MAN OF STEEL (review) at FORCES OF GEEK

MAN OF STEEL (review)

Review by Clay N Ferno

Produced by Christopher Nolan, Charles Roven, 

Emma Thomas, Deborah Snyder

Screenplay by David S. Goyer

Story by Christopher Nolan, David S. Goyer

Based on Superman by Jerry Siegel and Joe Shuster

Directed by Zack Snyder

Starring Henry Cavill, Amy Adams, Michael Shannon, 

Diane Lane, Kevin Costner, Laurence Fishburne, 

Antje Traue, Ayelet Zurer, Russell Crowe

Warner Bros. / PG-13

Superman, though not in the title, and only spoken once in the movie has returned in Man of Steel.

Starring Henry Cavill as Clark/Kal/Superman, Amy Adams as a smart and engaging Lois Lane and Michael Shannon as our villain, last seen in the comics or Superman II,General Zod of Krypton.

Kevin Costner is an earnest, sensitive and sensible Jonathan Kent, Kal’s adoptive father with Diane Lane as Martha Kent by his side. Laurence Fishburne stars as the Daily Planet’s Chief, Perry White.

The film opens on doomed planet Krypton, Russell Crowe as Jor-El helps deliver his son to Lara Lor-Van played by Ayelet Zurer. 

With a cast like this, we can’t go wrong, right?

I tend to love almost everything superhero related and this movie was no exception. After cramming in a Dark Knight trilogy over the weekend, I was well prepared for this Man of Steelscreening. To be honest, I thought the bridge would be there for me like the Timmverse versions of the characters. Batman first. Superman second. One dark. One light. Similar vibe. I was happy to be half correct in that assumption. This is a modern looking film, and perfect for our time. Snyder and Nolan are different stylistically, and I appreciate that.

Having Christopher Nolan as a producer did inform the look of Metropolis somewhat, and the collective success of Dark Knight did get the wheels turning for Superman. I’m happy this all worked out the way it did.

They tell a different sort of origin story with pacing, flashbacks and nonlinear jumps in Man of Steel. Breaking the predictable pattern was welcome, and allowed for more time spent on the story of Krypton as a planet and it’s fate. Zod and Jor-El open the movie fighting and it is this fight over the fate of Kryptonians and their last son that drives the plot. 

Krypton is an organic alien planet filled with strange rounded spaceships, elaborate birdcage steampunk costumes, and Giger-esque (or, more recently and to the point, Prometheus) settings and ships. The time we spend on Krypton is delightful, and much different from the crystalline palace of Brando’s Jor-El.

They’re doing it right with the Houses of Krypton and the General Zod-ness of Krypton just before the explosion. The “S” seal of the House of El is in tact and standing for “hope” in Kryptonian (‘borrowed’ from Mark Waid’s Superman: Birthright). Zod seems to have another pentagon-shaped sigil on his chest, not exactly a “Z”, more of a horseshoe tilted 45 degrees. Heck, I’m no translator! The Kryptonian letters are also different from that of Smallville and comics versions. Spend half a day over at Kryptonian.info if you are curious. 

It couldn’t be Zod without The Phantom Zone exile, The Phantom (Zone) Projector and some bitter allies. He’s got that in a bad-ass Faora (sorry, Ursa fans, a new/old girl is in town—and she can fight!).

On Earth, as Clark grows up he’s initially freaked out by his powers until he grows older and starts to roam the world, TV-Hulk style (or JMS: Grounded style, for the snarky). All the while he chooses to do good, save people and shun bullies. 

Ma and Pa Kent do their best to protect the young boy Clark from revealing his secret before the world is ready and there are great moments of father son bonding between Jonathan and young Clark (Dylan Sprayberry). Jonathan assures Clark that people are afraid of what they don’t understand. 

Missing Smallville pals? Don’t worry, you’ve got Pete Ross and Lana Lang keeping Clark company…and perhaps his secrets? You know Pete is always gonna keep his lips tight. Smallville varsity football kids even pick on Clark with the traditional maroon and yellow jackets. Go Crows!

Slight spoilers, though don’t expect many from this review. Lois has figured out Clark’s secret before she’s even met him through the doors of the Daily Planet. He saves her as they both are investigating an ancient Kryptonian scout ship on the North Pole (Fortress of Solitude?). It’s a different Lois, and as I think she also likes pink very much, Amy Adams brings an intelligence and powerful female to her performance. Lois is in the middle of the action and helps take down the baddies in the end. We don’t get the feeling that she’s putting herself in harms way to bait Superman’s enemies or to be saved. Lois is willing and able to fight with her wits against a Kryptonian army, and that’s respectable.

Origins of Kryptonian births, and how Krypton found Earth are revealed by Jor-El’s consciousness projection when near Kryptonian tech. Much more than the ghost head of Jor-El in the Reeve films, this Jor-El walks and talks and interacts with both Kal and Lois. He’s not alive…but his spirit or memory or virtual reality is very much a real being. This expansion of the relationship Jor-El gets to have with Kal makes it more direct than previous ‘man behind the curtain’ interactions (Smallville, Superman I, II). 

After donning the costume (sorry ladies, no red undies!) Jor-El coaches Kal on flying, or at least using his powers to the full potential. It’s tough not to recall both Spider-Man movie versions as Superman first takes flight like a klutz and crashes through a mountaintop. 

The flight? Just right. Hovers? Perfect. Floating parallel to the ground? OK, never seen that before, so you must be doing it right. Our imagination leaping from the comic page and the recollection of blue screen Christopher Reeve on a glass cube days are long gone. I would say a huge selling point to comic fans is that the powers are right. The Powers are Right. THE POWERS ARE RIGHT!  Heat vision, X-ray vision, impervious to bullets (and anything else) coupled with flight makes for great superhero moviemaking. Batman was all about the Tumbler and The Bat and Bat-Pod. Here, we can believe a man can fly…finally! Sonic BOOM!

Speaking of Spider-Man (both versions) Ma Kent and Aunt May have a lot in common. Probably hard to separate thinking about the history of other superhero movies while watching this one. Diane Lane is fantastic, and does not dote over Clark. She encourages him to reveal himself when the time is right.

Zod’s motivation is to take over the Earth and repopulate Krypton with stored DNA from a Krypton artifact. In the process he’d terraform and kill all humans. This is a standard story for a bad guy but the buildup from the opening sequence was way more satisfying compared to Nero’s motivations in the first Star Trek (2009). 

As a Superman fan, and one that doesn’t wish to spoil anything more than necessary for the purposes of this review, I have both praise and criticisms.

I applaud every effort to include major and minor fan service moments, characters, re-imaginings (Jenny Olsen instead of Jimmy, Kryptonian atmosphere affecting Kal instead of Kryptonite proper), LexCorp trucks and Wayne Enterprises artifacts. Digging deep into the history of Superman by keeping true to the main players is important and approachable. The new tone of the movie (a darker palette in set design and for mood) is a welcome update as well.

Let Donner be Donner. Let Smallville and Geoff Johns comics be those things. This is a new thing. Were this movie to take major liberties with Krypton, Kal and the Ma and Pa Kent dynamic I would be offended. Even Nolan’s Batman trilogy, a masterwork in my opinion, felt at times too based in reality. 

Man of Steel scratches the itch of a sci-fi fan in a modern film context while inserting the aesthetic of a news camera crew or reality show when appropriate. Big action here. Elaborate ships and Kryptonian armor texture the movie with fantasy. Inception and Avengers style of building destruction shows us just how real and elaborate CGI has become. Do I need to mention that the Hans Zimmer score is amazing? Though I wish I could have the movie at home now so that I can mash up the John Williams score with 10 minutes of Cavill flying scenes….for my own use!

On to the criticisms of the film, from a fan of Superman in all forms. I could have used a but more brightness on the camera settings. Though not every shot, I’m disappointed in the use of filters on some of the film processing. Hey, I’m no expert but my untrained eye was put off by the “Instagramification” of some scenes in the film.

Maybe this is the trend, a stylistic choice by Snyder, or something beyond my comprehension. To contradict an earlier statement somewhat, Nolan’s lens is more clean, crisp and cinematic. Some emotional scenes in this film were given a post production filter to break the scene visually from the action, but it took me out a bit. A small complaint on my part, really. Overall with visual effects and CGI, I still would give this movie 5 stars.

Superman doesn’t exactly stand for truth, justice, and the American way in 2013. In Man of Steel, Clark stands for what’s right, his family, and believing in himself to do good. I might be missing something in there but that’s the general idea. He’s only on his first ‘missions’ as a superhero, so he has growing up to do. My major (and for some, the make it or break it) opinion about his victory over Zod in the end had me asking these questions. What exactly does a 75 year-old hero mean in a modern context. Were curveballs thrown at the audience to see how much they can take? Is the world seen through “Instagram X-Pro II” colored glasses? I just don’t have the answer to that, except that for just 5 minutes of the film, I wanted a Christopher Reeve to be there in his red undies instead of the equally handsome Henry Cavill fighting off Zod’s newfound Earth-based uncontrolled heat vision.

This is Superman. You must see this movie in the theatre and enjoy an HD copy at home when the time comes. Just imagine the binge you can have with a Dark Knight Trilogy and Man of Steelmarathon. I may sidestep sleep and any social engagements to do just that again this weekend. If there is any doubt in your mind, Henry Cavill is Superman, he deserves the cape for the DC Cinematic Universe and fan drawings on Tumblr. I believe he can fly. Michael Shannon’s Zod is an assertive villain and worth watching every moment he is on the screen.

[READ MORE at FORCES OF GEEK]

Triple Shot: BATMAN #21, THE BLACK BEETLE: NO WAY OUT #4, ARTIFACTS #28 at FORCES OF GEEK

Can Scott Snyder retell the origin of Batman all the while respecting the past?  Has Black Beetle put together the pieces of Labyrinto’s dangerous puzzle?  What is the fate of The Glacier Stone?

We just barely answer any of these questions in this week’s Triple Shot! Light week!

BATMAN #21
WRITER: Scott Snyder
PENCILS: Greg Capullo
INKS: Danny Miki
Publication Date: June 13, 2013
Price: $3.99
Publisher: DC Comics
UPC: 6194130640702111
Buy it HERE

Sure, it is Superman week with Man of Steel opening in theaters, and also this Snyder (Scott) writing the new Superman title, Superman: Unchained.

There’s no reason for us not to go back to Wayne Manor for the origin of The Batman in Batman #21. This embossed cover comic is the first in the ‘Zero Year’ storyline—one meant to replace Batman: Year One in The New 52 parlance.


Fans of the Batman Begins will recognize a beat or two, from Bruce Wayne being away from Alfred for a period of time, but this story is all new, all different.

We’re introduced to Bruce’s Uncle Philip (Martha’s Brother) who is running Wayne Enterprises. Also, we get an origin of the giant penny, shining in copper glory in front of Wayne Tower. We get introduced to the Batcave, Riddler, and The Red Hood Gang as well.

Intriguing story here so far but something is missing. I love seeing tales of Bruce Wayne training to become Batman, and let there be a million of them, please! Denny O’Neil and Edward Hannigan’s Shaman delivers an awesome origin of the Batcave from Legends of the Dark Knight, set just before Miller’s Year One.

We’ll see how this susses out, Snyder sneaks in tropes of the Batman lore in interesting ways, but he only has one shot at telling the origin of Batman in The New 52. Trying to top the 26 year oldYear One could be daunting, Batman fans have held on to that story very tightly. Snyder’s modernizations and imaginings of the Lucius Fox tech are already super cool here in issue #21.

THE BLACK BEETLE: NO WAY OUT #4 (of 4)
WRITER / ARTIST: Francesco Francavilla
Publication Date: June 13, 2013
Price: $3.99
Publisher: Dark Horse Comics
UPC: 
76156822686700411
Buy it HERE

The first miniseries of Francesco Francavilla’s The Black Beetle, which sold out of initial copies, concludes this week. The slick pulp detective superhero book will be collected in hardcover in the fall for a beautiful collected edition.

Francavilla’s Eisner Award winning art coupled with his love for the noir pulp drama gives us a book based on a character that’s both familiar and unique. You might assume this is a reboot or an old hero, but The Black Beetle who serves Colt City is an entirely original creation.

In this fourth issue, we discover the secret of his nemesis Labyrinto and the mysterious mob murders. A deep seeded revenge tale leads the cool looking Labyrinto to unspeakable deeds against friends and family, but The Black Beetle is hot on his trail, and has been for a while. 

The Black Beetle will return, also in the fall for the start of a new arc, Necrologue. Francavilla is on to a hit with this Dark Horse series, we will be returning for more.

ARTIFACTS #28
WRITER: Ron Marz
ART: Marco Turini
COLOR: Bill Farmer
Publication Date: June 13, 2013
Price: $3.99
Publisher: Image Comics
UPC: 70985300779102811
Buy it HERE

The 13 Artifacts of the Witchblade / The Darkness universe are being sought in the latest Ron Marz comic.

Defrocked priest and wielder of the Rapture Tom Judge along with The Magdalena and thief Michael Finnegan descend upon a mansion Norway, each hoping to get their hands on The Glacier Stone.  A terrifying demon has been summoned to protect the stone and the three team up to scare the powerful demon into the woods after a drawn out fight scene in the mansion.

The speechless demon baits Magdalena onto some ice, where she ends up single-handedly slaying the demon with her Spear of Destiny. The Glacier Stone is lost to the depths of the ice to be found, presumably after the the spring season hits.

As a comic book fan, I couldn’t have been less prepared for picking up a Witchblade title randomly from the shelf! My unfamiliarity with the book, and clean slate with the characters gave me a good perspective. Ron Marz can write an action packed comic and Turini is great at drawing the two major fight scenes as well. I enjoyed the supernatural elements that reminded me ofHellblazer, and thought the character design of the demon was quite spooky. 

This was a solid comic that I didn’t feel I needed a tutorial on Witchblade mythos to enjoy. Next month’s arc starts off the brand new ‘Geometry of Hell’ storyline.

[READ MORE at FORCES OF GEEK]

EARTH PRIME TIME: MOTH CITY INTERVIEW WITH TIM GIBSON

Tim Gibson, a New Zealand based artist and writer is taking full advantage of genre, digital comics on devices and innovating how a reader participates in the comic reading experience with his debut graphic novel Moth City. Mainstream and back catalogs of comics have been available on computers and other devices via ComiXology since 2009. Webcomics themselves are nearly 30 years old. Gibson is transforming the page and webpage with panel layers and acting to give a more full reading experience. Moth City #3 is available today on ComiXology. We talk with Tim about process and the importance of word of mouth support for independent comics.

DIGBOSTON: Tim, thanks so much for taking the time today to tell us about Moth City! We’re here to talk about comics, mind telling the fans out there some of the projects you’ve worked on in the past? Your name probably scrolled by them at some point.

TIM GIBSON: Moth City is actually my debut comic, I’ve mainly worked as an illustrator and concept designer in the Film and TV industry. The closet I’ve come to working in comics before this was being a designer on The Adventures of Tintin film and some coloring work on The Red Star (Image Comics) when I was working at Weta Workshop (Lord the of Rings Trilogy, The Hobbit, King Kong, Avatar, District 9).

How long has this idea been growing? Are all art projects eligible for funding in New Zealand?

  The idea of an entire island under the rule of one damaged man has been with me for a while. There is just something about the isolation of an island that makes bad stuff happening so much worse. It’s been with me for many years, but it was really the Creative New Zealand grant that enabled me to dedicate myself the massive amount kind of time needed to translate ideas into comics.

Completing a graphic novel has got to be one of the hardest things I’ve ever done.

There’s so much work when it’s a solo venture, and the things you can’t do (copy editing, websites etc.) you have to convince talented friends/family to help for the lowest wages (i.e. nil) that they’ve ever worked for. 

The funding is really the only reason that Moth City exists in the way that it does. It’s not easy funding to get, there’s a lot of competition for it.

You put forth the strongest case possible, because you’re competing with published authors, people with track records and whole institutions who look to Arts Funding to do their work.

It’s probably safe to say that this book takes place in an alternate history, around the 1930s, on an island in China. There’s always been cowboys and rich tycoons wearing cowboy hats around the world, such as your Governor McCaw. He’s there to weaponize the Chinese army for profit. What else can you tell us about the city?

  The island of Moth City shares a lot of features with Hong Kong; it has a highly condensed city center, a towering peak for the elite and scattered fishing villages and docks. There are influences from both Hong Kong’s history, as well as Singapore’s. 

New Zealanders, as (still) a part of the British Empire are obsessed with colonization and imperialism. McCaw’s place at the head of his little empire is a part of that.

The populace certainly doesn’t want him there, but they were effectively sold to him as indentured labour along with the island itself.

This isn’t strictly a military or political thriller set in the past, we’re also dealing with murder set in on a noir backdrop. Do the multiple genres come from you trying to build this world from the ground up?

I think there’s a genre-freedom with indie graphic novels that you don’t get with most mainstream continuity work. There’s this great history of genre work in comics, obviously Wertham and the Comic Code did a lot to hamper that diversity, but looking around at great modern titles like Walking Dead, Saga, Fatale or Skullkickers you can see a strong resurgence. I think it’s what we need if we’re ever going to entice new readers into comic book shops. I didn’t plan it, but the four seasons of Moth City break down into genres surprisingly cleanly.

Season One is largely political thriller and mystery, Two moves into detective and noir, Three has some horror and kung fu and Four is balls-to-the-wall action and conflict.

The artwork is amazing, from the character designs to the architecture and coloring. I compare the art to my friends as that ‘inky’ line, such as your conteporaries Paul Pope and Ming Doyle. I also see the Mazzucchelli influence a bit, please take these as compliments — I’d hate to have you walk away from this interview at the beginning! The book is unique in that way, especially with you being the writer and the artist. Where do you start with the artwork, are you storyboarding the comic as you go?

Oh that’s very generous of you to say so, I certainly don’t mind being included in such fine company. I feel like I’m still finding my feet with inking – most of my illustration work is full color painting where the whole goal is to kill ‘outlines,’ not showcase them. I had to spend a long time, and produce a lot of test art and pages, to find that ‘voice’ when it comes to the inks and the colors.

This being my first comic I went about it all in an odd way. I actually wrote the whole thing as a straight narrative piece, like a novel. No page breaks, no panels.

It meant I could easily give it to people for story feedback and they could respond readily without having to learn to read a new format. When I was happy with that, I went through and picked my page breaks and then figured what I could fit into panels.

Of course, with the way my digital formatting works, I often do one and a half pages of illustration to make up one page of comic.

What makes Moth City so incredible, and the reason I wanted to talk to you was the way you are formatting the book digitally. You are using ComiXology to its fullest potential by animating transitions, pacing, dialogue and more. Much the way a director or editor can cut a film, you are curating the way we see the book. Panel transitions are ‘faux’ animated, layers are revealed in Moth City. Could you tell this story on a 9 panel printed page?

Yes and no. Yes in that I create a ‘print page’ of each digital page sequence. I make a decision on the optimal static version of that scene or sequence. I might break a panel that has two digital states into two smaller, static, panels side by side. Or, I might find that one state can carry the story. What the digital form gives you as a creator is more control of the timing of events, like you point out, it gives you the added control of a film editor, and I would also add actor. So much is conveyed in film with a lingering look, or a character who smiles, and within that same shot you see their demeanor crack and show their inner turmoil for a split second.

To tell that in print comics, you either need to use a lot of ‘voice over’ type, or a lot of panels.

Digital gives us that opportunity. Of course, I still have to draw all those extra moments.

Many, including Mark Waid, whom I respect for his Thrillbent digital comics experimentation are praising your innovation in the digital comics space. What more can you tell us about your motivations? I find your approach to be not only unique but innovative in an instinctual way. There’s some programming involved, too, right?

Moth City is the world’s most elaborate, time-intensive Power Point slide show.

My Web guys did some amazing work with mothcity.com in streamlining what is essentially a slide show of more than a thousand images, but you can read Moth City in a PDF and it works the same way.

The main motivation for doing Moth City as a digital comic was an honest analysis of my chances as a debut creator, with no comic credits, getting a publishing deal with someone like Image, IDW, Dark Horse or Oni without bringing an audience to the table. I felt I had to earn a print run.

Once I made that decision I spent a lot of time looking at what I felt was broken in the presentation of long-form webcomics, and started to explore what I could do with the digital medium. I did a lot of research. A lot. Some of my experiments were happening at the same time as Yves “Balak” Bigerel, Dan Goldman and then Thrillbent’s.

I was borrowing stuff from everywhere and anywhere.

Moth City not only defies genre and moves us away from caped superheroes in the comic book medium, but does so in such an intuitive and familiar way, it outshines panel-to-panel digital comics and makes them look not fully developed comparison.

Thanks, I attribute that to our ability as readers to understand genres and tropes which give creators a certain shorthand when we create stories.

It feels familiar because it is, but where we go once you’re comfortable is a different story.

Issue 3 - or Season 2, part 1 is at the ComiXology store today. The price of entry for all three issues is almost the price of one regular priced comic. What can we tell people to go get all three today?

Oh geez… It’s awesome? It’s awesome and affordable? It’s awesome and affordable and I need a new pair of shoes?

Moth City already twisted my head around and shocked me in different ways at the ends of issues #2 and #3. Do you like to end on cliffhangers? If so, you’re really pushing this to the top of my recommended comics of the year.

Yeah, I’m really happy with the twists and turns in Moth City. The world is filled with great endings, what I’ve tried to do, and I think it works because I have this 8 issue arc all mapped out, is make sure those endings have an impact on the following issues.

There’s nothing worse than being left on the edge of your seat, only to come back next time and that problem/drama/twist is resolved in moments as though it never really mattered.

Of your influences, who in your opinion has changed the way we think of the comic book printed page?

Alex de Campi, Dan Goldman, Yves “Balak” Bigerel, Mark Waid and the whole Thrillbent.com family, Scott McCloud, Kurt Christenson and Reilly Brown and the entire world of Webcomics.

Where can we find you and Moth City online?

If you want to read Moth City in nice, shiny HD then you can grab it from Comixology, and you can read it online and check out videos and blog posts over at my site mothcity.com as well as its second home at thrillbent.com.

[READ MORE at DIGBOSTON.COM]

MAD MEN: "FAVORS" S6 E11 (reviewcap) at FORCES OF GEEK

Mad Men’s favorites are calling in favors this episode as we approach the end of season six.  Peggy (Elisabeth Moss) deals with pests in her life (including the desperate Pete Campbell), Don’s (Jon Hamm) favors are crossing the line, and young Sally (Kiernan Shipka) solidifies her Daddy issues when she sees something that can change everyone’s world for good.

And Bob Benson reveals more of himself this episode; have we cracked his code finally?

 

Peter’s senile mother Dot (Channing Chase) visits the office with her new caretaker Manolo (Andres Faucher). Peggy entertains Dot, but the old bird mistakes her for Trudy and asks about their child! Awkward, Pete and Peggy sired a child way back in season one.

Sylvia (Linda Cardellini) and Dr. Arnold’s (Brian Markinson) kid Mitchell (Hudson Thames) is dodging the draft and had dropped out of college. He seeks downstairs Canadian neighbor, Megan’s (Jessica Paré) help. Arnold explains the dire situation over drinks to Don. If guilt is a motivation for Don, he’ll find a way to help if he can but at what cost?

Upon talking with Pete, Don broaches the subject of helping Mitchell at the firm’s Chevrolet dinner. The right wing arms manufacturers are not quick to talk about the war or helping his plight.

Roger (John Slattery) and Ted (Kevin Rahm) get Don out of this awkward rabbit hole with the client. Don’s been slipping out of creative and now is struggling with business etiquette. Where is the confident and controlling Draper we all know and love? Has his love for Sylvia blinded him from his business and family obligations?

At SC&P two sales leads, Ted and Don assemble their opposing juice teams. Ted has Ocean Spray about to sign and Roger and Don have Sunkist. Both juices are important clients but they must only present to one.

Manolo drops off Dorothy to visit Pete at his apartment, where Dot admits to Pete she and her nurse are getting intimate.  Pete’s infuriated and threatens to fire Manny for his perversions. Mom tells Pete how it is, “You’ve always been unloveable”. She leaves Pete, forever alone, with a face not even his mother can love. Where is Pete’s redemption this season? All signs pointing to Pete suffering this year!

At Peggy’s apartment, a blood trail goes from her bedroom door to under the couch. It’s not the blood of another harpooned boyfriend, we’ve got a rat trapped under there. She calls on Stan (Jay R. Ferguson) to help her clean it up, but he is otherwise occupied. Not even the tease of a snog will entice him uptown, he is already with company.

Ted is willing to help Don with Mitchell’s draft problem by calling in a favor to a high ranking general that taught him to fly. They agree to drop Sunkist and get along. Ted seems to be dominating at the company as Don’s distractions sustain.
  
Ted assumes Don doesn’t have many friends, so that this is important. Meanwhile, Ted struggles at home as his wife feels neglected.

When Pete confronts Bob Benson (James Wolk) about his nurse hire, Bob talks of love and affections. Bob nudges Pete’s knee with his in a very suggestive 60 frames of video. Do these two-seconds of leg touch reveal that Bob is not only gay but in love with Pete? Or is it that ‘60s Pete can’t take a leg touch from another man. Oh, Bob, you sly enigma, you!

At the end of this episode our heart takes a jump!

Sylvia is grateful for Don’s assistance with the kid’s draft problem so they rekindle their affair at Sylvia’s house. Mitchell and Arnold are gone for the day. Sally was pranked by her friend and heads back to the apartment building to retrieve a love letter written to Mitchell. The doorman gives Sally master keys to the apartment complex. Sneaking in the back door of the Rosens. She doesn’t initially see the letter on Sylvia’s kitchen floor. What she does see is her dad and Sylvia doing the deed!

She’s startled and drops the keys, startling everyone.

Finally some drama that hits close to home. How will this affect Sally’s relationship with her father, but more importantly is she going to tell her mom or Megan?

The young adult is now under a lot of pressure to do the right thing. Don tells Sally that he was consoling Sylvia, and that it is complicated. Sally stays locked in her room, obviously upset.

Don’s world can start to crash around him at any moment. The chaos is consuming his life. Arnold and Mitchell come down and thank Don for his efforts. Don’s in a cold sweat and goes straight to bed.

On the next Mad Men, the penultimate episode for the season we’re teased with a hunting trip for Pete, the trouble with Sally and Don wearing a turtleneck like some beatnik.

Let’s see if Sally told Betty about the affair or if she follows her father’s lead and starts to keep dark secrets.

[READ MORE at FORCES of GEEK]

TRIPLE SHOT DIGITAL: Comixology Submit Presents BIKINI COWBOY VOL.1, DEADHORSE VOL.1, NOWHERE MAN VOL 1.1 at FORCES OF GEEK

An unusual cowgirl with a surfboard invades a western town, a man tries to figure out the mystery of his father’s death and a super powered detective gets himself in too deep.

The leader in the digital comics space opened up the platform to indie creators back in March of this year.

Writers and artists now have the chance to publish comics or graphic novels on the browser, tablet or phone using the Guided View technology. Comixology curates the submissions and soon the comic is put into panel by panel production for the viewer. The comics appear right on the digital store alongside all of the major publisher’s books.

BIKINI COWBOY Vol. 1
Writer & Artist: Fresherluke
Price: $5.99
Page Count: 377 pages
Digital Release Date: 5/8/13
Age Rating: 9+ Only
BUY IT HERE

This collection of a webcomic started at the beginning of this year clocks in at an impressive 377 pages of a bizarre twist on a western.

Whisky Jill rolls into town with her surfboard and only a duster covering her bikini! She demands an energy drink from the barkeep and gains the attention of the outlaws in the bar.

It’s not long before a drag out fight and an encounter with a soldier and rescues her new young boy companion Rod McCloud.

A deftly illustrated out-of-time book here with a fun story. Follow Fresherluke on Tumblr for new pages as they appear.

DEADHORSE Vol. 1 - DEAD BIRDS
Writer: Eric Grissom
Artist: Phil Sloan
Price: $9.99
Imprint: Frankenstein’s Daughter
Page Count: 184 Pages
Digital Release Date: 5/8/13
Age Rating: 15+ Only
BUY IT HERE

William Pike seeks to solve the mystery of a key left to him by his dead father and as he embarks on his journey, his nice neighbors the Vogels invite him in for a sandwich…of death!

The neighbors are hot on getting their hands on that key but Pike fights his way out. In the second issue, Pike finds himself chased by a man in a Sasquatch suit also looking for the key. With the help of companions Edgar and Elise they keep the key safe, for now.

This is a great book, for fans of the classic illustrative styles of Darwyn Cooke or Moon and Ba.

Deadhorse is a time spanning mystery set in the real world with bizarre twists that keep you laughing as you get deeper into the mystery of the key. 

NOWHERE MAN Vol. 1.1: You Don’t Know Jack
Writer & Artist: Jerome S. Walford
Price: $4.99
Imprint: Forward Comics
Page Count: 37 Pages
Digital Release Date: 5/8/13
Age Rating: 15+ Only
BUY IT HERE

Nowhere Man is the story of a detective in love with his partner.

Since his accident in 2006, Jack Maguire is impervious to bullets but needs to rely on his street sense to break the illegal arms case in front of the department right now.

Nowhere Man is fun street-level comics starring a cop trying to do right by the death of his father.


Using his powers makes him stronger, but Jack is a tortured man on the inside. For fans of The Punisher, Luke Cage and Powers.

[READ MORE at FORCES OF GEEK]

DigBoston and LeaguePodcast Comic Book Picks of the Week for June 12, 2013

 




COMICS

It’s Superman week. Man of Steel hits theaters. Will fans be disappointed (Superman Returns) or is this the start of a beautiful friendship (Batman Begins)? May as well hit you over the head with the big two DC heroes in the picks this week. …Superman Unchained drawn by co-publisher Jim Lee and written by our man Scott Snyder. … Where do you go when the Year One story has been set in stone? Head backwards for another Scott Snyder book starring the shadow to Superman’s cape in Batman #21 - Zero Year. … Black Beetle #4 of 4 concludes this week as Colt City’s noir vigilante takes on Labyrinto. We hope to see more of Francesco Francavilla’s best-selling throwback crime story soon! … Picks this week from LeaguePodcast.com.

Pass the Daily Dig along! Your friends can sign up here!

TRIPLE SHOT: DAREDEVIL: DARK KNIGHTS #1, ACTION COMICS #21, SAVAGE DRAGON #188 at FORCES OF GEEK

This week’s Triple Shot focuses on big dumb superhero action with more than one Daredevil and an unfinished script from Andy Diggle over at Action Comics #21 only a week before the highly anticipated release of Man of Steel.

DAREDEVIL: DARK KNIGHTS #1 (of 8)
WRITER: Lee Weeks
ART: Lee Weeks
COLOR: Lee Loughridge
Publication Date: June 5, 2013
Price: $2.99
Publisher: Marvel Comics
UPC: 75960607856100111
Buy it HERE

Marvel’s Daredevil—The Man Without Fear. The alter-ego of blind lawyer Matt Murdock can tell us a lot about what we take advantage of in life as he faces loss constantly through his life. Writers from Miller to Bendis to Diggle skewed his character to the dark brooding Hell’s Kitchen son of a prize fighter and enemy of the Kingpin since the ‘80s.

Recently, we’ve praised Mark Waid’s serious but brighter take on Daredevil in his current Eisner Award winning run.

We’ve also mentioned Daredevil: End of Days, a future tale written by a super-team of Brian Michael Bendis and David Mack best compared to Dark Knight Returns. The final issue of End of Days also ships this week, to be reviewed later when the collected edition hits.

Daredevil: Dark Knights is an anthology mini-series with more of the great Marvel creators taking a shot at our red-horned attorney. Penciler Lee Weeks returns to the title by writing and drawing the first three issues of this anthology (his is the only story in each of these books). 

Snow replaces rain in this book as the natural enemy and backdrop for this story.
As Matt awakes as a John Doe in the hospital when he awakes from his concussive state to hear a mugging in the emergency room. The hospital has become shelter for many desperate to escape the snow. Daredevil’s sensitive hearing makes him aware of a little girl’s heart transplant being delayed by a helicopter flight. He leaves to assist, but may be too late.

If this was the Daredevil book on the shelves monthly right now, it would also be winning Eisners. This is more of a classic superhero story than we are used to in comics today, but with a thick meaty story and no romantic overtures, we have ourselves a great companion limited series to the Mark Waid book, Daredevil fans will be quite pleased.

ACTION COMICS #21
PLOT: Andy Diggle & Tony S. Daniel
SCRIPT: Tony S. Daniel
PENCILS: Tony S. Daniel
INKS: Batt & Norm Rapmund
Publication Date: June 5, 2013
Price: $3.99
Publisher: DC Comics
UPC: 76194130637702111
Buy it HERE

Movie tie in? No! We wish.

This issue is transitional between the departure of writer Andy Diggle (who left for unrevealed reasons) and our favorite Bat-Artist Tony S. Daniel taking over both the writing and art duties for the book.

I have to say, this worked to the advantage of the overall story and completion of the Hybrid story arc, started after Grant Morrison left the title after issue #18. 

Diggle and Daniel brought this to a more traditional Superman story, focusing on saving Metropolis, his relationship with Lois and Jimmy rather than the quite awesome but intentionally confusing Mr. Mxyzptlk and origin story buildup of the Morrison run.

Superstar artist Tony S. Daniel has impressive writing credits, having written Batman: Battle For The Cowl, Batman, and most recently The New 52 Detective Comics. It is no surprise that DC trusts him with the ‘other’ flagship book and character now. 

One can pick up this issue (without reading #19 or #20) to find this.

Spoiler warning!

Superman defeats big dumb Hybrid monster that consists of citizens of Metropolis. Lex Luthor suits up in The New 52 version of his Warsuit. Punching. Superman is weakened. Superman flies toward the sun to gain strength. Superman socks Luthor. Lois loses cell phone video documenting the fight. Clark returns cell phone, says he watched from sideline. Lois’ date Jon Carroll shows up. Jimmy cracks a joke. The End.

Thank you, Mr. Daniel (and Mr. Diggle) for delivering what I needed. The doctor prescribed two punches to Lex Luthor and no magic. A simple, incredibly drawn Action Comics issue practically had me in tears with it’s celebration of superhero storytelling.

SAVAGE DRAGON #188
WRITER / ARTIST: Erik Larsen
Publication Date: June 6, 2013
Price: $3.99
Publisher: Image Comics
Buy it HERE

The Image Revolution was just yesterday, right?

I think Erik Larsen just took over for McFarlane on Amazing Spider-Man only last year. Ugh! It has been so long, though since those halcyon days.

Now, we can follow Erik Larsen on Facebook to watch his coloring and logo design process months before the book hits the shelves.

I like to check in on Savage Dragon every once in a blue moon — if only to say, “Yup, dude’s still got it”! Issue #200 isn’t too far away at this point. 

I won’t even start on what’s happening plot-wise here, my ignorance of the Dragonverse would doom me to mockery on message boards across the world.

Dragon is being sentenced for murder, and meanwhile Daredevil (Golden Age!) and Dragon’s son Malcolm take on Golden Age villain The Claw and his flying monkey men.

Lots happens here, we’ll avoid the spoilers, but consider picking this book up to see that dude has still got it. He’s practically Jack Kirby reincarnated. Also, the cover is way cool, faux-aged like a dog eared copy of Tales of Suspense on the hopper in the barber shop!

[READ MORE AT FORCES OF GEEK]

TRIPLE SHOT DIGITAL: Comixology Submit Presents THE ACCELERATORS #1, SECUNDUS #1, HELL’S BREW at FORCES OF GEEK

This week at our ongoing coverage of creator-owned digital comics reviews at Comixology Submit we time travel for gladiator battles and hot rod desert races.

The leader in the digital comics space opened up the platform to indie creators back in March of this year.

Writers and artists now have the chance to publish comics or graphic novels on the browser, tablet or phone using the Guided View technology. Comixology curates the submissions and soon the comic is put into panel by panel production for the viewer. The comics appear right on the digital store alongside all of the major publisher’s books.

The Accelerators #1
Writer: R.F.I. Porto
Artist: Gavin P. Smith 
Cover: Walt Flanagan
Price: $2.99
Page Count: 29 Pages
Imprint: Blue Juice Comics
Digital Release Date: 5/22/13
Age Rating: 15+ Only
BUY IT HERE

Time crimes! The story starts out in the future in a gladiator arena, good and bad guys throughout history are pitted against each other for dominance. Stormtrooper vs. Caveman, The Mayan vs. The Professor.

We then cut to a doctor being chased by a soldier through time and pick up a smart teenager along the way.

The time travelers are using a device shaped like a donut to travel through time.

By the end, the chase has led our heroes back to the arena, surely to face combat in the Games.

Fun story here, I’m a sucker for time travel stories and superhero battles like Deathmatch andAvengers Arena. Looking forward to issue #2.

Secundus #1
Written and drawn by: Mike Tomas
Price: $2.99
Page Count: 32 Pages
Digital Release Date: 5/22/13
Age Rating: 15+ Only
BUY IT HERE

Secundus is the story of a brave warrior in Roman times, also set in a battle arena.

He always wins his battles, and he got his name by always fighting two at a time.

After winning his last battle and gaining freedom, he’s challenged by a magician who conjures up a creature to aid him in his battle against the mighty Secundus “Secundus fights two”! 

I loved this mostly black and white story, at once a parable and classic story set in ancient time.

A very quick read but a story that makes you think!

Hell’s Brew #1
Story & Art: Michael Liggett
More info: TBA
Imprint: Forgotten Dialect Publishing
BUY IT HERE

This book is drawn like underground comics of the 60s, and is also set in an alternate history 1968. In this land, muscle cars, or ‘firebugs’ are king, and this is the story of infamous racers The Brothers Garcia.

There’s a fun car chase, an element of a murder mystery and some romance in the first issue. I’m really attracted to the art in this book, with a minimal color palette and sometimes awkward but not bad storytelling.

Overall, it works and I enjoyed this hot rod tale.

[READ MORE at FORCES OF GEEK]

SUNDAY, AUGUST 4 - HOMEBOY SANDMAN, OPEN MIKE EAGLE, MEGA RAN at CHURCH (of Boston)

SUNDAY, AUGUST 4 - HOMEBOY SANDMAN, OPEN MIKE EAGLE, MEGA RAN at CHURCH (of Boston)

FOR IMMEDIATE RELEASE:

Stones Throw Records’ Homeboy Sandman embarks on the Dear Hunter Tour

On the heels of the release of his critically acclaimed LP First of a Living Breed (Stones Throw) and in support of two new projects (Kool Herc Fertile Crescent EP and All that I Hold Dear LP, Stones Throw 2013), his national tour with Brother Ali (Rhymesayers Entertainment), and a headlining tour of Europe, Homeboy Sandman will headline a tour of the US this summer. Open Mike Eagle (Hellfyre Club, Fake Four Inc, Mush Records) and Random aka Mega Ran (officially licensed by Capcom) will support.

Sandman says of the tour  “The Dear Hunter Tour is in promotion of my latest Stones Throw release, ‘All That I Hold Dear.’ I’m blessed to join forces with two musicians also searching for substance, magic, brilliance, love, and truth. We’re going to find them too. When we do, we’re going to share them.”

Kool Herc Fertile Crescent EP (Stones Throw) vinyl/digital relase available now. 8-track release produced entirely by El RTNC (aka Rthentic). The record is an unapologetic homage to old school hip-hop in its bare-bones production, lyrical themes, cover art and even the title. With the blessing of DJ Kool Herc, one of the originators of hip-hop, Sandman pays respect to the pioneering DJ by proudly naming the release in his honor.

Homeboy Sandman

Homeboy Sandman is a musician. His genre is hip-hop. An emcee that prides himself on musical growth and evolution, he has adopted as his motto and creative mission statement, “Boy Sand like you’ve never seen him before. As usual.”

Before signing to Stones Throw he’d already been chosen as a coach on MTV’s MADE, featured in preeminent print hip-hop rags XXL and The Source, and perpetually championed on foremost online hubs. And since the signing, his accolades have extended beyond the realm of the hip hop specific. Rolling Stone has noted his “skill for wordplay that keeps you hooked.” NPR has highlighted his “artful, hysterical, disobedient hip-hop that you can dance to.” Pitchfork has straightforwardly dubbed him “one of the best pure lyricists around.

Open Mike Eagle

“One of LA’s smartest young voices” says the LA Times…which the artist suspects, may just be a covert way of saying LA is dumb. “Open” Mike Eagle wouldn’t terribly mind, being born and raised in Chicago where the painful winters and his uppity grandparents kept him inside as a youth. He spent his formative years watching alternative music happen on MTV and hoping to one day be able to audition for the Native Tongues. As a young adult after graduating with a degree in Psychology, he did the next best thing and moved to Los Angeles,

joining the Project Blowed collective where he made music and toured with Busdriver, Aceyalone, Abstract Rude, Nocando and more. He’s also gained notoriety in the world of comedy by being invited by professional funny people (Paul F. Tompkins, Hannibal Buress, Matt Besser/UCB) to rap at their shows. He’d like to be rap’s Kurt Vonnegut

but recognizes that he’d first have to create something as iconic as the four-stroke illustration of an anus. He practices by releasing rap albums that delight, entertain, and confuse.

Random aka Mega Ran

If you put video games, the 80’s, hip-hop, soul music, jazz and standup comedy into a blender and hit “puree,” you’d have something close to The Random Experience.

The self-proclaimed “TeacherRapperHero” made waves by going way left of his backpack roots by combining 8-bit video game sounds and hard hitting hip-hop tracks, and has become a trailblazer in the budding genres of chiptune and nerd-rap. A Capcom cosign and admiration from the genre’s toughest critics has led to placements in TV, movies, university coursework, and of course, games.

Today, Random is no longer a teacher by title, but travels the world to entertain and educate through the gift of facemelting raps.

H.W.

Boston rapper H.W. dumps his demons - By Martín Caballero |  BOSTON GLOBE 

Last July, H.W. (short for “Hazardous Wastes”) released one of Boston hip-hop’s most literate, emotionally complex albums of the year in “Wall Papered Exit Wounds.” Delivered in the lyrically dense and raw personal style that has become his signature, the record quietly distinguished itself from the crowded local marketplace by vividly exposing its author’s titular emotional wounds for all to see, allowing listeners to eavesdrop on his internal struggle for peace of mind. It’s occasionally jarring and hardly uplifting stuff, but his gift for articulating pain is a rare one.

Yet there’s an important piece of context to note with “Exit Wounds”: The material was recorded six years ago, and the H.W. whose emotional turmoil fueled that record is not the same one who’ll be performing on June 5 at The Sinclair in Harvard Square.

“I hated that record,” H.W., born Josh DeCosta, says bluntly over a midday beer at a bar in Central Square. “The only reason I released it is because people told me it was good and I should put it out.”

Naturally, an intensely introspective album in which he struggles to find scraps of optimism within darkness would understandably be difficult to embrace in the same way that a detached listener might. But this isn’t his first release in that vein: “Exit Wounds” built on the foundation of 2009’s “A Year’s Worth of Worry,” where songs like “The End of the Line” established his reputation as a sensitive, emotional lyricist fueled by tumultuous romantic relationships that often ended in heartbreak. In 2013, that’s the reputation he’s working to change.

“It’s unbearable in a way,” says the Fall River native. “I was the guy who did songs about ex-girlfriends, and that’s all it was. And it got sickening being that person. It bothers me in the sense that there are so many more aspects of my personal life. If people talk to me they know that I’m not that person, I’m not that guy who goes home and cries every night and hates myself. I needed something to write about other than that.

‘In the studio I’m hyperly critical and constantly tweaking stuff, while on stage I don’t have enough time to think about it like that.

For someone whose creative output was so closely linked to his state of mind, shifting directions musically first necessitated a change in mentality.

“I based my worth on who I dated, and because of that every relationship was the end-all, be-all. So when those ended, it was devastating to the point that it destroyed by self-esteem. I eventually slowly realized that life doesn’t revolve around relationships. These girls, or these moments in time, as important as they may feel at the moment, are just that. It took a long time for me to understand what I cared about and how to write about what I cared about.”

“I’ve seen him grow and mature as a rapper and a performer drastically,” says longtime friend and DJ Emoh Bettah. “Most, if not all, of his earlier songs were about relationships gone sour or about friendships with ex-girlfriends, and I’d often joke with him about it but since then he’s been writing songs about other topics. His music may be too personal for some, but he does what he does well. All of his songs tell a story and he is just being himself, which is what I think people love about him.”

Yet for a rapper with a highly technical lyrical style and no shortage of things to say (“I think I’m way too personal in general, I’m just an over-sharer,” he admits), it’s surprising H.W.’s output isn’t more prodigious: case in point being the long gap between the recording and release of “Exit Wounds.” Rather than adhering to the modern rap marketing scheme of flooding the Internet with new material via social media in search of approval, he takes his work direct to live audiences.

“On stage, there’s something that clicks within me and I am the person who I am with my closest friends,” he says of his shows, which often find him performing unreleased or incomplete songs and interacting with the audience. “I love that feeling, maybe because it’s the sense of self-gratification that I’ve always sought from everything in life. In the studio I’m hyperly critical and constantly tweaking stuff, while on stage I don’t have enough time to think about it like that.”

That said, you’re more likely to hear H.W.’s musical evolution at an upcoming show before you can get it on iTunes. His next release will be the conceptual album “I Only Exist on the Internet,” targeted for late June release, which should show glimpses of the broader material he’s seeking to explore: topics like politics, environmental issues, and yes, maybe even a party jam. It’s not so much a rejection of the melancholic raps of the past, but an appreciation for their role in getting him to this new, more optimistic place in life and music.

“I’m not the best rapper ever,” he says. “I just would like to be able to display all aspects of myself. There are way more important things to talk about than my feelings on this one person I care about. The world is crumbling around me; there should be something else I’m able to share. A lot of this new album is about liking life, because I actually like life right now. ”

http://longlivehw.bandcamp.com

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EARTH PRIME TIME: SUMMER OF VALIANT ’13 PART 1 WITH 8-BIT COVERS

We’re at a year into the relaunch of popular ’90s comic book publisher Valiant Comics and just in time for another Summer of Valiant. We’ll try not to get any water on these comics as we sit by the pool, drink in the sun and follow the adventures of Archer and Armstrong and Shadowman in our summer series that celebrates successes on our first birthday of our cherished Valiant Comics. Also, we take a look at their cool 8-bit variant covers and Harbinger Wars: Battle For Las Vegas free retro video game for iOS andAndroid.

A look through the Earth Prime Time Archives will show you what we have an affinity for, and that’s the story of an independent publisher rising from near obscurity. Valiant was fortunate enough to have a loyal fanbase to rebuild on their properties long thought lost to many die-hard comic fans. It is the underdog story that Bostonians write about ad nauseam and tend to wear on our sleeves. This column was only a few months old when X-O Manowar #1 hit the shelves, and naturally we have covered most major events in the universe since then.

What can we say a year in?

There is likely a better reaction to the Valiant books, on a whole, than after the first twelve months of DC’s New 52initiative.

Marvel NOW! reaction from fans seems to be split between both positive and negative, with a varied selection of titles appealing to different kinds of fans.

Valiant’s strength lies in not relying on a 75 or 50 year history to complicate matters.

Over at the new publisher, they can make the same kinds of superhero and supernatural books with the industry’s top talent and a completely clean slate. There certainly are nods to the previous continuity as fan service, but with low-numbered issues and trades, the appeal to a new audience without being intimidated by continuity allows for an easier entry point.

As far as the old characters go, Valiant has paced the introduction of new books, concepts, leading heroes and villains, and background information on the shared universe in a way that paints a lush tapestry but does not rely on throwing everything at you at once.

Let’s take a look at two books that are coming out today, Archer and Armstrong #10 and Shadowman #7.

Both books ship with an 8-bit variant cover that ties into their cool 8-bit side scroller Harbinger Wars: Battle for Las Vegas (Storm City Games).

[READ MORE AT DIGBOSTON.COM]

MAD MEN: "A Tale of Two Cities" S6 E10 REVIEW AT FORCES OF GEEK

MAD MEN: “A Tale of Two Cities” S6E10 (recap)

The firm is still quibbling over naming rights as some partners go for business trips and Joan (Christina Hendricks) expands her horizons at the office with Peggy (Elisabeth Moss) as a companion and accomplice.

Will Bob Benson’s (James Wolk) enthusiasm and inserting himself into every situation finally give him the leg up he’s been waiting for? 

We open to a partner’s meeting that Don arrives at the end of. The merged firm’s name “Sterling Cooper Draper Pryce Cutler Gleason & Chaough” or “SCDPCG&C” is agreed to be a mouthful, but the subject is tabled as Ted (Kevin Rahm) leaves for Detroit to handle Chevy and Don and Roger head to L.A.

In this John Slattery (Roger) directed episode we’re treated to a bit more color—from the wardrobes of the stars as they visit California—to the color television set coverage of the Chicago riots at the Democratic National Convention, 1968. National television and Hollywood take center stage as Don (Jon Hamm) and Roger visit Los Angeles to woo West Coast clients.

Slattery shines on the plane with Hamm as the two go back and for the about the trip. Roger wants Don to be the self-assured east coast business man that he knows he is, and not to be an over-prepared worry wart. Roger knows that the New York confidence and swagger will get the job done, not reading about Carnation Instant Breakfast and Sunkist on the flight.

Harry Crane (Rich Sommer) is aplomb as he dons a scarf and sunglasses to check Don and Roger into the hotel.  Roger heads to the Sunset Strip for a Steak, Don orders room service in the hotel and sees the riots on TV. He gets a phone call from Megan, who, as we are reminded of, cannot vote in the election because of her Canadian citizenship.

When Joan’s friend Kate was visiting, she made the connection with Avon Cosmetics to Joan directly. Looking to expand her role or define herself as a partner, Joan takes a meeting with the Avon executive, on the pretense that it was a date.

Joan returns to the office (having picked up the tab) with a hot lead on the company and tells Peggy. Ted is excited but takes Joan off as the contact and assigns partner Pete (Vincent Kartheiser) to the job, frustrating Joan.

In an act of defiance and claiming her own stake in the company, Joan takes the next meeting with Avon without inviting Pete. Peggy is along for the breakfast meeting, and Joan leans on her for the heavy questions. Joan handles the meeting well but deals with the consequences later. Back at the office, Peggy is convinced that Joan has made a mistake by breaking protocol, but Joan firmly explains herself and asks for support.

What about Bob Benson, you may ask? He may be found listening to “How I Raised Myself from Failure to Success in Selling” on phonograph in his office, or breaking the tension between former Air Force officer Jim Cutler (Harry Hamlin) and Michael Ginsberg (Ben Feldman). Cutler puts Bob to the test as Roger is out of town to take care of the Manischewitz account. The account puts the firm under review, so Benson had best give that record another spin.

Out in Beverly Hills, Harry, Don and Roger hit up a pool party with hot men and women, no shortage of dope and they run into an old friend, Danny Siegel (Danny Strong). Danny is a failed copywriter and former employee of SCDP. Roger jabs at Danny’s height and tries to steal his girl, Lotus. Lotus is tripping and high as a kite, but as we know, Roger is ‘experienced’.

Don makes his way to the restroom but is distracted by beautiful ladies smoking hashish out of a hookah. When the stuff hits him, it’s bad news. He hallucinates a pregnant Megan stalking him, and Private Dinkins visiting him from Vietnam, missing an arm. Cut to Don being fished out of the pool by Roger. Never trust a hookah nipple from a stranger!

Back at the firm, Joan’s secret Avon meeting is exposed to Pete and Ted. As she’s asked to repent for her crimes, and Pete is dressing her down, Peggy saves the day by lobbing a fake phone message into the conference room by way of her secretary. The Avon rep is calling for Joan, so Ted demands she take the call. Where Peggy did not agree with how Joan took her piece of the pie, the women stick together to change are changing the sexist workplace environment together.  Gender roles are expanding and now Joan has an account she is responsible for. Since Lane’s suicide, Joan’s partnership has been purely as a figurehead.

All partners except for Joan meet in Don’s office upon everyone’s return. Ted is excited that Chevy’s approvals will come easier now, Don and Roger’s trip may or may not bear fruit, and Manischewitz goes away. 

Jim Cutler and Bert Cooper (Robert Morse) reveal the company name to be reduced to Sterling, Cooper & Partners. Jim says this is the only way because it is equally offensive to members of both firms. Don and Ted drop the fight about the name and all agree that SC&P will look good on the stationary. The partner with the most to say about the change is the resistant Pete, to whom Don invites to leave if he doesn’t like it. Pete storms out of Don’s office to steal a joint from Stan’s mouth and mellows out on the couch.

What can we expect from the preview of next week’s episode?

Megan’s got a surprise visitor or two, Peggy and Ted have more than a drink together, Betty returns and Don pays Pete a visit to his desperate bachelor pad. We’re also reminded of the countdown. There are only three episodes left this season before we see the summer of love in 1969.

[READ MORE at FORCES OF GEEK]

DigBoston and LeaguePodcast Comic Book Picks of the Week for June 5, 2013

COMICS

One sign of summer is the #summerofvaliant, and more time for video games like Valiant Comic’s Harbinger Wars: Battle for Las Vegas for iOS and Android. This week the company releases two more 8-bit variant covers for our heroes. … Archer and Armstrong #10 written by Fred Van Lente is a mystery wrapped inside a puzzle inside an invasion of Area 51. … In NOLA, our pal Shadowman alongside Doctor Mirage take on Master Darque as the dead are screaming in Shadowman #7. … Daredevil: End of Days ends it’s limited run at Issue #8. We finally get the reveal of what Matt Murdock’s final words, “Mapone” mean, as this supergroup of a creative team (Bendis, Mack, Janson, Maleev, Sienkiewicz) give Daredevil his Dark Knight Returns future tale. … Picks this week from LeaguePodcast.com.

Pass the Daily Dig along! Your friends can sign up here!

Triple Shot: X-MEN #1, CHEW #34 and EARTH 2 ANNUAL #1 at FORCES OF GEEK

This week’s Triple Shot relaunches one of Marvel’s hottest books with an all-female cast, you’ll be hungry for more after reading the latest issues of Chew and Earth 2, but for different reasons.

There’s a new Batman in the town, but is his reveal the ultimate bat-tease?

X-MEN #1
WRITER: Brian Wood
ART: Olivier Coipel
Publication Date: May 29, 2013
Price: $3.99
Publisher: Marvel Comics
UPC: 75960607924700111
Buy it HERE

The role of female characters and creators diminishes over the years for some unknown reasons. When a book stars a female, or if Gail Simone publishes a new book, tumblr explodes with glee. 

This book, is certainly no exception to that rule, as popular writer Brian Wood (The Massive, Star Wars, Mara) relaunches X-Men at number one. 

Starring in the book are Psylocke, Rachel Summers, Storm, Kitty Pryde, Rogue and the return of Jubilee.

Jubilee’s a mom now, that is to say she’s the adopted mother to an orphaned baby. She’s on here way back to the Jean Grey School for Higher Learning with the tyke when she realizes she’s being followed and calls home for help.

This book has all of the elements of great comics, X-Men or otherwise. An orphaned baby with powers that may hold the secret to mankind’s survival, the best train scene we’ve seen since Skyfall, and a billion year old mystery to be solved with Caselli and his sister, Arkea Prime.

Oh, and there’s a Doop cameo. 

So far Bendis has done Uncanny and All-New X-Men right, and here comes along Brian Wood to add to the modern mythos. This is for certain the book people will be talking about most this week.

CHEW #34
WRITER: John Layman
ART: Rob Guillory
Publication Date: May 29, 2013
Price: $2.99
Publisher: Image Comics
UPC: 70985300808803411
Buy it HERE

This cover ships with three covers!

No, no no, silly, not three variant covers available from exclusive retailer, three covers on your book, with the cut along the lines marks so that you, the comic collector can play the interchangeable face game with the covers.

ComiXology customers will have to use their imagination on this gimmick cover that is the direct opposite of your comic shipping in a bag, it’s asking, nay, begging for you to take scissors to your cover!

Do you have the guts…or another $2.99 to spend? Layman and Guillory continue to have fun with this detective book from the lettering to the cover concepts and sneaky inside jokes. This issue has Olive donning a Mike Norton Battlepug shirt.

We’re 4/5ths of the way through the Bad Apples storyline, wherein our hero Tony Chu is hunting down the Vampire Cibopath. His hunt leads him to Eastern Europe, an undisclosed location that could be Transylvania.

This issue serves us up a plate of new food-related powers including one guy that can string guitars with pasta noodles. Admittedly, not a very useful power but he looks like Slash so that’s cool. Senator David Eccles is a Bromaformutare—meaning his head transforms into the last thing he ate. On his campaign trail, he first looks like Mayor McCheese but takes a bite out of an apple pie before his speech is over. That is one way to get votes in the Chew-verse. Also, this can get you in trouble if you are literally what you eat in the Chew-verse where chicken is illegal.

This book is consistently great and surprising, and the schedule ships toward the end of each month. Just as I’m getting full from a month’s worth of comics, I always find room for Chew!

EARTH 2 ANNUAL #1
WRITER: James Robinson
ART: Cafu / Julius Gopez / Cam Smith
Publication Date: May 29, 2013
Price: $4.99
Publisher: DC Comics
Buy it HERE

It all seemed right. I mean, I’m not buying issues of Earth 2regularly, but I’m hip to the concept.

Earth 2 is the closest we’ll get to Elseworlds in the New 52 so you an imagine how I nearly made a boom tube when the solicits were shoving a new Batman my way. I’d already bought the action figure in my mind because the design was equal parts Batman Beyond, Flashpoint Thomas Wayne Batman and Alex RossKingdom Come Batman.

Spoiler warning - if you desperately want to know the identity of the Earth 2 Batman, you won’t find him here. Batman stays on the sidelines as we watch the origin of Captain Atom and briefly see some action with Kirby Fourth World creations Mister Miracle and Big Barda. 

James Robinson is a great writer, and the art by Cafu (T.H.U.N.D.E.R. Agents) is amazing. Sure, not everyone buys these Annuals, but I feel completely duped by DC Editorial promising something (for a hefty $5, noless) and not delivering. 

I’ve no gripe with the Captain Atom origin or the Barda, Scott Free and Hawkgirl cameos but I bought this book under false pretenses. Marketing led me to believe an alternate version of the Dark Knight would be revealed. He was there and he fought a bit, but we are no closer to knowing the man behind the mask. This was a miscalculation, I can’t imagine I’m the only one feeling this way. I don’t care about the Earth 2 continuity a year after it’s launch but thought this might lead me in.

No way am I enthusiastic about getting the next issue to have the same bait and switch happen. This was a $5 trick you played on me, DC. I’m not happy.

EARTH PRIME TIME: COMIC FAN INVADES ANIME BOSTON 2013

Comic book fans and enthusiasts of any niche pop culture genre can be secular at times, closed minded, and exclusionary. It is the nature of the thing, I suppose, to be deeply invested and engaged by taking ownership of what appeals to you and what may become the building blocks of your identity. I’ve ignored the last ten Anime Boston conventions on this narrow-minded reasoning. After the Marathon bombings postponing Boston Comic Con this year, I put on my black costume karate gi to embrace the sense of pride and engagement with the nerd fan community that one can only get at a large convention in your hometown. This is how I, as a superhero comic fan, learned to stop worrying and love Anime Boston 2013. 

My photographer Stacey and I headed for our passes early in the day, eager to take in the wonders of Anime Boston on Saturday. Lines were manageable with bag checks and plenty of volunteers to assist directing traffic. In light of the terrorist attacks, no weapons were allowed at the con this year.

There were plenty of foam swords, accessories, and larger than life costumes this year, so the restriction was certainly not affecting anyone’s creativity.

It should be noted, cosplay at Anime Boston is intricate and omnipresent. Well over 80 percent of the crowd is dressed up or decorated in some way.

Iron Man takes a load off - Photo By Stacey Rizoli

Nerds of all fashions are here, Doctor Who fans, Vorlons (Babylon 5), superheroes, kitty cats with mechanical ears, all manner of tails and white masks swarm around you in a sea of paper mache, facepaint, leather, and vinyl. Cosplayers range in age from young to old and costume materials range from $2 to $2,000.

Cosplay at Comic Con is huge, don’t get me wrong, but as Stacey pointed out, “You’d be out of place if you didn’t dress up here.”

My thirst for nerd knowledge makes me a panel junkie. Anime Boston uses Guidebook, a live updating smartphone app that makes it easy to look at a complicated schedule such as this that includes screenings, martial arts demos, panels, kid’s activities, signings, and contests. We had set up our schedule in advance the night before and backed this up with the hard copy on the convention floor. Getting the lay of the land took some getting used to, Anime Boston uses most spaces in the gigantic Hynes Convention Center.

[READ MORE at DIGBOSTON.COM]

TRIPLE SHOT DIGITAL: Comixology Submit Presents THE RED TEN #1, TIGER LAWYER #1 and MULTIPLAYER #1 at FORCES of GEEK!

This week at our ongoing coverage of creator-owned digital comics reviews at Comixology Submit we tackle the superhero murder mystery The Red Ten, a feline attorney, Tiger Lawyer from FOG! alum Ryan Ferrier and aLeague of Extrordinary Gentlemen for video gamers!


The leader in the digital comics space opened up the platform to indie creators back in March.

Writers and artists now have the chance to publish comics or graphic novels on the browser, tablet or phone using the Guided View technology. Comixology curates the submissions and soon the comic is put into panel by panel production for the viewer.

The comics appear right on the digital store alongside all of the major publisher’s books.

The Red Ten #1 (of 10)(Digital Deluxe Editon)
Writer: Tyler James
Artist:  Cesar Feliciano
Price: $0.99
Page Count: 48 Pages
Imprint: ComixTribe
Digital Release Date: 04/24/2013
Age Rating: 15+ Only
Buy it HERE

The Red Ten is, unapologetically, a send off to the classic Agatha Christie novel “And Then There Were None”.

The cool twist is that this is also the author’s chance to use a creator owned property to kill the Justice League or the Avengers one by one.

Drawing some influence from Meltzer’s Identity Crisis as well, James and Feliciano have created a familiar world of the superhero team and injected a compelling mystery with top notch art.

Supporting this series for 1/4th the price of a mainstream comic is a steal. Oxymoron, our Joker/Luthor villian is scary, but is he picking off these heroes?

Tiger Lawyer #1
Written By: Ryan Ferrier
Art By: Mat McCray / Vic Malhotra
Price: $0.99
Page Count: 31 Pages
Digital Release Date: 12/21/2013
Age Rating: 15+ Only
Buy it HERE

A sucker for an animal in the courtroom and Harvey Birdman, I tried out Tiger Lawyer for a parade around the three ring circus of the courtroom.

The first story seemed like a scene from Night Court, as a weary judge concedes to Mr. Tiger Lawyer’s defense strategy.  The second story was quite good, a more noirBatman: Year One short story told in black and white.

Not sure the strategy on presenting a cartoony version of the main cat vs. a dark detective story, but both worked on different levels.

This book is worth checking out, for fans of Frosted Flakes and Perry Mason.

Multiplayer #1
Story & Art: Tomi Hanzek

 Price: $0.99
Page Count: 28 Pages
Digital Release Date: 05/07/2013
Age Rating: 13+ Only
Buy it HERE

Multiplayer is a fun release combining the mythos of familiar but dissimilar video game heroes into a superhero team across time to the present day to save the world.Legends of Zelda, Tomb Raider, and Street Fighter fans will recognize some faces, as the strongest warriors are assembled to take on Necrolord.

Fun stuff!

My lack of familiarity with all of the video game references did not distract nor turn me off on this book. I enjoy the concept.

[READ MORE at FORCES OF GEEK]

MAD MEN: "THE BETTER HALF" S6 E09 REVIEW at FORCES OF GEEK

The family dynamic is explored in depth on the latest episode of Mad Men.

Now that Don (Jon Hamm) has more time to focus on his work and relationships, will he drown in a sea of margarine, or stay afloat on his bourbon ice cube?

Who will Joan (Christina Hendricks) trust to be the father figure to Kevin?

It’s not that smiley Bob Benson (James Wolk) is it?

Roger (John Slattery) has difficulty connecting with the children in his life, but Don and Betty (January Jones) re-connect at Bobby Draper’s (Mason Vale Cotton) upstate summer camp.

We open on Don and Ted (Kevin Rahm) arguing over the price of margarine, or rather the strategy to woo the Fleishman’s Margarine account.

 

Pete (Vincent Kartheiser) , Harry (Rich Sommer) and Peggy (Elisabeth Moss) try to stay neutral, but Don’s insistent on Peggy’s input. She doesn’t relent, as she is loyal to both men and the company itself. In fact, her loyalty to Ted may be romantic. The two have feelings for each other, but Ted does not want to have an office romance (though his feelings for her are strong).

Harry recommends Pete see a headhunter, a familiar face, Duck (Mark Moses) from Season 2. The men are weigh their options on leaving the firm with no name but Pete’s not worth much to the market these days, he’s not a partner.

On the set of Megan’s (Jessica Paré) soap, we find Megan in a blonde wig, playing double duty as Collette, her character Marie’s twin. Megan opens up to Don about work drama over a drink, as we hear the din of sirens in the city as the ‘60s youth revolts and a crime wave hits Manhattan.

Don hits the road for the weekend to visit Bobby at summer camp. Along the way, he runs into a slim Betty at the gas station. The two make love at the Motel and talk about Don’s relationship to Megan and his disconnectedness to the act of sex. Betty has a line that steals the episode, “That poor girl, she doesn’t know that loving you…is the worst way to get to you”. Betty admits that she’s forgotten about how upset she was with Don over the events of the last episode, leaving his kids alone in the apartment as it was robbed.

Megan invites fellow actress Arlene (Joanna Going) over to talk about the acting craft, but Arlene is more interested in making more passes at Megan, which Megan denies. Arlene’s husband, also a swinger is Megan’s boss, so she fears recourse. In the end, there are no hard feelings as Arlene leaves to walk back home.

Uptown, Peggy and Abe (Charlie Hofheimer) are feeling unsafe. Abe has been stabbed and mugged, but refuses to tell the cops what the race of the perps were. Peggy feels uneasy in her new home, and Abe stays on the side of the oppressed.

Peggy sleeps with a homemade harpoon by her bed with a knife attached to a broomstick. A smash and grab outside startles her from bed, armed with the harpoon. Abe is there to ask what is up, and Peggy ends up stabbing her boyfriend…with a harpoon! This unexpected violent act was comic relief for many, I’m sure.

On the way to the hospital, Abe breaks up with Peggy. He does so not because his girlfriend stabbed her, but because he sees her as part of the establishment, and he is a cutting edge journalist. They simply cannot exist in the same world. Peggy is left alone at the end of this chapter, as Ted pushes her away when she confides in him of the breakup. Poor Peggy, but we’ve seen her on the prowl as of late, she will bounce back.

Hey, how about that Bob Benson? He’s swell and certainly has found himself at Joan’s apartment for a trip to the beach! As Joan (elegantly) is packing beach blankets for the trip with Bob and baby Kevin to the beach, Roger pops in with Lincoln Logs for the little tyke (Roger is Kevin’s biological Dad). Roger doesn’t recognize the brownnose Bob from the office, and feels awkward coming by unannounced. Joan flawlessly conducts Roger’s exit and makes Bob feel at home. Oh Joan, you are so independent and wonderful. And a supermom at that! Yay Joan!

Poor Roger, this is his second failing with kids this week. His daughter Margaret (Elizabeth Rice) wasn’t happy with Roger taking 4 year-old grandson to Planet of the Apes. Maybe 4 years old is a bit young for that movie, but that’s when I saw it…and I’m obviously perfectly fine!

When Don returns home to Megan, they talk about their relationship.

Don promises to be more present, though we will have to see if anything else distracts him. Let us not forget, the main motivation to having this talk with Megan was an affair he had with his ex-wife.

This episode explored how close we can get to people in our lives, and once again we see how being close to people makes it easier to hurt them. Quite literally in the case of Peggy and Abe! Pete searches for something, we don’t know what, but Bob Benson has come to Pete’s rescue with a nurse recommendation for Pete’s senile mother. Don and Megan have some issues to work out, and both seem willing.

On the next Mad Men puzzle game we hear Ted talking about “kissing the ring”, perhaps Don’s ego is pushing his business acumen from the subtle to the blunt. Ginsberg talks of body bags from the war and Roger calls a partner’s meeting. Let’s hope Peggy gives up her dream to be a whaler and concentrates on what she does best, writing copy and breaking hearts.

[READ MORE at FORCES OF GEEK]

DigBoston and LeaguePodcast Comic Book Picks of the Week for May 29, 2013

COMICS

For some reason, it is still X-Men, but this X-Book puts the ladies at the forefront. X-Men #1 debuts this week at Marvel NOW! with ladies at the helm of this team featuring Storm, Rogue, Jubilee, Kitty Pryde, Rachel Grey, Rogue & Psylocke. … Whoa-oh-oh! Positive. Last summer we interviewed Alan Grant (Detective Comics, Judge Dredd) about his Tales of the Buddha Before He Got Enlightened and now the trade paperback is available. Tales of Sex, absurdity, meditation, smoke and rock & roll from Alan and Jon Haward are now available at the TFAW.com link and Renegade Arts Entertainment. … Who is the new Batman of Earth 2? Find out in Earth 2 Annual #1 - the closest thing you can get to an Elseworlds story these days. … Picks this week from LeaguePodcast.com..

Pass the Daily Dig along! Your friends can sign up here!

TRIPLE SHOT: GREEN TEAM TEEN TRILLIONAIRES #1, AKANIERO #1 and THE DEEP SEA #1 at FORCES OF GEEK!

Your triple shot inoculation this week is full of 1% rich kids with money to blow on special toys, a solution of Japanese folklore mixed with video game action and Little Red Riding Hood and is topped off with your cure for the bends in Palmiotti & Gray’s The Deep Sea.

GREEN TEAM: TEEN TRILLIONAIRES #1
WRITERS: Art Baltazar & Franco
ART: Ig Guera
Publication Date: May 22, 2013
Price: $3.99
Publisher: DC Comics
UPC: 76194131597300111
Buy it HERE

Aw, Yeah Green Team!

DC Comics has resurrected the 1975 Joe Simon Green Team in The New 52 to compliment Gail Simone’s The Movement comic.

The best part?

It’s written by Art Baltazar and Franco—the famous cartoonists behind Tiny Titans, Superman Family Adventures and most recently Aw Yeah Comics.


Up until now, the guys of have been on an all ages initiative at DC, so it is exciting news to see them writing in The New 52.

The Green Team consists of Commodore, J.P. Huston, Cecilia Sunbeam, and young Mohammad. The kids don’t have super powers, can’t tell you where the Batcave is, and aren’t trying to save the world…yet.

They all meet up in the first issue at a pop up expo, POXPO ’13. Here, inventors try to gain angel funding for their latest and greatest machinations. Commodore (Nicknamed “64”—an excellent joke referencing the ‘80s computer) Murphy strolls around the expo determining who should get the funding. That is until he discovers Prince Mohammad is broadcasting the location with his Instagram app. This brings on the trouble and the bad guys looking to rob the youngsters, and steal the tech.

This is a very fun book, and it is great to see Art & Franco in The New 52, bringing their unique brand of humor and universal appeal. These are not known properties, so we can imagine some fun stuff coming down the pike, as the team works from a pretty clean slate.

These kids have a good heart, so let’s not condemn this 1% — I have a feeling they will use this funny money to help the world, not doom it.

 

AKANEIRO #1 (of 3)
WRITER: Justin Aclin
ART: Vasilis Lolos
Publication Date: May 22, 2013
Price: $3.99
Publisher: Dark Horse Comics
UPC: 76156822674400111
Buy it HERE

Who’s afraid of a big bad mash-up? Not us!

Akaneiro is part fairy tale, part Japanese folklore and 100% video game tie in. The book is based on America McGee’sAkaneiro: Demon Hunters video game which itself draws it’s storyline from Little Red Riding Hood.

Set in a mystical version of Japan’s Edo era, the Red Hunter Fumiyo avenges the death of her mother who was killed by a wolf yokai (apparition).

She is sent to train with a rival clan, the Akane.

In order to start this training journey, she must travel through the woods alone, with her axe. Some demon rabbit yokai try to slow her down but do not. She is faced with a fork in the path and a wolf yokai has disguised himself to trick her into choosing her direction. She awakes in a strange cottage, with a doting Mother Tanaka taking care of her. What big head Tanaka has, we notice.

Will the wolf spirit devour Fumi, or will her axe lead her out of the forest?

The demons are well drawn, and the color palette seems consistent with the game. This is a fun book for fans of Fables and The Unwritten.

THE DEEP SEA #1 (One-Shot)
WRITERS: Jimmy Palmiotti & Justin Gray
ART: Tony Akins & Paul Mounts
Publication Date: May 22, 2013
Price: $2.99
Publisher: Dark Horse Comics
UPC: 76156822662100111
Buy it HERE

Writers Jimmy Palmiotti & Justin Gray (Jonah Hex, All-Star Western) give us a time-displaced underwater exploration team in this one-shot comic originally published in Dark Horse Presents.

In 1958, a team of underwater explorers are set to explore the Mariana Trench. An injury leaves team leader Paul topside for the mission. When the ship descends, the powerful winch rigging cannot support the ship any more, it is being dragged to the depths by a force more powerful than ever. The crew is mourned and thought lost.

Fast forward to present day and 80 year old Paul is sent to recover the just discovered wreckage. He’s surprised to find his teammates alive, and they have not aged a day. Mixing the Captain America frozen in ice idea with the Fantastic Four team tragedy seems to work.

Both sides are skeptical of the reality of the situation, but as they are trying to figure this out, the recovery ship is attacked by a sea monster. Does the monster hold the secret to the disappearance of the crew?

Palmiotti and Gray are expert storytellers, and this is the great start to a series that I should hope gets continued in later chapters of DHP. Submarine and nautical battles are great fun, and not seen nearly enough in comics. Art and story remind me of John Byrne’s Star Trek titles and they have laid the groundwork for the mystery of the monsters to be solved. Great story and art!

[READ MORE at FORCES OF GEEK]

EARTH PRIME TIME: AVENGERS ASSEMBLE FIRST LOOK

Marvel’s Avengers Assemble on Disney XD debuts this Sunday, May 26th. Marvel Television has released the first half of the one hour premier on exclusively on iTunesfor free for fans to get a first look at the show. The cancellation of Avengers: Earth’s Mightiest Heroes last November made some fans upset, but Jeph Loeb and the Man of Action Team have set us up for another smash hit. We’re guessing the 2009 Disney buyout of Marvel is finally flexing that animation muscle.

 
Marvel TV has released an early preview for Avengers Assemble. This version of The Avengers is more in line with the look and feel Marvel NOW! comics and the Ultimate Spider-Man television series. Costumes are updated to match Marvel’s The Avengers movie as well.

The last episode of Avengers: Earth’s Mightiest Heroes was a practical Secret War of guest stars including The Fantastic Four, Wolverine, Spider-Man, Ant-Man and Wasp. The Avengers defeatGalactus and the Earth was saved at the last minute as Iron Man and Thor knocked the planet eater into the Negative Zone.

IRON MAN - Avengers Assemble

Earth’s Mightiest Heroes aligned itself with the Marvel Cinematic Universe (MCU) in a way, based on the Robert Downey Jr. voice clone Eric Loomis as Iron Man, the movie responsible for kicking off the franchise.

CAPTAIN AMERICA - Avengers Assemble

The first season had guest stars and the introduction of deep cut Marvel/Jack Kirby creation Black Panther, and Marvel/Roy Thomas Avengers The Vision and Ms. Marvel.

The show was good, not great. Certainly this is a step up from the young generation Muppet Baby versions of The Avengers in Super Hero Squad.

HAWKEYE - Avengers Assemble

DC took a chance of it’s own on investing in a darker-tone teenage superhero team adventure with Young Justice, existing in a universe all it’s own.

The chance was all too risky, and Warner decided not to renew Young Justice for a third season. Fanboys cried when they also cancelled the strangely CGI animated Green Lantern: The Animated Series Saturday morning show on the same day. From DC, we’re promised a CGI version of Beware The Batman starring Bruce with Katana as his sidekick facing off against villains like Professor Pygand Magpie. Fans of the ’90s Bruce Timm Animated series may have problems adjusting to the look of the show.

[READ MORE at DIGBOSTON.COM]

MAD MEN: "THE CRASH" S6 E08 REVIEW at FORCES OF GEEK

Back in the days before Red Bulls and when red eye meant a late night flight, not an espresso infused drink, some well to do movers and shakers saw a doctor for an energy boost in the way of a vitamin shot.

The secret ingredient?

Speed, amphetamines, uppers aka dope. Jim Cutler (Harry Hamlin) prescribes the shots for the yet unnamed agency in the latest episode and we see more running around and hear more phones ringing than ever.

Ken Cosgrove (Aaron Staton) is seen speeding with a carload of drunk executives in a Chevy Impala. He’s there in Detroit to get approvals on the new agency’s ideas. They nearly kill him with a game if chicken. He returns with a 3 year approval schedule from the company. The partners are disappointed, though Ken has been injured from an accident related to playing chicken on the highway with the Chevy executives.

Don (Jon Hamm) struggles with his ending affair with Sylvia (Linda Cardellini). An upsetting phone call from her brings us to the first of a series of flashbacks to Dick Whitman’s childhood (Don’s original identity).

New partner and artist Frank Gleason (Craig Anton) passes away and the firm mourns by getting energy shots from Jim Cutler’s doctor.  The speed gets everyone going, including Roger (John Slattery)—the only one there with a heart condition.

As the stuff kicks in, Don heads back in time to his whorehouse upbringing. Aimée takes care of a young Dick Whitman, and this leads to sexual abuse and Don losing his virginity to the prostitute.

After the commercial break, the creative department is swimming around and grasping for ideas, cranking out lists of cracked out gibberish all the while Don is sweating and running around like a mad man. Time passes in psychedelic jump cuts with dialogs references to Alice and Wonderland and even a cult favorite 60s psych. spy-fi show The Prisoner is shown in the background of a scene.

Sally (Kiernan Shipka) and get brothers are left at home in the Manhattan apartment and across town Don speed binges on work and obsesses over Sylvia. 

Also at the office, Stan (Jay R. Ferguson) gets ‘accidentally’ stabbed with an Xacto by Ginsberg (Ben Feldman).

Peggy (Elisabeth Moss) heals his wounds, and Stan leans in for a kiss. Peggy seems like she is dissatisfied with her boyfriend and is flattered again by another man passing at her.

Sally hears someone in the apartment, discovering that she is being burgled by an older black lady Ida (Davenia McFadden).

At the conclusion of the episode we find that Don left the rear door open in his drug addled frenzy. The children were not harmed, but Megan (Jessica Paré) and Betty (January Jones) realize the kids are not old enough to be left alone. 14 year old Sally did try to call the cops but the robber intercepted the phone call.

Draper, still at the office cranks out some nonsense on his typewriter, and calls in Peggy and Ginsberg.

As I have stated before, Don’s creative energy is tapped out. He has lost sight of the Chevy overtime goal, has ignored his family as he reflects on his loss of virginity at a young age.

When he returns to his apartment he finds Betty, Henry (Christopher Stanley), Megan and the police. 

By now the weight of the amphetamine rush, his professional and personal failings drop him to the ground like a ton of bricks. The 3 day binge has taken its toll on Don. 

He also misses Sylvia and this is the closest he has gotten to expressing his real emotions. The disgrace of another flashback to his past wakes Don up.

The next morning, Don and Sylvia share an elevator ride. They only mutter pleasantries, though barely so.

The episode ends with Don being rested and a bit more clear headed, fresh in his suit. He tells Ted (Kevin Rahm) that he will be the creative director for the Chevy campaign but not a copy writer. The long-tail of the assignment has Don weary.

This was a purposely confusing episode with rapid paced jump cuts to portray the passage of time. Learning more about what makes Don tick, sexually and personally is intriguing but the reveal that he lost his virginity at the whorehouse he grew up in was not surprising. Imagining the young innocent Dick Whitman growing up to be the Don Draper we know today is a huge leap. The background flashbacks do paint a picture of how he deals with women in his life.

A highlight of the episode, and the meme posted the day after air was Ken Cosgrove’s “It’s my job” speed-induced tap dance. With the writing on the side, he’s a triple threat on the sales team!

To speculate on the next episode from the teaser is fun but hardly fruitful. Pete and Joan are getting along, tensions are high between Don and Ted, and Don takes a road trip. I think we’ve seen all of the Dick Whitman reveals for the season, my feeling is that the will be taking a break from flashbacks for now.

[READ MORE at FORCES OF GEEK]