Holy Terror in the mail this morning. Here is my review.

Frank Miller’s most recent, and somewhat anticipated Holy Terror surprised me with its form factor immediately. Landscape comics are decidedly uncommon, but a clever way to have books stick out on the shelf. Miller has been working on this conceptually since 9/11. Partly a tribute to the Cap punching Hitler days, this work pits a superhero against a real world terrorist threat. Unfortunately, the master cartoonist, storyteller, and artist has missed the target.

Storytelling was awkward, abstractions were obtuse, and politically the story was tough to swallow. Also, make no mistake, this is a Batman story. Co-starring Catwoman. And Jim Gordon. Originally slated for a pre-relaunch “Dark Knight Returns” continuity DC Comics release entitled “Holy Terror, Batman”, we miss out on all of the good stuff in this release from Legendary Comics. 

A WORD ABOUT LEGENDARY COMICS

Legendary Comics is a subsidiary of Legendary Pictures. The studio dropping such great comic book movies from directors Nolan, Snyder, & Singer drops Holy Terror as its inaugural title. Safe bet there, with Miller being a true master of the genre. We look forward to books from other Batman creators Paul Pope (Batman Year 100), Matt Wagner and Simon Bisley. Editor-in-Chief Bob Schreck was installed in late 2010.  The personable Schreck is perfect for the job with over 30 years in comics. As a writer and editor he’s worked at Dark Horse, Oni Press, DC, and most recently at IDW. Will Legendary be the new ‘boutique’ publisher for high-end graphic novels and creator owned work? That answer has yet to reveal itself, with only three titles announced. 

HOLY TERROR 

All the pretending and dancing around that this is not a Batman book is most certainly a copyright and intellectual property issue, and not the truth.  DC Comics would never back this up. Seventy years of establishing this important Bat-brand, only to be sullied by an attention grabbing pro-American graphic novel would not be good business. I estimate The Fixer to be sitting comfortably in the timeline of Bruce after his retirement, and roughly five years before putting the cowl back on in Dark Night Returns. 

THE ART

There’s minimal dialogue, and no lettering credit. It’s safe to assume Miller lettered the book himself. Cool lettering and sound effects, too. His voice and his penstrokes are definitive. I’d love to watch him ink a page of rain coming down on a character! Ever since Sin City I’ve been in awe of his black and white Sumi-e brush strokes, the balance of the page, his chunky flat spotted blacks, wide eyes, and dynamic action. Dave Stewart provides masterful, well-directed, minimalist coloring (with a palette of no more than three colors).

I’ll drool over Frank Miller’s art any time, but this was more late-period Sin City than it was of earlier works of personal favorite cross hatch inkgasm, Ronin. 

AS A COMIC BOOK / GRAPHIC NOVEL

The biggest failure here is that the work is painfully aware of itself. This is a comic book. There are comic book tropes such as callbacks to other Miller comics, and a rather awesome play on the nine panel grid structure. Is this book for comic book fans or the general public? I had trouble figuring that out, and still have no answer.

The Fixer is murderously acting out a revenge fantasy that most Americans dreamed of post our nation’s greatest tragedy (and many still do). Is there much of an audience for that, even ten years on? Or have we all grown from those feelings, focused on our families, regretted our wars, and decided to live our lives? I have buyer’s remorse after reading this. I feel like this was a cash grab from both fans of Frank Miller and from über-Patriots who would read abour this book in USA Today and relive a hatred never to be forgotten. 

The story was compelling, but not surprising. I had known the plot from the original title, and internet rumors. The location change to  Al-Queda’s Subterranea parallel was interesting, but by that point I was just wanting the whole thing to be over. I kept struggling to imagine that this was a young independent creator, speaking volumes on our social troubles. But this book was not the product of that. I was reading the work of an elder statesman of comicdoms’ elite who had nothing to say that wasn’t hateful, short-sighted, and frankly a bit empty. 

MAYBE I JUST DON’T GET IT

Is Miller’s intention of this book being “bound to offend just about everybody” justified? By that, am I to be offended and just walk away feeling offended and say he did his job? That would be irresponsible and dishonest. Since when are critics to listen to an artist’s intention? The public is to digest and make their own opinions on ‘the work’. My strong relationship with Ronin and Dark Knight Returns are based on my formative years as a comic book fan wanting to read more of Miller’s work, and emulate it. Now I’ve got sour grapes because he’s telling me how to react to it. No way dude. You put out Dark Knight and I heard about it in 1987 because it was an amazing story. Not because you said it was. I’m not detecting an homage to old comics or irony at all in Holy Terror. Why is that, Frank? Hey, I stuck with you through that Spirit movie…is this how you’re going to leave us?

I’ll remain a Frank Miller fan, and I’ll be cuious as to what he comes up with for a next move. I’d love to see an apology, an explaination, or for Miller to go back to making great films and comics. I stand by Sin City as being as close to perfect a translation of comic book page to film as you can get. Hate speech, hate actions, hate anything will keep me away for good. If we continue to get more of this, you can be sure I’ll stay far from it.

Captain America by Jack Kirby, Vol. 1: Madbomb

Captain America by Jack Kirby, Vol. 1: Madbomb by Jack Kirby

My rating: 5 of 5 stars


Wow! The Bicentennial run of Jack ‘King’ Kirby on Captain America (with Falcon): MADBOMB has some completely off-the wall bonkers patriotism and comic book fun!

Great extras from Marvel in this book. A/B Kirby’s pencils with fully produced art for most of the covers! John Romita inks the cover of ish #193.

Jim (my good pal lending me all of this bat-koo-koo Kirby stuff) left me a note, “Here is Vol. 1 of Kirby Cap from the 70s - it is insane”.

Hmmm..let me count the ways…

A powdered wig aristocrat plotting to bring back nobility to power (what?), small machines with mind control capability, a BIG-ASS version of those machines, Falcon using the word ‘dude’ every other panel…and a 200 year old ancestral grudge over a pistol duel!

To say I enjoyed this book after trying to make sense of the Fourth World stuff is an understatement. I can connect with Kirby’s Marvel work a bit easier, and this was one story arc with two main heroes.

The production of the coloring in this book and the two Kirby Black Panther books are really nice ‘remasters’ of the original plates and the Kirby crackle pops on the glossy pages.

Thanks, Cap! Make my Kirby Marvel!

Clay N. Ferno on Goodreads

BOOK REVIEW! Exit Wounds by Rutu Modan

Exit Wounds by Rutu Modan

Exit Wounds by Rutu Modan
Exit Wounds is a cerebral, somber, and delicate journey set in modern day Israel.
Superbly simple line work with sublime coloring denotes the everyday without ever being boring. Israel is an ancient place rife with violent bombings, but also a place for families to grow, travel, love, and of course grow apart. The characters are identifiable in the most common way, yet the story is set in another country. A taxi driver, a tall gangly giraffe of a lover, a missing father and doting aunts, uncles and mothers set the table of this unforgettable tale of love, loss, family, politics, and the spirit of life. This is one of the best comic stories I have ever read.

Order from TFAW.com.

BOOK REVIEW! Identity Crisis [Paperback] Brad Meltzer (Author), Rags Morales (Illustrator), Joss Whedon (Introduction), Michael Bair (Colorist)

Identity Crisis by Brad Meltzer My rating: 5 of 5 stars Brad Meltzer along with Rags Morales and Michael Bair have created a brilliant Justice League mystery for the ages. Art is a solid 5 out of 5 stars. No question. Morales has the sensibility of another DC heavyweight, Brian Bolland, and the storytelling ability of a Neal Adams or John Byrne. Clean Bolland lines on the inks, solid blacks, great expressions and characterizations. Spoiler-free story review. Meltzer ties the Justice League and Justice Society into a long form mystery involving the murder of the Elongated Man’s wife. Third act climax and twist rivals Conan Doyle or Christie. This is frequently on the top ten lists of the last decade and I would concur. Knowledge of the DC universe is not required, some basic knowledge of the League is helpful. Tim Drake is Robin under Batman at this time, and Wally West is the current Flash. Recommended if you like: Watchmen, Jack & Bobby (TV), Blackest Night, V for Vendetta, Murder She Wrote, V for Vendetta, Sin City, Animal Man, Arkham Asylum. View all my reviews

2-Bit Comics - Howlin' Jack Kirby!

Hello Leaguers! Here is a column I will now dub ‘2-Bit Comics’! I find some great comics hiding in the 25 cent to $1 bins and highly recommend you do the same! Also, here is where I may share some cheap TPB deals that I have discovered. Of course the other leaguers are free to participate as well. A light bulb popped over my head this morning as I awoke to share with you two books that I picked up yesterday.

Frank Frazetta’s Dracula Meets the Wolfman One-Shot, Cover B, August 2008, Image Comics What I paid: 50 cents. WOW! This was a great book. Art by Francesco Francavilla. Story by Steve Niles. This sepia toned book takes us back to Moldavia circa 1849. Nicolae Bulinski is professing his love for his dear Marta as she heads into the house. Nicolae then realizes he is out too late and transforms into the Wolf-Man! Wolf-Man bolts into the woods, eventually to be captured by his caring father and brother, as he chases down a horse for food. Pa and Bro net him and lock him up for the night. The family is used to his unfortunate curse, and take care of him until he transforms back to Nicolae. Marta, meanwhile, is preparing for a night dining with the Count! Though she is fearful, she accepts the invitation. The Count’s driver picks her up in a carriage and brings her to the castle. Dracula wastes no time and makes his intention clear…he wants to feast on her (“In Transylvania, dinner host eats YOU!”). Well, this is where I stop describing the plot — I want you to track down this book if you like classic Universal Monster Team-Ups! This comic reads like an old movie. It’s comfortable, beautiful, and has a classic illustration style.

Countdown Special : The New Gods - Featuting Mister Miracle, Orion, and The Forever People DC Comics, March 2008. Cover by Ryan Sook What I paid: 50 cents. First things First: This is Jack Kirby! 80 delicious pages of story and art from the King himself.

Reprinted from the pages of Forever People, Mister Miracle and New Gods, here is an introduction to some of Kirby’s most lauded Cosmic characters in the Mighty 1970s DC style. Let’s talk art. Vince Colletta inks the first two stories, and Mike Royer inks the third story. I understand Jack and a lot of fans weren’t that crazy about Vince’s work, but I thought his inks complemented the pencils well and maintain the classic Kirby look. No complaints from me. Mike Royer inks the Orion origin, the third story in the book that takes place mostly on Apokolips. Kirby dots are everywhere and the New Gods look noble and dynamic. There are weirdo contraptions, Dragon Tanks, and action on every panel. This is a great looking story. If I were to compare the two, I would say That Mike Royer’s inks lean a bit more toward the bold ink lines and swooshy brushwork of Kirby himself. Both inkers, in my opinion, are great. I believe that because Vince does not seem to have the same style as Jack, some fans cast aspersions on his art but I think that is unfair. As far as the story, we get the first appearance of some great characters — The New Gods. Being a Marvel kid, I was in the dark of this era of the King’s career up until recently. Boy, am I glad to get into this now! Every panel moves the story along, each word in the captions and word balloons are relevant. Inner dialogue is kept to a minimum and not abstract. There are complex familial relationships in the New Gods, similar to Greek mythology. Each time I open a book and it says “Written, Drawn, and Edited by Jack Kirby”, I laugh a little bit. But then after the second reading I think to myself “How could anyone ELSE edit this book? Jack’s got all this stuff floating around in his head! He’s establishing the continuity!” I really enjoy what little I have read of Jim Starlin’s versions of the characters, but this certainly is the real deal! This review is not just an endorsement for this book, but a strong recommendation for you to find old Kirby comics and read them and enjoy your art until your eyes bleed. Seriously, it is so worth the trip!

Well that does it folks! You can expect some upcoming reviews of Jack Kirby’s Black Panther, and Justice League Europe.